GIP Library icon

LOG IN TO REVIEW
About the Book


"In My Father's House" by Zola Levitt is a memoir that tells the story of Levitt's life growing up as a Jewish boy in a Christian household. The book explores his struggles with faith, identity, and belonging, and how he ultimately reconciles his Jewish heritage with his Christian beliefs. Levitt's journey is a powerful and emotional exploration of the complexities of religion and family.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

why god’s will isn’t always clear

If God wants us to “walk in a manner worthy of the Lord, fully pleasing to him” (Colossians 1:10), why doesn’t he give us more specific guidance in our decisions? The Spontaneous 95% Consider all of the decisions you make during a typical day. Most are quick and spur-of-the-moment. John Piper estimates “that a good 95% of [our] behavior [we] do not premeditate. That is, most of [our] thoughts, attitudes, and actions are spontaneous.” That’s true. And it’s a bit unnerving when you think about it. The majority of the decisions that end up becoming the bricks in the building of our lives are just “spillover from what’s inside.” Even if we do stop and pray about such decisions, it is very rare that we discern God’s specific leading regarding what we should wear, what or where we should eat, if we should respond to  this instance  of our child’s sin with correction or forbearance, if we should put off that time-consuming errand till tomorrow, or whether we should check our email  again . The Massive 5% But what about the other 5% of our decisions? Some of these are massive and life-shaping. Should I marry this person? How much money should I give away and where? How much should we save for retirement? Should we adopt a child? Should I pursue a different vocation? Should we homeschool or not? Should I pursue chemo or an alternative cancer treatment? Should we buy this home? Which college should I attend? Is it time to put my elderly parent in a nursing home? Should I go to the mission field? Shouldn’t we expect God to direct us more explicitly in these? A Concealing Design “God doesn’t always make his will clear because he values our being transformed more than our being informed.” The answer is no, not necessarily. Why? Well, the short answer is because he is God, and we are not. “It is the glory of God to conceal things” (Proverbs 25:2). His wisdom and knowledge are unfathomably deep, his judgments are unsearchable, and his ways are inscrutable (Romans 11:33). Considering all the factors in play in the universe, it is likely no exaggeration that there are trillions of reasons for why God directs the course of our lives, and he prefers to carry out his purposes in ways that confound, surprise, and humble humans, angels, and demons. There is a tremendous glory that God displays when, without tipping his hand to us in advance, we suddenly recognize that he was working his will all along when we couldn’t see it. And he is also merciful to withhold information from us that he knows we aren’t ready to know, even if we think we really want to. A Revealing Design But one reason why God usually doesn’t give us specific guidance in our sometimes perplexing decisions is that he places a higher priority on our being transformed than our being informed in order that we will be conformed to the image of Jesus (Romans 8:29). That’s why Paul writes, Do not be conformed to this world, but be transformed by the renewal of your mind, that by testing you may discern what is the will of God, what is good and acceptable and perfect. (Romans 12:2) What does this mean? It means that God has a design in the difficulty of our discerning. The motives and affections of our hearts, or “renewed minds,” are more clearly revealed in the testing of ambiguous decision-making. In Scripture, God reveals to us everything we need to know to live godly lives (2 Peter 1:3) and to “be complete [and] equipped for every good work” (2 Timothy 3:16–17). But the Father is not seeking workers, but worshipers (John 4:23). And he knows that if he made his will for our specific decisions more explicit more often, we would tend to focus more on what we  do  rather than what we  love . Like the Pharisees, we would tend to focus more on our actions, rather than our affections. But in decisions that require discernment, the wheat is distinguished from the tares. When we’re not quite sure, we end up making decisions based on what we really love. If deep down we love the world, this will become apparent in the pattern of decisions that we make over time — we will conform to this world. But if we really love Jesus, we will increasingly love what he loves — we will be transformed by renewed minds. And our love for him and his kingdom will be revealed in the pattern of small and large decisions that we make. The Pattern of Our Decisions I say “pattern of decisions” because all of us sin and make mistakes. But conformity to the world or to Jesus is most clearly seen in the pattern of decisions we make over time. “Conformity to the world or to Jesus is most clearly seen in the pattern of decisions we make over time.” That’s one reason why God makes us wrestle with uncertainty. He wants us to mature and have our “powers of discernment trained by constant practice to distinguish good from evil” (Hebrews 5:14). The wonderful thing to remember in all of our decisions is that Jesus is our Good Shepherd. He laid down his life for us so that all of our sins are covered — including every sinful or defective decision. He will never leave us or forsake us. He has a staff long enough to pull us out of every hole and a rod to guide us back when we stray. And someday, if we truly seek to love him and trust him, we will see that he really was leading us through the confusing terrain of difficult decisions all along.

Feedback
Suggestionsuggestion box
x