The Justification Of God (An Exegetical And Theological Study Of Romans 91-23) Order Printed Copy
- Author: John Piper
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About the Book
"The Justification of God" by John Piper is an in-depth analysis of Romans 9:1-23, focusing on the theological implications of the text. Piper delves into the concept of justification and examines how it relates to God's sovereignty, salvation, and predestination. He also explores the tension between God's justice and mercy in this passage. Ultimately, Piper's work seeks to deepen readers' understanding of God's character and His dealings with humanity.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
The Brave Stunt That Brought Down Slavery
Have you ever heard about the extraordinary effect that the life of David Livingstone (1813–1873) had on the East African slave trade? It received only a passing sentence in an article I wrote two years ago. Then that summer, another world opened to me. I read Jay Milbrandt’s The Daring Heart of David Livingstone: Exile, African Slavery, and the Publicity Stunt That Saved Millions. I would like to give you a window into that world. Milbrandt’s subtitle is not only provocative; it prepares you for what’s coming. “Exile” refers to the long stretches of time Livingstone spent in the eastern interior of Africa, cut off from his homeland — sending, in one season, over forty letters, only to have one get through. “African Slavery” refers to “the devilish traffic in human flesh” feeding not the American plantations from West Africa, but the plantations of Arabia, Persia, and India, especially via the routes through the island of Zanzibar off the eastern coast of today’s Tanzania. “The Publicity Stunt” refers to Livingstone’s internationally hyped expedition to find the headwaters of the Nile. Milbrandt calls it a “stunt” because Livingstone’s deeper motive was not the Nile. “Livingstone was no longer mounting a Nile expedition, but a grand publicity stunt. The Nile quest provided the platform he needed to campaign against the slave trade” (118). The final phrase of the subtitle, “That Saved Millions,” carries more than one meaning. Not only was slavery declared illegal in colonial East Africa 36 days after Livingstone’s death, but his larger dream to see a “Christian Africa” was in one sense realized 140 years later, because “as of 2012, a Pew Foundation study reported 63% of Sub-Saharan Africa as identifiably Christian” (247). Missionary, Doctor, Advocate David Livingstone did not set out to be a global voice for the healing of the “open sore of the world” — the East African slave trade. He set out to heal the disease of sin with the gospel, and the diseases of the body with medical training — all the while believing the Africans were not subhuman. As a young man, he heard Robert Moffat, a missionary to South Africa, say, “I had sometimes seen in the morning sun the smoke of a thousand villages where no missionary had ever been.” This image captured him. God’s call emerged as Moffat’s testimony mingled with Livingstone’s confidence that the word of God would do its saving work: The Word written shall find its own mysterious tortuous way into every region, dialect, and language of the earth; and men shall be convinced of sin, as well as taught their need of a Saviour by its life-giving power. It shall whisper peace to the agitated conscience, and tell of the love of a Father reconciling the world to himself by the blood of his Son. (Dr. Livingstone’s Cambridge Lectures, 179) Then two more pieces of Livingstone’s calling were put in place. One was his conviction that medical training was crucial. Waiting to be sent by the London Missionary Society, Livingstone studied medicine at the Charing Cross Hospital Medical School. He said, My great object was to be like Him, to imitate Him as far as He could be imitated. We have not the power of working miracles, but we can do a little in the way of healing the sick, and I sought medical education in order that I might be like Him. (Daring Heart, 21) The other piece of his calling was the conviction that Africans were fully human — as he would discover, to his horror, the slave traders did not believe, with murderous results. In answer to objectors, we would say, Were not the ancient Egyptians true Negroes? They were masters of the civilization of the world. When Greece was just emerging from the shades of barbarism, and before the name of Rome was known, the negro-land of Mizraim was proficient in science and art, and Thebes, the wonder city of the world. Solon, Plato, and a host of our Greek and Roman intellectual masters confess their obligation to the stupendous “learning of the Egyptians” in which Moses was so apt and able a scholar; notwithstanding, too often does the white man of the present day undervalue the humble descendant of that giant who helped to make him what he is! (Dr. Livingstone’s Cambridge Lectures, 124) The seeds were all sown for the fury and perseverance Livingstone would repeatedly experience in the years to come, as he came closer and closer to “the open sore of the world.” ‘Establishing Trade, Destroying Slavery’ At first, he was optimistic that legitimate commerce with East Africa would dry up the need for slave capturing and trading. “I believe we can by legitimate commerce, in the course of a few years, put an entire stop to the traffic of slaves over a large extent of territory” (Daring Heart, 23). He believed this would even have profound effects on West African slave trading with America: England has, unfortunately, been compelled to obtain cotton and other raw material from the slave States, and has thus been the mainstay and support of slavery in America. Surely, then, it follows that if we can succeed in obtaining the raw material from other sources than from the slave States of America, we should strike a heavy blow at the system of slavery itself. (36) Over time, Livingstone came to see that “establishing trade and destroying slavery,” though connected, would not be achieved without working to turn the hearts of the entire British establishment, at home and in the colonies, against a trade that they were almost totally ignorant of. Hence his “stunt.” Picking Up His Pen At great cost to himself, Livingstone probed deeper and deeper into the darkness of the Arab and Portuguese slave trade, with indirect British support. On humanitarian grounds, the expedition had also uncovered the immense and devastating Arab slave trade and its routes through the Nyassa region to Zanzibar. These findings were new, informing the world and the British foreign office of unresolved horrors. (104) In 1864, he returned to England and took up his pen. In his earlier book Missionary Travels, he had written cautiously about the slave trade. But in recent years, in his travels along the Zambezi River, he had seen unspeakable cruelty. So in the preface to A Narrative of an Expedition to the Zambezi and Its Tributaries, he wrote, “It has been my object . . . to bring before my countrymen, and all others interested in the cause of humanity, the misery entailed by the slave-trade in its inland phases” (110). He had set his face to return to Africa and press on with his explorations and his exposure of the “gigantic evil” of the slave trade. “I am going out again. . . . It is only by holding on bulldog fashion one can succeed in doing anything against that gigantic evil, the slave trade” (121). ‘Sick of Human Blood’ What he saw as the years went by got worse. He describes one experience in which four hundred villagers — men and women — were gunned down. A slave trader named Dugumbe wanted complete control of the area without competing traders. One village was complicit in trading with others. Violence broke out. As the assailants continued their indiscriminate slaughter in the marketplace, an armed party near the Creek opened fire on those dashing toward the water. Even as the villagers, mostly unarmed women, attempted to flee across the nearby river, the attackers continued to fire on them. Aiming for their exposed heads, they shot those trying to swim to safety. . . . Dugumbe’s men had gunned down 400 men and women, all unarmed, and even killed two of their own. Then they followed the people back to their homes. The warfare continued. Livingstone counted 12 burning villages. (174) Livingstone wrote with great heaviness, “The prospects of getting slaves overpowers all else, and blood flows in horrid streams. I am heartsore, and sick of human blood” (172). Seeking the Nile, Finding a Mouth In a letter to his brother, Livingstone reasserted the terms of the “stunt”: If the good Lord permits me to put a stop to the enormous evils of the inland slave-trade, I shall not grudge my hunger and toils. I shall bless His name with all my heart. The Nile sources are valuable to me only as a means of enabling me to open my mouth with power among men. (210) In fact, the “stunt” worked. Both in England and America, Livingstone’s “mouth” — that is, his correspondence — was being heard with power. The famous Henry Stanley (“Dr. Livingstone, I presume”) had been sent by the American newspaper the New York Herald to find Livingstone after six years of being out of touch. He found him in November 1871, spent four months with him, came to love and admire him, and gave him a global voice by publishing his letters about the slave trade. On July 2, 1872, Livingstone wrote in the Herald, If my disclosures regarding the terrible Ujijian slavery should lead to the suppression of the east coast slave trade, I shall regard that as a greater matter by far than the discovery of all the Nile sources together. (201) Stanley’s book How I Found Livingstone was very popular both in America and England. It made Livingstone not just a British hero, but a transatlantic one. In another letter to the Herald, he repeated his life priorities: It would be better to lessen this great human woe than to discover the sources of the Nile. . . . May Heaven’s rich blessing come down on everyone, American, English, or Turk, who will help to heal this open sore of the world. (207) The Awakening of Parliament The effect of Livingstone’s communications in Britain was more than popular. It was political. Livingstone was informed by the head of the Royal Geographic Society, H.C. Rawlinson, that British intervention in Zanzibar was imminent: You will no doubt have heard of Sir Bartle Frere’s deputation to Zanzibar long before you receive this, and you will have learned with heartfelt satisfaction that there is now a definite prospect of the infamous East African slave-trade being suppressed. For this great end, if it be achieved, we shall be mainly indebted to your recent letters, which have had a powerful effect on the public mind in England, and have thus stimulated the action of the government. (214) The sultan of Zanzibar was given an ultimatum: “Consent immediately to the terms of the slave-trade-suppressing treaty, or face a blockade by British naval forces” (215). A little over a month after Livingstone’s death, the Zanzibar slave market closed forever. Queen Victoria announced the success to parliament: “Treaties have been concluded with the Sultan of Zanzibar . . . which provide means for the more effectual repression of the slave trade on the east coast of Africa” (221). Entering Glory on His Knees On May 1, 1873, David Livingstone was found dead, kneeling beside his bed with his face in his hands on the pillow. His longtime African servants and friends removed his vital organs in preparing the body for preservation and return to England. They buried his heart in a tin flour box under a mvula tree. Jacob Wainwright read Scripture and carved Livingstone’s name into the tree (217). After nine harrowing months of an extraordinary labor of love, Livingstone’s body reached the coast of Africa. It arrived in England on April 15, 1874, to a national day of mourning. The April 18 funeral was paid for by the British government. Amid huge crowds, his body was laid to rest in Westminster Abbey. His epitaph reads, in part, For 30 years his life was spent in an unwearied effort to evangelize the native races, to explore the undiscovered secrets, to abolish the desolating slave trade . . . this open sore of the world. Punch, a London magazine, muted its satire to bid farewell to David Livingstone: He knew not that the trumpet he had blown Out of the darkness of that dismal land Had reached and roused an army of its own To strike the chains from the slaves fettered hand. . . . He needs no epitaph to guard a name Which men shall prize while worthy work is known He lived and died for good be that his fame Let marble crumble this is Living stone. (228) Article by John Piper