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About the Book
"King's Cross" by Timothy Keller explores the story of Jesus' life and ministry through the lens of the Gospel of Mark. Keller delves into the significance of Jesus' sacrifice and resurrection, and how it impacts the lives of believers today. The book challenges readers to reflect on their own faith and the implications of following Jesus.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
If God Approves, Let Men Condemn
It may appear, at first glance, to be an odd text to hang in your bedroom: Blessed are ye, when men shall revile you, and persecute you, and shall say all manner of evil against you falsely, for my sake. Rejoice, and be exceeding glad: for great is your reward in heaven: for so persecuted they the prophets which were before you. (Matthew 5:11–12 KJV) Whereas others might draw from a thousand wells before this one, Susannah Spurgeon framed Jesus’s words to remind her husband, Charles, of Jesus’s upside-down perspective. When his disciples face bitter opposition for his name’s sake, the proper response should be joy. “Spurgeon was slandered in the newspapers, ridiculed by his opponents, and censured by many evangelical ministers.” When we consider this Baptist giant, when we read his stirring sermons, when we remember that his life’s work rivaled that of one hundred men, when we read of the revival and the winning of countless souls to Christ, we can imagine the Prince of Preachers encountering little but unbroken success. Compared with so many of our ministries, his seemed to soar high in the clouds. We rarely consider, as Iain Murray contends, The Forgotten Spurgeon — the Spurgeon who needed Matthew 5:11–12 hanging on his wall. Forgotten Prince The forgotten Spurgeon stood among the tornadoes of several great controversies in his day. His protestation against Arminianism, his disgust at baptismal regeneration, and his resistance to an evangelical unity founded upon fragments of Christian doctrine (known as the Downgrade Controversy) made him the target for many arrows. This Spurgeon, especially at the beginning and end of his ministry, had reason to reckon himself as “the scum of the earth” (24–25). The name Spurgeon, which we regard fondly, was, by estimation of its owner, “kicked about the street like a football” (28). He had occasion to remark in a sermon, “Scarce a day rolls over my head in which the most villainous abuse, the most fearful slander is not uttered against me both privately and by the public press; every engine is employed to put down God’s minister — every lie that man can invent is hurled at me” (63). This Spurgeon was slandered in the newspapers, ridiculed by his opponents, and censured by many evangelical ministers who he anticipated would be his allies. This Spurgeon was a living example of the happy — but often hated — man of God to whom Jesus spoke in the Sermon on the Mount. Fleeing Compromise What can we learn from this forgotten Spurgeon? This Spurgeon can teach us to handle controversy manfully and without compromising. His convictions, which he held to his dying day, cost him dearly. He did not practice that vice he so clearly preached against: “I think there is scarcely a Christian man or woman that has been able to go all the way to heaven and yet quietly hide himself and run from bush to bush, skulking into glory. Christianity and cowardice? What a contradiction in terms!” (“Speak for Yourself — a Challenge”). If we would cast away the temptation to tiptoe into glory, and be of real benefit for Christ’s name in this world, Spurgeon teaches us that we would do well to resist loving our own names, be comfortable in the minority, and recognize (and reject) false unity. 1. Don’t fall in love with your own name. “Let my name perish, but let Christ’s name last forever! Jesus! Jesus! Jesus! Crown him Lord of all!” (43) Spurgeon warns us of falling in love with our own reputations and influence. This self-love, he identified, is a main ingredient in the undoing of the best of us. He exposes the steps to compromise of the person initially used by God: The temptation comes to be careful of the position he has gained, and to do nothing to endanger it. The man, so lately a faithful man of God, compromises with worldlings, and to quiet his own conscience invents a theory by which such compromises are justified and even commended. He receives the praises of “the judicious”; he has, in truth, gone over to the enemy. The whole force of his former life now tells upon the wrong side. (170) How many times have we seen or experienced this drift? First, we are somehow exalted for special use. Then we quietly begin to notice it and relish the attention. Falling in love with recognition, we tighten our grip around our platforms in fear of losing them. We then calculate what we say, filtering out anything that may weaken our influence — including the unfavorable truths of Scripture. And finally, faced with the thing we used to call compromise, we invent reasons to support what we’ve become — why we’ve beaten the sword into a plowshare. “When we begin sharing truth based on how well that truth will be received, we are halfway to compromise.” Fierce loves fixed on unworthy objects mold Christians into cowards. If we have begun to love the music of our own name, manage our brand, or consider our popularity as necessary to the advancement of Christ’s kingdom, we have begun building our own kingdoms. May we say with Spurgeon, “I count my own character, popularity, and usefulness to be as the small dust of the balance compared with fidelity to the Lord Jesus” (219). It is Christ we proclaim, not ourselves (2 Corinthians 4:5). 2. Be comfortable in the minority. “Long ago I ceased to count heads. Truth is usually in the minority in this evil world. I have faith in the Lord Jesus for myself, a faith burned into me as with a hot iron. I thank God, what I believe I shall believe, even if I believe it alone.” (146) Have you ever felt the temptation to count heads — or followers, likes, and shares — to see what you should or should not say? I have. When we begin sharing truth based on how well that truth will be received, we are halfway to compromise. Spurgeon counsels us to consider the cost beforehand: truth is often in the minority; to stand with it means you may stand alone. Yet those who stand for Christ’s truth never truly stand alone. You may go as Esther before the king without kin beside you, resolved that if you perish, you perish; you may preach like Stephen, as crowds press in around you, shutting their ears and hurling stones; you may rebuke King Herod’s adultery alone or say with Paul, “At my first defense no one came to stand by me” (2 Timothy 4:16) — but Christ shall be with you, even until the end of the age (Matthew 28:20). And if your cause is true, you will find, like Elijah, you are not the only one not to bow the knee to Baal (1 Kings 19:14, 18). 3. Recognize false unity. “It is, of course, the most easy to flesh and blood to deal in generalities, to denounce sectarianism, and claim to be of an ultra-catholic spirit; but though rough and rugged, it is required of the loyal servant of King Jesus to maintain all his crown rights and stand up for every word of his laws. Friends chide us and foes abhor us when we are very jealous for the Lord God of Israel, but what do these things matter if the Master approves?” (18) Error loves vagueness. As in Spurgeon’s day, the temptation to tolerate all positions and accept all perspectives on truth is strong in ours. We are told it is prejudiced, narrow, and even unchristian to draw lines. But to Spurgeon, promoting a type of “Christian unity” whose common denominator sinks lower than genuine Christianity in the first place is unacceptable. Unity of Jew and Gentile into one new man is bought with the blood of Christ; unity of gospel truth and gospel untruth is unity brought about by Satan. Orthodox Christianity, he argued, is distinct. Not all views can be true. When the only standard left is for all in the flock to have four legs, wolves and goats stand at ease among us. The trend toward an undoctrinal, atheological, shapeless evangelicalism, beginning in Spurgeon’s day and seemingly ripening in ours, is one of the quickest ways to compromise our fidelity to Christ and witness in the world. “Truth is often in the minority; to stand with it means you may stand alone.” In saying this, Spurgeon did not intend to divide over every possible theological difference — lest every man be an island unto himself. But Spurgeon chafed at minimizing Christian zeal and truth in order to bring together contrasting theologies and to mix liberalism with historic Christianity. We may be called particular or dogmatic, but what do we care if what we promote is the Master’s truth? Though the Heavens Fall “It is yours and mine to do the right though the heavens fall, and follow the command of Christ whatever the consequence may be. “That is strong meat,” do you say? Be strong men, then, and feed thereon.” (171) His beloved wife, who hung Matthew 5:11–12 in their bedroom, said after his death at the age of 57, “His fight for the faith . . . cost him his life.” He fought the good fight of faith, he kept the faith, he finished the race (2 Timothy 4:7), claiming before his death, “My work is done” (173). He lived for his Lord, and now he basks in his presence. To those of us who lag behind him, traversing our own times with all of their challenges and opportunities, temptations and labors, take up his oft-quoted hymn as we continue on in our race of faith: Must I be carried to the skies On flowery beds of ease, While others fought to win the prize And sailed through bloody seas? Since I must fight if I would reign, Increase my courage, Lord! I’ll bear the toil, endure the pain, Supported by thy word. Though the heavens fall, though the earth gives way, though controversy and temptations of spiritual compromise stand before us, may we heed this forgotten Spurgeon, hang Matthew 5:11–12 in our hearts, and live before men and devils with the courage and hope that only Christ supplies. Article by Greg Morse