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"IS GOD SAYING HE'S THE ONE" by Susan R. explores the concept of discerning God's will in relationships and finding the right partner. The book offers practical advice and guidance on how to listen to God's voice and understand His plan for your love life. Ultimately, it encourages readers to seek God's guidance in choosing a life partner.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

How to Pray Like Jabez

Jabez was more honorable than his brothers; and his mother called his name Jabez, saying, “Because I bore him in pain.” Jabez called upon the God of Israel, saying, “Oh that you would bless me and enlarge my border, and that your hand might be with me, and that you would keep me from harm so that it might not bring me pain!” And God granted what he asked. (1 Chronicles 4:9–10) Perhaps you’ve heard of Jabez. If not, maybe it’s time for his story. Just over twenty years ago, few other than careful readers of Old Testament genealogies would have known his name. Then that changed almost overnight. Still today, the mere mention of Jabez among older Christians may elicit quite a range of responses. The full story is longer than I know well or wish to tell, but author Bruce Wilkinson — who cofounded, with his mentor Howard Hendricks, the ministry Walk Thru the Bible in 1976 — published the 90-page The Prayer of Jabez in 2000. In it, he tells of hearing a moving message in the early 1970s, while a seminary student, from pastor Richard Seume (1915–1986). (Interestingly enough, John Piper sat under Seume’s preaching at Wheaton Bible Church in the late 1960s when Piper was a college student. He says, “I recall how Pastor Seume would take the most obscure texts and find in them diamonds to preach on.”) That one sermon on Jabez, from 1 Chronicles 4:9–10 — the only two verses in the Bible that mention Jabez — left such an impression on Wilkinson that he began to pray Jabez’s own words for himself on a daily basis. When he published the book in 2000, he had been doing so every day for thirty years. Rehearsing the Jabez prayer daily seemed to Wilkinson to release (a word repeated in the book) the floodgates of God’s blessings on his life and ministry. The book quickly became a runaway bestseller, and is one of only a few Christian books of all time to have sold more than ten million copies. I read Wilkinson’s short book as a college student when it came out in 2000 (about the same time I was first exposed to Piper and Desiring God). I don’t remember in detail how reading Jabez landed on me then. I do recall some enthusiasm, and remember echoing the prayer at times as my own. For whatever reasons, though, I didn’t form the habit of praying it daily. The flash soon faded. So, I have not prayed Jabez’s prayer every day for the last twenty years, though I expect the book (and that brief season) did have some lasting positive impact. Gospel of Jabez? Looking back now (and admitting that hindsight is far clearer), I would summarize the Jabez phenomenon like this: imbalances in the book led to greater imbalances in many readers, especially those less anchored in Scripture. Many readers assumed they had found some long-overlooked prayer to unlock God’s blessings. As I reread the book recently, I found that the book did leave this door open, and even subtly tipped in this direction, at times. (As an editor myself, I wonder what role the coauthor played in making Wilkinson’s message punchy, jettisoning nuance, and stretching it for a broad-as-possible audience. The coauthor’s name did not appear on the original cover, or in the book at all, but now appears in tiny letters on the new cover.) From the first lines of the preface, seeds are sown with words like “always” and “the key” — words we would be wise to use sparingly in a generation of language inflation like ours: I want to teach you how to pray a daring prayer that God always answers. It is brief — only one sentence with four parts — and tucked away in the Bible, but I believe it contains the key to a life of extraordinary favor with God. This petition has radically changed what I expect from God and what I experience every day by His power. (7, emphases added) I could pick at similar overstatements and imbalances throughout the short book. I also could point to some gold (which would have been easier to celebrate in 2000 before seeing the widespread effects on readers). For one, Wilkinson qualifies the word bless as “goodness that only God has the power to know about or give us” (23). In Wilkinson’s own words, he is not teaching name-it-and-claim-it theology, and he clearly disclaims what we now call “the prosperity gospel” (24). He also admirably mentions living by God’s will and for God’s glory (32, 48, 57) and raises this question about “the American Dream”: Do we really understand how far the American Dream is from God’s dream for us? We’re steeped in a culture that worships freedom, independence, personal rights, and the pursuit of pleasure. (70) Such a challenge emerges on occasion, yet it’s clearly not the emphasis. And many readers seemed to capture the drift and skip the disclaimers. They followed the “always” and “the key” and the many examples of temporal blessings, and did not find in Jabez a call to new desires, a new heart, and new birth — to become a new person and so offer new prayers in new ways that turn many natural expectations upside down. Pray on Repeat? While I could say more about both the good and the bad, let me boil it down to what may have been the chief imbalance in the book: the final chapter and charge. Perhaps the biggest problem practically is taking a potentially good sermon on Jabez that might otherwise inform a dynamic, authentic, engaging life of prayer and ending with the charge “to make the Jabez prayer for blessing part of the daily fabric of your life” (87). This may be all too predictable in the genre of self-help, but it’s hard not to see an obvious imbalance when it comes to Scripture. Should we raise any passage to the level of “pray this daily,” not to mention two verses “tucked away” in a genealogy? Wilkinson continues, “I encourage you to follow unwaveringly the plan outlined here for the next thirty days. By the end of that time, you’ll be noticing significant changes in your life, and the prayer will be on its way to becoming a treasured, lifelong habit” (87). Here, at least, is a serious problem of proportion — first to this prayer (and what of Scripture’s far more prominent prayers?) and then to doing so daily, and then following this plan unwaveringly. And with it, the promise that “you’ll be noticing significant changes in your life” in just thirty days. In the end, we might say a serious flaw in this Christian book is how easily it accommodates unregenerate palates, appealing to mainly natural desires, even among the born again. Also sorely and startingly lacking is a scriptural vision of life’s pains and suffering in this age. (For those interested, Tim Challies tells the story of Wilkinson’s Jabez-fueled “Dream for Africa” and its “abject failure” a few years after the book’s “success.”) Can We Pray with Jabez? What are we to do today, some twenty years later? The antidote to vain repetition of Scripture would not be to throw out Scripture! Rather, we want to have all the Bible, and all its prayers — not just one or two — inform and shape our lives of prayer for a lifetime. With regards to Jabez’s prayer, we might ask what we, as Christians, indeed can glean from an inspired genealogy not by way of a mantra to repeat but through timeless principles to guide and energize a dynamic life of prayer. Jabez’s story does jump out at us from its surroundings. It’s easy for me to imagine taking these two verses as a sermon text, as Seume did, to celebrate biblical principles found here and elsewhere in Scripture and seek to inform the whole of a Christian’s prayer life. One important reality that Wilkinson does not draw attention to — but makes Jabez’s story, and his prayer, perhaps even more inspiring — is its context in Judah’s line. This is the line of the kings. Jabez is surrounded by regal ancestry and contemporaries, and yet he was born in pain, as the name Jabez (similar to the Hebrew for pain) commemorates. Noting this context might go a long way in helping us see the effect on the original readers; read the story in light of redemptive history, culminating in the Lion of Judah; and receive today and learn from the prayer in balance. Consider, then, what lessons we might take from Jabez, alongside the full testimony of Scripture, for our own prayer lives. 1. God Rescues from Pain (in His Timing) His mother called his name Jabez, saying, “Because I bore him in pain.” We are not told what the particular pain was. There’s beauty in that. Such unspecified pain invites us to identify with Jabez, and imitate him, whatever our pain might be. We all, after all, are born in pain (Genesis 3:16), born into a sin-sick, pain-wracked world, being sinners ourselves and “by nature children of wrath, like the rest of mankind” (Ephesians 2:3). Whatever the source, Jabez’s life started hard. But apparently he didn’t wallow in it, or resign himself to victim status. Nor did he seek to make up for it with his own muscle and determination. Rather, he turned to God. “Jabez called upon the God of Israel,” and in doing so, he directed his focus, and faith, in the right direction. “Many of the most admirable saints have endured great pains the whole of their earthly lives.” Our God is indeed a rescuer. He does not promise to keep his people pain-free, but he does delight to rescue us from pain once we’re in it. And that, importantly, not according to our timetable, but his. Some divine rescues come quickly; many do not. Many of the most admirable saints have endured great pains the whole of their earthly lives. 2. God (Often) Grows Faithful Influence Oh that you would bless me and enlarge my border . . . It is good to seek God’s blessing, and, in particular, to do so on God’s terms. And seeking to enlarge one’s border, or expand space and influence, is deeply human by God’s design from the beginning: “Be fruitful and multiply and fill the earth and subdue it, and have dominion” (Genesis 1:28). Christ himself commissioned his disciples to enlarge the borders of his kingdom, making disciples of all nations (Matthew 28:19). Even one so exemplary, and humble, as the apostle Paul would testify to his holy ambition, under Christ, to enlarge the borders of his influence, going through Rome to Spain (Romans 15:23–24). Paul also writes candidly to the Corinthians about his team’s “area of influence among you” being “greatly enlarged, so that we may preach the gospel in lands beyond you” (2 Corinthians 10:15–16). God does mean for his people to pray for the enlarging of their influence, not for personal comforts, but for gospel advance, for the strengthening of churches, for the serving of Christ’s great mission and purposes in the world. And these are prayers God often answers — but not always. Oh, what difference lies in such little words! And once we have prayed for the figurative enlarging of our borders, for Christ’s sake, we are wise to be ready for God to do very different reckoning and measuring than we might expect. 3. God (Often) Provides Strength When Asked . . . and that your hand might be with me . . . Yes and amen to asking God for his hand to be with us — his hand, meaning his power and strength and help. It is significant that Jabez didn’t just want a big, upfront donation from God to then turn and cultivate in his own strength. Rather, Jabez acknowledges that his own strength will not be sufficient. He needs God’s help every step along the way. Perhaps his humbling and painful beginnings taught him this lesson earlier in life than most. Jabez was “honored” (more so than his brothers) not because of his noble birth, great wealth, and manifest ability, but because he owned his own weaknesses and limitations and asked for God to be his strength. That Jabez surpassed his brothers displays God’s strength. Jabez pleads that God’s hand be with him, and in doing so, Jabez admits (as every human should) that his own power and skill are not adequate. 4. God Keeps Us from (Some) Harm . . . and that you would keep me from harm so that it might not bring me pain! Finally, Jabez asked for God’s protection. It is good to pray to our God that he keep us from harm and pain — even as we know that he at times leads us, as he did his own Son, into the wilderness, and into the valley of the shadow of death. “Who can fathom what temptations and harm countless saints have been spared because they humbly asked their Father?” Jesus too taught us to pray, “Lead us not into temptation” (Luke 11:4), and in the garden, the night before he died, he instructed his men twice, “Pray that you may not enter into temptation” (Luke 22:40, 46). God really does keep us from some temptations in response to our prayers. Prayer matters. The sovereign God chooses to rule the universe in such a way that, under his hand, some events transpire (or not) because his people prayed. Who can fathom what temptations, and what harm, countless saints have been spared because they humbly asked their Father? And our God does not promise to keep us from all harm, or from all temptations. In fact, we are promised that “through many tribulations we must enter the kingdom of God” (Acts 14:22). So, we do not presume such protection, nor is it wasted breath to ask. God Gave What He Asked That God granted what Jabez asked doesn’t mean God did it in the way Jabez envisioned or in the timing Jabez hoped. So too for us. God does delight to answer the prayers of his children, but we do not presume that he does so when and how we prefer. He is “is able to do far more abundantly than all that we ask or think” (Ephesians 3:20). And he answers and exalts his faithful “at the proper time” (1 Peter 5:6) — and on his terms, not ours. When his children ask for bread or fish or an egg, our God does not give them a stone or a serpent or scorpion (Matthew 7:9–11; Luke 11:11–13). He does not give them, in the end, worse than what they asked. But better. He knows how to give good gifts to his children, and far more than we typically ask — and climactically, he gives us himself. But not on our cue. And not in response to parroting biblical words. Jabez’s prayer is no promise that God will do what we ask and when. However, 1 Chronicles 4:9–10 is a rousing call to the prayerless, and to the pained, to draw near to Judah’s greatest descendant. Our God does redeem his people. He brings joy to the bitter. He brings honor to the pained. He exalts the humble. He gives the crown of glory to the shamed. He raises his crucified Son. In Christ, God turns us and our world upside down, including our prayers. Article by David Mathis

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