Lost And Found - Finding Hope In The Detours Of Life Order Printed Copy
- Author: Sarah Jakes
- Size: 717KB | 102 pages
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About the Book
"Lost And Found" by Sarah Jakes is a heartfelt memoir that explores the author's journey of overcoming adversity and finding hope in unexpected detours in life. Through sharing her personal struggles and triumphs, Jakes inspires readers to embrace their own hardships as opportunities for growth and transformation. Ultimately, the book offers a message of resilience, faith, and the power of redemption.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
When Our Waiting Will Be Over
My favorite songs are ones that make my heart burn with longing. They’re songs that have unusual power to, as C.S. Lewis put it, rip open my “inconsolable secret” — the secret “which pierces with such sweetness,” yet is so hard to capture in words, since “it is a desire for something that has never actually appeared in our experience” (The Weight of Glory, 29–30). Which is why among my favorites is a song written by Bob and Jordan Kauflin, “When We See Your Face.” The song taps into subterranean longings and triggers profound emotions in me. I am not one to cry easily, but I rarely can listen to it without tears. So, I usually listen to it alone, sparing others the awkwardness of a weeping middle-aged man. Lest it appear suspicious to anyone, let me say up front that I was not asked to promote this song. I asked permission to write about it, receiving no benefit beyond what the song itself delivers — which is a benefit more precious than gold. For my soul very much needs this song’s reminder, especially as another year passes and I am another year older, still fighting against the relentless darkness, still waiting, still desiring something that has never actually appeared in my experience. Not yet. It remains a desire for a promised appearing — an appearing I’m growing to increasingly love (2 Timothy 4:8). I share this song because I assume you also need its precious reminder. And perhaps it will tap into your piercing, sweet, inconsolable secret too. Though the Dark Is Overwhelming Though the dark is overwhelming And the brightest lights grow dim Though the Word of God Is trampled on by foolish men Though the wicked never stumble And abound in every place We will all be humbled when we see Your face It doesn’t take reaching our middle or elder years to know just how dark the world can be. But I can attest now to a cumulative effect it has upon the soul the longer one lives here. And I do not claim to have suffered greatly — yet. Prolonged exposure to confounding darkness is a wearisome experience (Psalm 73:16). It is not merely the physical effects of aging that tempt many of us to retreat from action as we enter the older demographic columns. It’s also the spiritual and psychological effects of prolonged dealing with evil that infects and harms our families, friendships, churches, vocations, societies, and nations. We probably thought ourselves more a match for it in the optimistic bloom of youth, but experience put us in our place. The evil is beyond our strength and our comprehension. Hope can take a beating in the relentless battle against darkness. Until we remember. Until we remember that one day all oppressive darkness will be banished from the experience of the saints (Revelation 22:5), and that even now, even as the darkness rages (Revelation 12:12), it is passing away as the true light shines (1 John 2:8). We remember that we were never supposed to know and understand the evil we face (Genesis 3:7) — of course it’s a wearisome task! Only the Omniscient and Omnipotent can comprehend it and not grow weary (Isaiah 40:28). We remember that he promised us, “In the world you will have tribulation. But take heart; I have overcome the world” (John 16:33). We remember that our great task, the one way we truly conquer darkness, is to trust him (Proverbs 3:5–6) and obey him (John 14:15). And the great day that will end all night — the day of the joyful humbling of the redeemed righteous and the horrible humbling of the condemned wicked (Philippians 2:10–11) — will be inaugurated when we see the face of Jesus (1 Corinthians 13:12). All Our Sins Will Be Behind Us And the demons we’ve been fighting Those without and those within Will be underneath our feet To never rise again All our sins will be behind us Through the blood of Christ erased And we’ll taste Your kindness when we see Your face I’m so sick of Satan and his wretched wraiths that I don’t even want to give them the attention of a mention — except to say that one day (hear this, you horrid hoard!), the almighty foot of the Son of Man will come down once for all upon the heads of the great dragon and all his infernal snakes, and we will wrestle them no more (Ephesians 6:12; Revelation 20:10). But we also remember something far, far sweeter — and growing sweeter every year we grow older and come more to terms with just how intractable and entwined our demon-like indwelling sin is in the very members of our bodies (Romans 7:23). We remember that our sin will someday be behind us. Oh, we know that Jesus has paid our ransom in full (1 Timothy 2:6) and that by God’s grace through faith (Ephesians 2:8) we have been clothed in Christ’s righteousness (Philippians 3:9), so that God even now sees us justified, as if we had never sinned and always obeyed (Romans 3:26). It is, for now, an almost incomprehensibly glorious thing. But one day, our blood-bought innocence, our holy purity, will cease to be primarily a forensic reality we embrace by faith. On that day we will fully experience what it’s like to be righteous in every atom of our resurrected bodies and every dimension of our eternal, immaterial souls. We will have no more sin. No more tainted motives, no more illicit desires, no more damned selfish ambition. We will know in every part of our being what it’s like to fully obey the Great Commandment as if it’s the most natural thing in the world — for it will be! And we will worship the Lamb who was slain for us with unclouded minds and hearts bursting with joy. We will taste this unfathomably gracious kindness of Jesus when we see his face. All the Waiting Will Be Over All the waiting will be over Every sorrow will be healed All the dreams it seemed Could never be will all be real And You’ll gather us together In Your arms of endless grace As Your Bride forever when we see Your face The waiting will be over. I can’t write that sentence with dry eyes. Most of our Christian experience in this dark valley is hopeful waiting for what we so long to see (Romans 8:25). And much of that waiting is accompanied by hopeful groaning (Romans 8:20): groaning in illness, groaning in grief, groaning in disappointment and perplexity over the terrible, violent brokenness of the world and the inscrutable purposes of our only wise God (Romans 16:27), whose ways are not our ways (Isaiah 55:8). And we hopefully groan, like a bride, with longing for the consummate intimacy of knowing the Lover of our souls, even as we have been fully known (1 Corinthians 13:12). But one day — our Groom has promised it will be “soon” (Revelation 22:20) — the waiting will be over. And he will come, our Hero, of which all legendary heroes are but copies and shadows, and he will save us to the uttermost (Isaiah 35:4; Hebrews 7:25). And all that is dark and diseased and damaged and destroyed will pass away like a bad dream and become the shadows of the great yesterday (Psalm 90:4–5), serving only to heighten our savoring of the bright, eternal today (Revelation 22:5). And of all the light in which we delight, the fairest will be his face. We’ll Be Yours Forevermore We will see, we will know Like we’ve never known before We’ll be found, we’ll be home We’ll be Yours forevermore Having once been lost, we will fully know just how found we are (Luke 19:10). Having once known our Savior in such a small part, we will fully know him — as much as the finite can fully know the Infinite (1 Corinthians 13:12). We will be fully his and fully home — forever. Home. That is our inconsolable secret, isn’t it? That piercing sweetness, that desire for what has never actually appeared in our experience, yet somehow we know it is where we truly belong. I think that’s what this song taps into: our homesickness for a place we’ve not been, and a sense of alienation in the very places we were born. We don’t belong here, where it’s dark, depraved, and demonic, and where our sweetest experience is the blessed hope we taste in the future promises we trust. We long for home. For home is where we will meet the One we have loved, though we have not seen him (1 Peter 1:8). Home is where we will see his face. Article by Jon Bloom