GIP Library icon

Isokene (E-Novel) Isokene (E-Novel)

Isokene (E-Novel) Order Printed Copy

  • Author: Opeyemi Ojerinde Akintunde
  • Size: 2.36MB | 97 pages
  • |
Continue with
Google Twitter
LOG IN TO REVIEW
About the Book


"Isokene" is a novel about the life and struggles of a young woman named Isokene who faces various challenges in her quest for success and happiness. The book explores themes of love, family, ambition, and personal growth, as Isokene navigates the complexities of relationships and societal expectations. With engaging storytelling and relatable characters, the novel sheds light on the realities of modern life and the importance of resilience and self-discovery.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

Closeness Comes Through Fire - How Suffering Conforms Us to Christ

Ignatius of Loyola (1491–1556) believed the cannonball that broke his leg was essential to his spiritual awakening. For Martin Luther, it was the threat of lightning. What unites them is that they are part of a common Christian tradition that teaches an uncomfortable lesson: suffering sanctifies. The stories can be found throughout Scripture and in every church on almost any day. We might wish that faith grew especially during prosperity, but the voice of faith says, “Jesus, help!” And those words come most naturally when we are weak and unable to manage on our own. Growth can be judged, in part, by the number of words we speak to our Lord, and we tend to speak more words when we are at the end of ourselves. Suffering sanctifies. God tests us in order to refine us. This is true, and knowing this might help us face the inconveniences and challenges of everyday life. But this knowledge feels less satisfying in the face of the death of a child, betrayal by a loved one, or victimization that leaves you undone. Then the nexus between trouble and God’s sanctifying goodness can gradually give way to a relationship in which you and God seem to live in the same house, but you rarely acknowledge him. We expect some types of sanctifying suffering, but not those sufferings that border on the unspeakable. When these come, the idea that they sanctify us may feel unhelpful. Though we might say to a friend who had a flat tire, “How is God growing you through that?” we know that we should never ask such a question to someone when “the waters have come up to my neck” (Psalm 69:1). The basic principle is true — God sanctifies us through suffering — but there are more elegant and personal ways to talk about it. Sanctification Is Closeness A more helpful approach first refreshes our understanding of sanctification. Let’s begin with a common definition: sanctification is growth in obedience. The problem is when this definition drifts from its intensely personal moorings. As it does, suffering becomes God’s plan to make us better people — stronger, seasoned soldiers who don’t retreat after a mere flesh wound. All of this, of course, sounds suspiciously like a father who is preparing his children to move out and become independent, which is the exact opposite of what God desires for us. Left in this form, the principle that “suffering sanctifies” will erode faith. Sanctification, of course, is much more intimate. “Christ also suffered once for sins, the righteous for the unrighteous, that he might bring us to God” (1 Peter 3:18). Jesus died to draw us near to God, and our obedience serves that closeness. From this perspective, sin and any form of uncleanness distance us from God. Holiness, or sanctification, brings us closer. Progressive Nearness Think of the Old Testament tabernacle. The unclean, which included the foreign nations and those contaminated by the sins of others, were farthest from the place of God’s presence in the Most Holy Place. The clean were closer. They camped around God’s house and could freely come near to worship and offer sacrifices. The priests, however — the ones made holy — were closer still. They were invited daily, in turn, into the Holy Place, and, once a year, on the Day of Atonement, the high priest dared to enter the Most Holy Place. The high priest offers a picture of humanity as God intended — purified and close to him. For us, we have been sanctified once for all by the obedience of Jesus Christ (Hebrews 10:10) and our faith in him. We now are holy ones. From that place, in the Most Holy Place, God invites us closer still, and our obedience and love for him are means by which we draw nearer. In his book on Leviticus, Michael Morales helpfully suggests progressive nearness as an alternative to progressive sanctification (Who Shall Ascend the Mountain of the Lord?, 18). This heavenly pattern of nearness through obedience overflows into the very fabric of marriage: a married couple has been brought near in their declarations of commitment to each other, and then, for the rest of their lives, they draw nearer still through their growth in covenant love. Sovereignty Has Mysteries With sanctification understood more personally, we turn to our understanding of God’s sovereignty. “Suffering sanctifies” suggests that God purposely brings suffering into our lives. He ordains every detail. This is true, but some ways of talking about God’s sovereignty can be misleading and miss the emphasis of Scripture. “God’s sovereignty invites us to trust in our Father who will make everything right, even in creation itself.” God’s sovereignty is not an invitation to make perfect sense of how his power and love coexist with every detail of our suffering. Instead, his sovereignty reminds us to approach him as children who trust their Father and his love. A child understands love, and God’s love is, indeed, a fathomless expanse that he welcomes us to explore. He gives help and wisdom as we consider, “He who did not spare his own Son but gave him up for us all, how will he not also with him graciously give us all things?” (Romans 8:32). The most shameful abuse will not separate us from God, which is certainly counterintuitive when we feel like an outcast who is among the unclean. When we see him face-to-face, we will rest in (and even rejoice in) his righteous judgement against oppressors, and we will be thoroughly cleansed from the wicked acts done against us. In other words, God’s sovereignty invites us to trust in our Father who will make everything right, even in creation itself. How Suffering Draws Us So, how does suffering sanctify? How does God sanctify us in the midst of suffering? In this way: with boundless compassion, God rushes to us. He comes close and enters into our burdens. He hears the cries of his people, which means that he will take action (Psalm 10:14). This is all true. Satan would have you think otherwise, but this is true. “I am the suffering servant. Talk to me.” The Spirit invites you to see and hear Jesus, the suffering servant. The misery of a mysterious servant in Isaiah 52–53 foretells his story. The last week of Jesus’s life in John 10–21 reveals him most fully. In Jesus, you find a kindred spirit who knows your experience through his own. He understands you without you explaining the details. As you watch him, you will notice how the list of abuses against him gathered momentum every day. Perhaps you will be stunned by his universal rejection and shame. “In Jesus, you find a kindred spirit who knows your experience through his own.” Next, there is an unexpected turn. “He was pierced for our transgressions” (Isaiah 53:5), which is to say, for your transgressions. What does your sin have to do with your suffering? When Jesus took your sin, he assured you that nothing can separate you from the love of God, and he breached the wall of pain in which Satan, death, shame, sin, and misery dwelt. To this stronghold, Jesus announced their demise. Then Jesus makes all this even more personal. He brings you closer. He invites you to speak to him. “Pour out your heart” (Psalm 62:8), he says. Prayer, of course, can be much more difficult than it sounds, so he gives you words to replace those unspeakable silences. When you read the Psalms, you can almost overhear Jesus ask you, “Is this how you feel?” His request that you speak to him is a sincere request, and he patiently waits for your words. In response, you break your silence. Perhaps your words jar you, not because of their honesty but simply because your recent words to him have been so few. “But how could evil have been given such liberty in my life? Why did you hide your face from me? How could you have allowed . . .” With these words, he has drawn you closer. They are expressions of your faith in God. You are being sanctified. You have listened to him. Unbelief turns away or simply rages; faith responds to God, presses in, and inquires, with words shaped by Scripture. Jesus himself has asked these very questions to his Father. After more words back-and-forth, God invites you to grow as his child. “I am your God and Father. You can trust me.” He has given you evidence that he is trustworthy. He certainly will not forget you or the acts done against you (Isaiah 49:16). Do you believe? This is the truth. He says, “Come closer, as my child, and trust me.” You respond, “Yes, I believe; help my unbelief. I trust you, but please give me more faith.” This is one way suffering sanctifies: it brings us closer to God. Article by Ed Welch Counselor, CCEF

Feedback
Suggestionsuggestion box
x