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About the Book


"Mantled for Greatness" by Joshua Giles is a motivational book that explores how individuals can unlock their true potential and achieve greatness by embracing their unique gifts, talents, and purpose. The author provides practical insights and guidance on how to overcome obstacles and step into a life of fulfillment and purpose. Through personal anecdotes and biblical principles, Giles inspires readers to pursue their dreams and make a positive impact on the world.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

‘happy wife, happy life’ - and other misleading advice to young husbands

The title read, “How Do I Get My Husband to Be Less Passive?” Click. The author, a wife and clinical psychologist, addressed the common complaint that women of various ages bring to her: their husbands lacked passion for anything but the couch and the screen. These wives wanted to know how to get their men to do something other than stare at the television, laptop, or smartphone, and how to get them to initiate something other than physical intimacy. They wanted their men to plan dates, start conversations, play with the kids, stand up for themselves (at work) and for their wife (with the in-laws), or to show concern for daily decisions. The manly intentionality that had pursued these women during dating had dwindled in marriage. Age-Old Problem The complaint, of course, is nothing new. Paradise was lost when the first man took the easy path of appeasement in his marriage. The serpent hissed lies in her ear; he stood silently by. Instead of an uncomfortable moment with his wife, and then crushing the skull of her deceiver, he watched as she took a bite. Compromise bore twins, and he ate too (Genesis 3:6). “Lasting joy in our marriages is found in living out the drama of Christ and his bride, not Adam and his.” And we see Adam’s passivity echoed in countless marriages today. The temptation to be emotionally and spiritually absent, when physically present, has merely changed hairstyles over time. The same unmanly repose still beckons men to recline in the passenger’s seat. God calls out to husbands today with the same question he asked in the garden: “Adam, where are you?” And where are we? Too often giving into the scheme that affords less responsibility and more opportunity to watch the game. Masculinity that leads  through loving sacrifice  can feel like an endangered species. And some of the mantras given to me as a newly married man may have hurt, instead of helped, my enlistment into the active-duty husbandry put on display in Jesus Christ. Consider four naive, and easily misunderstood, words of counsel given to new husbands, even from well-meaning Christian brothers. ‘Happy Wife, Happy Life’ The advice could be redeemable. The husband should lavish his queen with love, finding a great deal of his joy in hers. And one could say it from an eternal perspective: Happy wife (in the Lord), happy life. But what is most often meant by this phrase cannot be missed: a man’s life is less miserable when his woman gets her way. Such deferment is tempting: no conflict, no unhappy bride, no blame. Just letting her have her way is much more comfortable than making unpopular decisions on weighty matters, that you think (and pray) are spiritually best for her and your family: Whether they be where your children go to school, what church you join, where you live next, when to have children, or countless difficult choices that require spiritual energy, courage, and faith. But Christ created men to initiate and bear responsibility. His glory is to sacrifice. His mission is to lead his wife and his family from the front, on his knees. Although his charge includes the flourishing of the wife, the health of our leadership does not depend solely upon the daily undulations of our bride’s earthly happiness, but on the consistency with which we obey our Master. You can have a happy, governing wife resulting in a shallow, resistance-free life, and end up with an unhappy Lord. In the end, a nearsighted “happy wife, happy life” mentality throws the toys in the closet to go outside and play.  Happy wife, easier life  does not lead to happiness, but to a closet full of regret, bitterness, and selfishness, which we all must open eventually. It backfires on us, leaving even a growing number of unbelievers wondering how to get their men to be less passive. Lasting joy in our marriages is found in living out the drama of Christ and his bride, not Adam and his. ‘Your Spouse Is Your Best Friend’ “You can have a happy, governing wife resulting in a shallow, resistance-free life, and end up with an unhappy Lord.” She is not just your BFF because  marriage is not simply friendship . It isn’t a symmetrical partnership in which the relational patterns are interchangeable. The elegance of the dance consists in the man leading assertively, lovingly, thoughtfully, and the woman following fearlessly, receptively, joyfully — which is much more than mere friendship. The dance is improper when the husband attempts to follow. Now, if we mean that she is the one person with whom you confide most, the one earthly person you treasure most, the one person with whom a day spent doing menial tasks is anything but wasted, then, yes, this is a glory. But our marriages are more than a flat partnership. The glory of a spouse is more than the glory of a friend. The miraculous event of God joining husband and wife together in a bond that none can break is a rose not to be hidden, even in the beautiful tulip-garden of friendship. The marriage drama enacts that of the Great Romance. This flower, by any other name, must smell distinctly sweet. To ballet is not to waltz. The moon is not the sun. The companion is not the spouse. ‘Be a Servant Leader’ For sure, an aspect of this is incredibly right: Jesus came not to be served but to serve and give his life for many (Mark 10:45). That the husband should be like Jesus in such self-giving sacrifice is without question or asterisk. Being a servant leader  is  great advice — when both words are kept together. Often, however, they are not. The paradox of  servant leader  devolves, in some minds, into merely meaning  servant : You sacrifice your convictions for any and all of her ambitions. You take on her calling, not because of exceptional circumstance but only because you wanted to lay your aspirations down for hers. You coddle her, never asking her to do anything that she does not already want to do — even if you think it best for her ultimate joy in the Lord. The good-intentioned servant (non)leader, in an honest attempt to love and serve his wife well, abdicates to a kind of service that undermines his call to be a husband and bear responsibility, take initiative, and feel the burden of the hardest decisions. I prefer  sacrificial  leadership instead: “Husbands, love your wives, as Christ loved the church and  gave himself up  for her” (Ephesians 5:25). It is a leadership that, while not relinquishing its responsibility or apologizing for its authority, sees leadership as a calling to inconvenience self first for the good of one’s family and neighbor. ‘Marriage Is 50/50’ Marriage, for the man especially, is not 50/50. Manhood doesn’t require her to scratch your back before you’ll scratch hers. Headship doesn’t keep score. You don’t go so far, and no farther, until she catches up. You don’t limit your patience, kindness, gentleness, and goodness until she matches. A husband’s love doesn’t bear all things, believe all things, hope all things, endure all things  only half the time . Husbands don’t wait for reciprocation to initiate. “The marriage drama enacts that of the Great Romance. This flower, by any other name, must smell distinctly sweet.” Jesus didn’t wait for his bride to meet him halfway. His spouse didn’t take half of the scourging or half of the cross. He, manly he, sacrificed all for her well-being — while she was yet a sinner. He gave all his life for hers. Nothing 50/50 about it. And sacrificial leadership is so happy in this love of Christ that we lay down our lives like he did — even when she isn’t “holding up her end of things.” Husbands, love your wives as Christ loved the church.  We do not bring home the paycheck and expect the wife to pick up the remaining fifty percent of the relational tab with the kids. Marriages that start 50/50, often end 50/50 — splitting half of one’s assets in divorce. Play the Man You Are “Why did you wish me milder? Would you have me false to my nature? Rather say I, play the man I am.” —Coriolanus Our feminist-influenced, Bible-ignoring, headship-shaming society wishes real men to be milder. They wish you passive. They wish you silent. But God entrusts you to speak, to sacrifice, to crush serpents. He calls you to be true to your nature — the one he gave you — and play the man that you are. And that man is not timid, not unassertive, not feeble in the faith: “Be watchful, stand firm in the faith,  act like men , be strong” (1 Corinthians 16:13). It cannot be asked of that man, “How can I get my husband to be less passive?” That man, as C.S. Lewis depicts, goes into battle first and retreats last. He, for truth’s and honor’s sake, “stands fast and suffers long.” God calls you to increasingly be this man, and provides the strength for you to be him when you feel weak. Stand upright, then, be strong, after the true strength and example of Jesus Christ. For your King, your wife, and your future kin.

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