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About the Book
"IS GOD SAYING HE'S THE ONE" by Susan R. explores the concept of discerning God's will in relationships and finding the right partner. The book offers practical advice and guidance on how to listen to God's voice and understand His plan for your love life. Ultimately, it encourages readers to seek God's guidance in choosing a life partner.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
the spiritual gift of a closed door
Sometimes God makes us wait for doors to open in ministry because unwanted waiting is some of the best preparation for ministry. By the fall of 2008, I already knew I wanted to be a pastor. It was my senior year at Wake Forest University. I had wondered whether I might be a high school teacher, so I had tried a couple of education classes. Thinking I might go into ministry, though, I also signed up for one memorable course in the divinity school, on the apostle Paul and his letters. The course was taught by a universalist lesbian. On the last day of class, she handed back our final papers and told me she thought I should consider Christian ministry. It was almost enough to convince me not to. No, very much despite my experience in the divinity school, I still wanted to be pastor, largely because I had watched teenagers’ eyes light up, again and again, while we read about Jesus in the Gospel of John together. I came to faith through the ministry of Young Life, and then volunteered with the ministry throughout college. I spent much of my free time at East Forsyth High School, watching JV soccer games, playing ping pong, and telling 14- and 15-year-olds what God had done for me. I never felt more alive than when I was watching God use something in his word to set the filaments of their minds on fire. After that one class, I stayed plenty clear of the divinity school, and decided to major in business with a minor in ancient Greek (probably the only one in my class to do that). When I graduated in 2008, I knew I needed more training to learn how to handle the Bible faithfully, so I went straight to Bethlehem College & Seminary, where I graduated in 2012. Now ten years later, I’m still not a pastor. Humility in Ministry Now, to say I’m not yet a pastor is not  to say that God hasn’t opened real doors for ministry. He clearly has. This article itself is but one sweet and unexpected evidence. But I’m not yet leading in the ways I thought I would be by now, which has given me a chance to reflect on why that might be. Why might God give me an ambition to lead, and bring solid confirmation of character and ability, and yet withhold certain opportunities to lead? Because sometimes unwanted waiting is some of the best preparation for ministry. “How many men have been given too much authority, too soon, and fallen headlong into the hands of hell?” When the apostle Paul laid out what kind of man a pastor must be, he wrote, “An overseer, as God’s steward, must be above reproach. He must not be arrogant  . . .” (Titus 1:7). Does arrogance feel spiritually dangerous, even ruinous, to you? Paul said the same to young Timothy: “He must not be a recent convert, or he may become puffed up with conceit and fall into the condemnation of the devil” (1 Timothy 3:6). Is anything more dangerous to a ministry — or to a soul — than unchecked pride? How many men have been given too much authority, too soon, and fallen headlong into the hands of hell? The priceless gift of unwanted waiting in ministry is humility. A ministry without humility may seem to flourish for a time, but (as we’ve witnessed again and again) it ultimately harms those it claims to serve. Pride slowly erodes a ministry until it suddenly collapses on all involved. How kind of God, then, to save churches, families, and souls, by making some men wait until they can kneel low enough to lead well? Cheerful in the Shadows One of the best ways we can steward a season of waiting to shepherd is to learn to be a model sheep. Pastors worth following, after all, are always examples worth imitating. “Shepherd the flock of God that is among you,” the apostle Peter writes, “exercising oversight, not under compulsion, but willingly, as God would have you; not for shameful gain, but eagerly; not domineering over those in your charge, but being examples to the flock ” (1 Peter 5:2–3). So what kind of example are you becoming? Bobby Jamieson offers this counsel to aspiring leaders like me along these lines: What good deeds do you do that are seen by few or none? When did you last volunteer for a menial task? Which title means more to you, “brother,” which you are, or “pastor,” which you hope to be? Is being a servant your idea of greatness? One of the best things an aspiring pastor can do is serve outside the spotlight. Give elderly members rides to church. Serve in the nursery. Teach children Sunday school. Volunteer to serve food at, and clean up after, the wedding reception of a couple of church members you barely know. Everybody wants to be a servant until they get treated like one. Pastors not only are servants; they get treated like servants. Prepare yourself now for both the work and its reception by serving others. The best preparation for the spiritual trials of the spotlight is serving cheerfully in the shadows. ( The Path to Being a Pastor , 134) “One of the best ways we can steward a season of waiting to shepherd is to learn to be a model sheep.” How are you stewarding the shadows? If we could see how well these days were preparing us for the darker days of ministry ahead, we’d treasure the quiet, hidden work God is doing in and through us while we wait. Keep the Room Clean As I traveled with John Piper during the years I was his ministry assistant, I heard him tell some version of one particular story many times. Each time, the scene captivated and humbled me. A significant reason I chose to come to Bethlehem College & Seminary was to sit under and learn from him. His preaching class was all I hoped for, and more. As you might imagine, he came each day brimming with some fresh insight from his devotions, eager to wrestle with us over something God had said. He had (and has) a relentless appetite for uncovering reality in Scripture and pressing it into human hearts, especially his own. Those hours were intense and refreshing, serious and exciting. I came away wanting to see all he could see in God’s word. So, having had him as a teacher, and having admired him as a teacher, and having wanted to be a teacher like him, I leaned in all the more when he would tell this particular story. When I was in seminary, I said to John McClure, the head of the youth department at Lake Avenue Congregational Church, “I’m available, and I’ll do whatever you want me to do.” And he said, “Well, we need a seventh-grade boys Sunday school teacher this year.” I said, “Count me in.” I poured my life into those boys. There were about nine of them. . . . Four hours every Saturday afternoon I worked on my lesson. And at the end of that year, I said, “Now what do you want me to do, the same thing?” He said, “No, now we need a ninth-grade teacher.” So I said, “Okay,” and I jumped over a class and taught ninth grade. Midway through that year, the Galilean Sunday School Class of young married couples said, “We would like you to teach our class if they can do without you teaching the youth.” This is the way it’s gone my whole life. My dad said, “Keep the room clean where you are, son, and he’ll open the door when the next one’s ready.” I would pay to watch those nine 12-year-old boys under the waterfall of a young Piper’s love for Jesus. The story sticks with and sobers me because of how much someone as gifted as he is poured into just a few kids week after week. Hours of thinking, praying, and preparing for a tiny crowd of preteens (who could probably care less how much time he spent). I can picture what those lessons were like — John, with all he had, trying hard to creatively capture their wandering attention with the beauty and worth of God. Am I that faithful in the quiet, secret ministries God has given me? The story inspires me, though, because it reminds me that greater fruitfulness and responsibility in ministry often grow out of faithfulness in secret places. Are You Faithful in Little? While I traced the threads of humility, leadership, and waiting in Scripture, it dawned on me that, in one sense, our entire lives are one brief season of training for an eternity of ministry. Listen to how Jesus explains the parable of the talents: It will be like a man going on a journey, who called his servants and entrusted to them his property. To one he gave five talents, to another two, to another one, to each according to his ability. . . . Now after a long time the master of those servants came and settled accounts with them. And he who had received the five talents came forward, bringing five talents more, saying, “Master, you delivered to me five talents; here, I have made five talents more.” His master said to him, “Well done, good and faithful servant. You have been faithful over a little; I will set you over much. Enter into the joy of your master.” (Matthew 25:14–21) At the end of the age, he’ll say, “You have been faithful over a little; I will set you over much.” Not , “You have been faithful over a little, and I have nothing else for you to do,” but, “You have been faithful over a little in this life, and I have so much more for you to do in the next.” Even the largest, most well-known ministries are small and brief next to all Jesus will one day entrust to us — if we’re faithful with the talents we have. So, while you wait for some door to open, be as faithful as you can be with whatever work, however seemingly small, God has entrusted to you for now.
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