About the Book
"The 3 Battle Grounds" by Frances Frangipane discusses the three main areas where spiritual warfare takes place: the mind, the church, and the heavenly places. The book offers insights and practical strategies for believers to engage in spiritual battle and overcome the enemy in these areas. It emphasizes the importance of surrendering to God, renewing the mind, and walking in unity with other believers to experience victory in spiritual warfare.
John Newton
“Amazing Grace” is one of the most beloved hymns of the last two centuries. The soaring spiritual describing profound religious elation is estimated to be performed 10 million times annually and has appeared on over 11,000 albums. It was referenced in Harriet Beecher Stowe’s anti-slavery novel Uncle Tom’s Cabin and had a surge of popularity during two of nation’s greatest crises: the Civil War and the Vietnam War.
Between 1970 and 1972, Judy Collins’ recording spent 67 weeks on the chart and peaked at number 5. Aretha Franklin, Ray Charles, Johnny Cash, Willie Nelson and Elvis are among the many artists to record the song. Recently, President Obama burst into the familiar tune during the memorial service for Reverend Clementa Pinckney, a victim of a heinous church shooting in Charleston, South Carolina.
The song was written by a former enslaver
Ironically, this stirring song, closely associated with the African American community, was written by a former enslaver, John Newton. This unlikely authorship forms the basis of Amazing Grace, a Broadway musical (written by Broadway first-timer Christopher Smith, a former Philadelphia policeman, and playwright Arthur Giron) which tells Newton’s life story from his early days as a licentious libertine in the British navy to his religious conversion and taking up the abolitionist cause. But the real story behind the somewhat sentimental musical told in Newton’s autobiography reveals a more complex and ambiguous history.
Newton was born in 1725 in London to a Puritan mother who died two weeks before his seventh birthday, and a stern sea-captain father who took him to sea at age 11. After many voyages and a reckless youth of drinking, Newton was impressed into the British navy. After attempting to desert, he received eight dozen lashes and was reduced to the rank of common seaman.
While later serving on the Pegasus, an enslaved person ship, Newton did not get along with the crew who left him in West Africa with Amos Clowe, an enslaver. Clowe gave Newton to his wife Princess Peye, an African royal who treated him vilely as she did her other enslaved people. On stage, Newton’s African adventures and enslavement are a bit more flashy with the ship going down, a thrilling underwater rescue of Newton by his loyal retainer Thomas, and an implied love affair between Newton and the Princess.
Newton converted to Christianity after a miracle at sea
The stage version has John’s father leading a rescue party to save his son from the calculating Princess, but in actuality, the enterprise was undertaken by a sea captain asked by the senior Newton to look for the missing John. (In the show, the elder Newton is wounded during the battle for his son’s freedom and later has a tearful deathbed scene with John on board ship.)
During the voyage home, the ship was caught in a horrendous storm off the coast of Ireland and almost sank. Newton prayed to God and the cargo miraculously shifted to fill a hole in the ship’s hull and the vessel drifted to safety. Newton took this as a sign from the Almighty and marked it as his conversion to Christianity. He did not radically change his ways at once, his total reformation was more gradual. "I cannot consider myself to have been a believer in the full sense of the word, until a considerable time afterward,” he later wrote. He did begin reading the Bible at this point and began to view his captives with a more sympathetic view.
In the musical, John abjures slavery immediately after his shipboard epiphany and sails to Barbados to search for and buy the freedom of Thomas. After returning to England, Newton and his sweetheart Mary Catlett dramatically confront the Prince of Wales and urge him to abolish the cruel practice. In real life, Newton continued to sell his fellow human beings, making three voyages as the captain of two different vessels, The Duke of Argyle and the African. He suffered a stroke in 1754 and retired, but continued to invest in the business. In 1764, he was ordained as an Anglican priest and wrote 280 hymns to accompany his services. He wrote the words for “Amazing Grace” in 1772 (In 1835, William Walker put the words to the popular tune “New Britain”)
It was not until 1788, 34 years after leaving it that he renounced his former slaving profession by publishing a blazing pamphlet called “Thoughts Upon the Slave Trade.” The tract described the horrific conditions on the ships and Newton apologized for making a public statement so many years after participating in the trade: “It will always be a subject of humiliating reflection to me, that I was once an active instrument in a business at which my heart now shudders.” The pamphlet was so popular it was reprinted several times and sent to every member of Parliament. Under the leadership of MP William Wilberforce, the English civil government outlawed slavery in Great Britain in 1807 and Newton lived to see it, dying in December of that year. The passage of the Slave Trade Act is depicted in the 2006 film, also called Amazing Grace, starring Albert Finney as Newton and Ioan Gruffud as Wilberforce.
Our God Listens
You have been invited to speak to the God of the universe, the Almighty. Not just the mightiest, but the all-mighty. All power is his, and under his control. And he is the one who made you, and keeps you in existence. This God, the one God — almighty, creator, rescuer — speaks to us to reveal himself, that we might genuinely know him, but he doesn’t only speak. In one of the great wonders in all the world and history, this God listens. First he speaks, and bids us respond. Then he pauses. He stoops. He bends his ear toward his people. And he hears us in this marvel we so often take for granted, and so flippantly call prayer. What Comes Before Prayer The wonder of prayer might lead us to rush past a critical reality before we start “dialing up” the God of heaven. There is an order to his speaking and listening, and to ours. He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak. “He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak.” Prayer is not a conversation we start. Rather, God takes the initiative. First, he has spoken. He has revealed himself to us in his world, and in his word, and in the Word. And through his word, illumined by his Spirit, he continues to speak. “See that you do not refuse him who is speaking” (Hebrews 12:25). His word is not dead and gone but “living and active, sharper than any two-edged sword, piercing to the division of soul and of spirit, of joints and of marrow, and discerning the thoughts and intentions of the heart” (Hebrews 4:12). And in his word, and by his Word, he extends to us this stunning offer: to have his ear. Golden Scepter When Esther learned of Haman’s plot to destroy the Jews, a great barrier stood before her. Mordecai directed her “to go to the king to beg his favor and plead with him on behalf of her people” (Esther 4:8). Easier said than done. Esther knew these were life-and-death stakes, not just for the Jews but for her: “If any man or woman goes to the king inside the inner court without being called, there is but one law — to be put to death, except the one to whom the king holds out the golden scepter so that he may live.” And she knew the threat that lay before her: “But as for me, I have not been called to come in to the king these thirty days” (Esther 4:11). Yet in the end, in faith and courage, she resolved, “I will go to the king, though it is against the law, and if I perish, I perish” (Esther 4:16). One does not simply saunter into the presence of a great king “without being called.” And all the more with God Almighty. Not simply because it’s a great risk, as with an earthly king, but with God it’s not even physically possible. He is no man on earth, that one might slip past the palace guards and approach him. He is utterly unapproachable — “without being called.” Yet in Christ, the throne of heaven has taken the initiative, and now holds out the golden scepter. Why We Can Come Near The two great bookends (4:14–16; 10:19–25) of the heart of the epistle to the Hebrews (chapters 5–10) make clear why we can draw near and how. Hebrews is set against the backdrop of God’s first covenant with his people, through Moses. What Exodus, Leviticus, and Numbers say about “drawing near” or “coming near” to God is sobering. For one, the tabernacle, and the whole system of worship given at Mount Sinai, taught the people of their distance from God, with barriers between them, because of their sin. The people must stay back, lest God’s righteous anger break out against their sin (Exodus 19:22, 24). First, Moses alone is permitted to come near (Exodus 24:2), and then Moses’s brother, Aaron, and his sons, serving as priests, may “come near” (Exodus 28:43; 30:20). No outsider may come near (Numbers 1:51; 3:10), nor any priest with a blemish (Leviticus 21:18, 21). Only the ordained priests may “draw near to the altar” to make atonement for themselves and for the people (Leviticus 9:7) — and only in the way God has instructed, as memorably taught in the horrors of Nadab and Abihu (Leviticus 10) and Korah’s rebellion (Numbers 16; also 17:13; 18:3–4, 7, 22). “It is almost too good to be true — almost — that we have access to God.” But now, in Christ, “we have a great high priest who has passed through the heavens, Jesus, the Son of God” (Hebrews 4:14). In him, “we have a great priest over the house of God,” a priest who is ours by faith, and so we “enter the holy places by the blood of Jesus, by the new and living way that he opened for us through the curtain, that is, through his flesh” (Hebrews 10:19–21). Not only does Christ enter God’s presence on our behalf, but he welcomes us in his wake. He is our pioneer, who blazes our trail. We now may “draw near” to God, “come near” to heaven’s throne of grace, because of Christ’s achievements for us, in his life and death and resurrection. How We Can Come Near Then, to add wonder to wonder, we not only draw near to God himself in Christ, but we are invited, indeed expected, to do so with confidence — with boldness and full assurance. Since we have such a high priest as Christ, “let us then with confidence draw near to the throne of grace, that we may receive mercy and find grace to help in time of need” (Hebrews 4:16). In him, “we have confidence to enter the holy places by the blood of Jesus” (Hebrews 10:19). Not by our own value, status, or achievements, but his. We “draw near with a true heart in full assurance of faith” (Hebrews 10:22), a faith looking outside ourselves to ask not “Am I worthy?” to approach God’s throne, but “Is Jesus worthy?” Wait No Longer It is almost too good to be true — almost — that we have access to God (Ephesians 2:18) and “access with confidence” at that (Ephesians 3:12). In Christ, the King of the universe holds out the golden scepter. The question is no longer whether we can come, but will we, and how often? We have access. God expects us to take hold on his Son by faith, and approach his throne with confidence. Our God listens. He hears our prayers. What are you waiting for? Article by David Mathis