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About the Book


"In My Father's House" by Zola Levitt is a memoir that tells the story of Levitt's life growing up as a Jewish boy in a Christian household. The book explores his struggles with faith, identity, and belonging, and how he ultimately reconciles his Jewish heritage with his Christian beliefs. Levitt's journey is a powerful and emotional exploration of the complexities of religion and family.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

The Harvest of Homemaking

I have been a homemaker for over eighteen years now, and I feel confident saying it is a difficult and demanding job. What is more, it is a job with a massive PR problem. “It’s a soul-crushing grind!” some say. Others ask, “Do you work?” Public opinion on the nature of homemaking has not been subtle. For a generation at least, homemaking has been spoken of as a prison-like existence that stifles a woman’s gifts — as though homemakers have less ambition than others, less ability, less scope, less understanding. This propaganda effort has been radically effective, shaping the imagination of many women who find themselves at home for one reason or another. It takes little effort to see our calling and the work therein through the lens of resentment. Lately, there has been some pushback to the public opinion that homemaking is a life of boredom and ease, but it has been of the worst kind: long-faced social-media posts bemoaning how no one appreciates your work; TikTok videos telling everyone that because your family failed to notice the work you did, you feel invalidated as a person. This too is the fruit of worldly propaganda — and it too will have devastating effects. Homes in the Great War Homemakers often find ourselves without support — not physical support, the absence of which is so loudly reflected on, but rather the spiritual support of understanding why this field of work is glorious, worthy, essential, God-honoring, and strategic. We need an understanding of the value of the home that is strong enough to endure the tumultuous cultural winds around us. We need to see clearly how we are serving God in and with our work. “The Christian home is an essential work of the Christian resistance.” The Christian home is an essential work of the Christian resistance. In any war, it is customary to target your enemy’s supply lines, manufacturing plants, and headquarters. In our spiritual war, the Christian home is all of those things. Why then would it surprise us that the enemy would like to see the home destroyed? Why are we surprised by the obstacles we face — by the threefold resistance of the world, the flesh, and the devil? We have been cleverly fooled into thinking that the obstacles we face at home are due to the work being unimportant, insignificant, unappreciated, or mindless. We should have noticed that anything under such attack from both without and within must be desperately important. Beautiful or Embarrassing? You shall eat the fruit of the labor of your hands; you shall be blessed, and it shall be well with you. Your wife will be like a fruitful vine within your house, Your children will be like olive shoots around your table. Behold, thus shall the man be blessed who fears the Lord. (Psalm 128:3–4) Scripture is the basis for my commitment to being a homemaker, and if I never saw any other reason to love it, never saw the fruit, never understood the importance of the role, that should still be enough. Paul lays out the importance of older women teaching younger women to be “self-controlled, pure, working at home, kind, and submissive to their own husbands, that the word of God may not be reviled” (Titus 2:5). And Proverbs 31 describes a glorious picture of the woman who is clothed in strength and dignity as she gives herself to the needs of her household. At this point, some readers may have rolled their eyes because I mentioned Titus 2 and Proverbs 31 in the same embarrassingly uncool paragraph. Why is that? Could it be because you have been trained to despise passages like these? Could it be that you have listened to countless people explaining them away? Could it be that you have taken in enough worldly propaganda that you feel free to look down on the tone of the word of God and those who embrace it? I am asking you to consider that perhaps you have been played. You have been had. You have welcomed the lies of the world into your home and given them authority in your life. To say, “Women, be self-controlled, pure homemakers who love your husbands and children” is to speak a biblical, God-fearing statement. I am asking you now to listen to your own heart’s response to that. Is your heart bridling? Is it angry? Are you ready to post angry comments on my ignorant or backward ways? Well, think about what you are doing — it’s not me you are despising, but the words of God. What does your response say about where your heart is? Harvest of Homemaking I say that raw obedience to God’s word is enough, and in a sense it should be. But it is far from all that we are given. When I read those sorrowful monologues about the mental load, about how much it all weighs on the poor woman, about how unfair it all is, about how husbands should be responsible for far more housekeeping, all I can see is that women are suffering from the horrible pairing of trying to do the Lord’s work with the attitude of those who hate him. There will be no joy of obedience there. There will be no fruit of free giving there. There will be no strength and laughter and dignity there, because there is a thick fog of accusation, discontent, and envy. “The end of all our small daily plantings may be a harvest of staggering beauty.” I have come to realize through the years that the countless tasks I do that no one notices still shape our home and the people in it. Every meal I lay on the table is a small picture of the feeding of the five thousand. My meager offering, broken in the hands of Jesus, will feed generations of children. This home — the flavors and the smells and the atmosphere of love — will by God’s grace shape people who will go on to be the mothers and fathers of thousands. Is there any other work I could be doing that would be this exponentially fruitful or influential? A hundred years from now, I hope there are people who do not know my name or remember me, but nevertheless carry about with them seeds of faithful living that were first planted in the soil of this home. Do you have the burden of a million duties on your mind? Ask the Lord to establish the work of your hands. He makes valuable all that is done in him, so ask him to do so with your messy duties. Rejoice in him as you offer yourself as a living sacrifice — a sacrifice that cooks and cleans and blows noses and folds clothes and lays a table and looks after the ways of your household. He is shaping something of great beauty and strength that is far beyond our own capacity to imagine. May God give us all eyes to see it, and hearts to imagine it. The end of all our small daily plantings may be a harvest of staggering beauty. Article by Rachel Jankovic

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