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"Gospel" by J.D. Greear explores the transformative power of the gospel in Christianity and how it has the potential to revolutionize individual lives and communities. Greear emphasizes the importance of recovering the true message of the gospel and living it out in our daily lives, ultimately leading to a more authentic and impactful expression of the Christian faith.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Our God Listens

You have been invited to speak to the God of the universe, the Almighty. Not just the mightiest, but the all-mighty. All power is his, and under his control. And he is the one who made you, and keeps you in existence. This God, the one God — almighty, creator, rescuer — speaks to us to reveal himself, that we might genuinely know him, but he doesn’t only speak. In one of the great wonders in all the world and history, this God listens. First he speaks, and bids us respond. Then he pauses. He stoops. He bends his ear toward his people. And he hears us in this marvel we so often take for granted, and so flippantly call prayer. What Comes Before Prayer The wonder of prayer might lead us to rush past a critical reality before we start “dialing up” the God of heaven. There is an order to his speaking and listening, and to ours. He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak. “He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak.” Prayer is not a conversation we start. Rather, God takes the initiative. First, he has spoken. He has revealed himself to us in his world, and in his word, and in the Word. And through his word, illumined by his Spirit, he continues to speak. “See that you do not refuse him who is speaking” (Hebrews 12:25). His word is not dead and gone but “living and active, sharper than any two-edged sword, piercing to the division of soul and of spirit, of joints and of marrow, and discerning the thoughts and intentions of the heart” (Hebrews 4:12). And in his word, and by his Word, he extends to us this stunning offer: to have his ear. Golden Scepter When Esther learned of Haman’s plot to destroy the Jews, a great barrier stood before her. Mordecai directed her “to go to the king to beg his favor and plead with him on behalf of her people” (Esther 4:8). Easier said than done. Esther knew these were life-and-death stakes, not just for the Jews but for her: “If any man or woman goes to the king inside the inner court without being called, there is but one law — to be put to death, except the one to whom the king holds out the golden scepter so that he may live.” And she knew the threat that lay before her: “But as for me, I have not been called to come in to the king these thirty days” (Esther 4:11). Yet in the end, in faith and courage, she resolved, “I will go to the king, though it is against the law, and if I perish, I perish” (Esther 4:16). One does not simply saunter into the presence of a great king “without being called.” And all the more with God Almighty. Not simply because it’s a great risk, as with an earthly king, but with God it’s not even physically possible. He is no man on earth, that one might slip past the palace guards and approach him. He is utterly unapproachable — “without being called.” Yet in Christ, the throne of heaven has taken the initiative, and now holds out the golden scepter. Why We Can Come Near The two great bookends (4:14–16; 10:19–25) of the heart of the epistle to the Hebrews (chapters 5–10) make clear why we can draw near and how. Hebrews is set against the backdrop of God’s first covenant with his people, through Moses. What Exodus, Leviticus, and Numbers say about “drawing near” or “coming near” to God is sobering. For one, the tabernacle, and the whole system of worship given at Mount Sinai, taught the people of their distance from God, with barriers between them, because of their sin. The people must stay back, lest God’s righteous anger break out against their sin (Exodus 19:22, 24). First, Moses alone is permitted to come near (Exodus 24:2), and then Moses’s brother, Aaron, and his sons, serving as priests, may “come near” (Exodus 28:43; 30:20). No outsider may come near (Numbers 1:51; 3:10), nor any priest with a blemish (Leviticus 21:18, 21). Only the ordained priests may “draw near to the altar” to make atonement for themselves and for the people (Leviticus 9:7) — and only in the way God has instructed, as memorably taught in the horrors of Nadab and Abihu (Leviticus 10) and Korah’s rebellion (Numbers 16; also 17:13; 18:3–4, 7, 22). “It is almost too good to be true — almost — that we have access to God.” But now, in Christ, “we have a great high priest who has passed through the heavens, Jesus, the Son of God” (Hebrews 4:14). In him, “we have a great priest over the house of God,” a priest who is ours by faith, and so we “enter the holy places by the blood of Jesus, by the new and living way that he opened for us through the curtain, that is, through his flesh” (Hebrews 10:19–21). Not only does Christ enter God’s presence on our behalf, but he welcomes us in his wake. He is our pioneer, who blazes our trail. We now may “draw near” to God, “come near” to heaven’s throne of grace, because of Christ’s achievements for us, in his life and death and resurrection. How We Can Come Near Then, to add wonder to wonder, we not only draw near to God himself in Christ, but we are invited, indeed expected, to do so with confidence — with boldness and full assurance. Since we have such a high priest as Christ, “let us then with confidence draw near to the throne of grace, that we may receive mercy and find grace to help in time of need” (Hebrews 4:16). In him, “we have confidence to enter the holy places by the blood of Jesus” (Hebrews 10:19). Not by our own value, status, or achievements, but his. We “draw near with a true heart in full assurance of faith” (Hebrews 10:22), a faith looking outside ourselves to ask not “Am I worthy?” to approach God’s throne, but “Is Jesus worthy?” Wait No Longer It is almost too good to be true — almost — that we have access to God (Ephesians 2:18) and “access with confidence” at that (Ephesians 3:12). In Christ, the King of the universe holds out the golden scepter. The question is no longer whether we can come, but will we, and how often? We have access. God expects us to take hold on his Son by faith, and approach his throne with confidence. Our God listens. He hears our prayers. What are you waiting for? Article by David Mathis

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