Emotionally Healthy Spirituality Order Printed Copy

Author: Peter Scazzero
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Exceptional piece. Highly recommended!

- primavera galinato (7 months ago)

About the Book

"Emotionally Healthy Spirituality" by Peter Scazzero explores the connection between emotional health and spiritual growth, arguing that true spiritual maturity requires emotional maturity. Scazzero introduces practical tools and principles for developing a holistic approach to spiritual growth that includes emotional self-awareness, healthy relational boundaries, and authenticity in one's relationship with God and others. Through personal anecdotes and biblical wisdom, the book encourages readers to prioritize emotional health as a vital component of their spiritual journey.

John Owen

John Owen’s life was incredibly difficult. Born in 1616 and dying in 1683, Owen lived through the deaths of his first wife and all of his children, several of whom died in very early childhood. He supported his last surviving daughter when her marriage broke down. He contributed to a political revolution, watched it fail, saw the monarchy restored and wreak a terrible revenge on republicans, and lived in and around London during the persecution that followed. For twenty years he would have seen the decapitated heads of his friends on display around the city. He died fearing that the dissenting churches had largely abandoned the doctrine of the Trinity and justification by grace alone through faith alone in Christ alone; and, with Charles II about to be replaced by his openly Catholic brother James, believing that the English Reformation was almost over. Owen was one of the most published writers in the seventeenth century. He published around 8 million words. These writings included books on theology and spirituality, politics and economics, and ranged in length from the largest commentary ever published on the epistle to the Hebrews to a short Latin poem that has never been reprinted. For not all of Owen’s works have been kept in print. The most widely circulating nineteenth-century edition, most of which is published by the Banner of Truth, did not include Owen’s sermon manuscripts that are kept in various English libraries, nor the book for children that Owen published in 1652. Owen was one of England’s earliest children’s authors. The catechisms that Owen published (1645) outlined what he expected children in his congregation to know. These catechisms were published before the Westminster Assembly published its better-known examples. But Owen’s catechisms are in many ways simpler. The Primer (1652), which Owen prepared after the death of several of his children during the years of poor harvests and disease at the end of the 1640s, showed what Owen expected of an ideal Christian home. Its routine would be built around Bible reading and prayer, he believed, and his little book included sample prayers that children could learn to pray in mornings, evenings, and at meals. Owen argued that those who led church services should take account of the needs of children. Services that were too long, he believed, did no one any good. Adult believers should not need written prayers, he believed, and these should be banned from public worship. But children were different and needed all the help they could get. Owen enjoyed many warm friendships. His social network included many of the most famous writers in seventeenth-century England. Among his friends and rivals were John Milton, Andrew Marvell, John Bunyan, and Lucy Hutchinson. Owen fell out with Milton and became the subject of one of his sonnets. Owen helped Marvell publish one of his most controversial political pamphlets. He encouraged his publisher, Nathanial Ponder, to publish Bunyan’s Pilgrim’s Progress. And he appears to have supported Lucy Hutchinson during her move into London, when she attended and took notes upon his preaching and translated large parts of his Theologoumena Pantodapa (1661)—a translation of which has been published with the title Biblical Theology. Owen’s letters reveal his kindness and care as a pastor, especially to mothers grieving their children’s death. Owen was deeply political. He preached to Members of Parliament on the day after the execution of Charles I, and pinned his hopes for the reformation of church and society on their efforts to transform England into a protestant republic. During the 1650s, under the leadership of Oliver Cromwell, Owen served on important committees that sought to establish a religious foundation for the new regime. But he grew dismayed by the ways in which the Cromwell family, and the administration they led, seemed to turn away from godly values. In 1658, he worked with leading army officers to create a crisis that, he likely hoped, would call the regime back to its earlier ideals. It failed, and instead created the crisis that was resolved by the restoration of the monarchy, the return of Charles II, and the persecution of dissenters that followed. During the Restoration, Owen kept his head down, and, as persecution slackened in the later 1660s, published pamphlets that argued that dissenters were the economic lifeblood of the English nation. But he was chastened by his attempts at political intervention and came increasingly to realize that his focus should be on things eternal. Owen often changed his mind. As his developing attitudes to political intervention suggest, Owen committed himself to some beliefs and behaviors that he came to regret. In his early years, he changed his churchmanship from Presbyterianism to Congregationalism. He innovated as a Congregationalist, installing as a co-elder and preacher a man who would not be ordained for several years. He argued for the weekly celebration of the Lord’s Supper, though it is not clear that he ever persuaded any of his congregations to practice it. He thought carefully about the end times and came to believe that, in the latter days, a large number of Jewish people would be converted to Christianity and would return to live in the Promised Land. He dismissed a great deal of discussion about the millennium, but became convinced that the binding of Satan had yet to be achieved. Owen changed his mind because he kept on studying the Bible. Owen was biblical, through and through, and depended just as much on the Holy Spirit. He certainly believed in a learned ministry–after all, he had taught theology at Oxford and done his best to promote godliness within the student body. But he also trusted the Holy Spirit to guide ordinary Christians in small group Bible studies that did not need to be policed by a formally trained expert. Aside from his own Bible study, which advanced on the serious scholarship represented by the three thousand titles that were included in the catalog of his library published soon after his death, Owen encouraged church members to meet together to study Scripture in private. Owen trusted the Bible and the work of the Spirit after writing about both. Owen was not a philosophically-driven, rationalist theologian. His writing abounds in biblical citations. It is molded and contoured by biblical revelation. But he warned that Christians could approach their study of the Bible with absolutely no spiritual advantage to themselves. Christians who approached the study of the Bible without absolute dependence upon the Spirit who inspired and preserved it would gain no more benefit than Jewish readers did from their Scriptures, he argued. Christians should never choose between entire dependence upon the Bible and the Spirit. Owen believed that the goal of the Christian life was knowing God. Before Owen, no one had ever shown clearly how Christians relate to each person of the Trinity. Owen described the goal of the gospel as revealing the love of the Father, who sent the Son as a redeemer of his people, who would be indwelt, provided with gifts, and united together by the Spirit. Owen’s Communion with God is among his most celebrated achievements—and no wonder. It is the exhalation of his devotion to Father, Son, and Spirit, and the discovery of the limitless love of God. Owen is much easier to read than many people imagine. There is a mystique to Owen—a widespread feeling that his books are too difficult and best left to expert theologians. But Owen’s greatest books were written as sermons for an audience of teenagers. Publishers have begun to modernize Owen’s language in new editions of his works. Now more than ever, it’s time to pick up Owen and find his encouragement for the Christian life.

The Soundtrack of Heaven

The book of Revelation confuses many Christians. Filled with beasts, angels, living creatures, wars, lightning, thunder, prophecies, and visions, its story can be a bit overwhelming for any of us. Something like a Marvel movie on steroids. Not surprisingly, scholars differ widely on what it all means. Some try to tie it to actual people and events in history. Others assign most of Revelation to the future. Still others believe God is giving us repeated descriptions of what is taking place now in the church age. Wherever we land on the bigger picture, Revelation gives us a series of windows into reality that are both hard to miss and easier to understand: its songs. Woven into the fabric of the book are around a dozen choruses, both spoken and sung. That shouldn’t surprise us given how often in Scripture drawing near to God is expressed and encouraged through singing. But these songs of heaven are unique. They’re written by God himself, and they show us what singing in God’s presence will really be like. And we may be singing some form of these particular choruses forever. Even now, though, they have much to teach us. Songs of Exuberance Let’s admit it. The descriptions of the singing of heaven put the sound of any rock concert or sports stadium to shame, not to mention most churches. Myriads of myriads and thousands of thousands, saying with a loud voice . . . (Revelation 5:11–12) And I heard every creature in heaven and on earth and under the earth and in the sea . . . (Revelation 5:13) And all the angels . . . fell on their faces before the throne. (Revelation 7:11) Then I heard what seemed to be the voice of a great multitude, like the roar of many waters and like the sound of mighty peals of thunder . . . (Revelation 19:6) “The example of heaven challenges the assumption that congregational worship should be reserved and subdued.” Both audibly and visually, we’re confronted with the fact that those who truly grasp God’s nature and what he’s accomplished will be moved to sing. As Dennis Johnson writes, Revelation shows us that “those who dwell with God in heaven constantly break forth in song, overwhelmed with joy and adoration by his perfections in himself and by his awesome achievements in creation and redemption” (Triumph of the Lamb, 330). The example of heaven challenges the assumption that congregational worship should be reserved and subdued. While we cite proof texts, claim to honor tradition, and avoid looking too fanatical, might it be that we’re actually just failing to see how great God’s glory in Christ really is? Songs of Explanation Heaven’s songs give us insight into the character of God, the works of his hands, and why he does what he does. We don’t hear any of the simple, repetitious 7-11 songs (7 words repeated 11 times — or more!) that are so popular today. Rather, the lyrics shed real light on what’s happening in the world and in the heavenly throne room. ILLUMINATING HOLINESS For instance, at the beginning of Revelation 4, John is shown an open door in heaven. He paints a moving picture of what he sees and hears. A throne. An emerald-like rainbow. Flashes of lightning. Peals of thunder. But what does it all mean? Revelation 4:8 tells us: Holy, holy, holy, is the Lord God Almighty, who was and is and is to come! God is thrice holy — righteous, omnipotent, eternal, set apart. The song of verse 11 further explains that God created all things and sustains all things for his pleasure: Worthy are you, our Lord and God, to receive glory and honor and power, for you created all things, and by your will they existed and were created. (Revelation 4:11) UNFOLDING REDEMPTION At the beginning of chapter 5, John hears a new song, sung to the Lamb: Worthy are you to take the scroll and to open its seals, for you were slain, and by your blood you ransomed people for God from every tribe and language and people and nation, and you have made them a kingdom and priests to our God, and they shall reign on the earth. (Revelation 5:9–10) The Lamb could open the scroll because he was slain, a reference to his substitutionary death on the cross. His death ransomed people for God from every tribe, language, people, and nation, a reference to the international scope of the gospel invitation. The ransomed will be a kingdom and priests to God who will reign forever on earth, a statement showing that God’s promise to make Israel “a kingdom of priests and a holy nation” (Exodus 19:6) was fulfilled in the church, made up of both Jews and Gentiles. In short, despite the turmoil and tests of the present age, God will surely have a diverse people for his glory with whom he will live forever. After an outpouring of praise for the Lamb’s attributes (Revelation 5:12), we hear another song, declaring Jesus’s divinity as clearly as any passage in Scripture: “To him who sits on the throne and to the Lamb be blessing and honor and glory and might forever and ever!” (Revelation 5:13). In a similar way, our songs should be filled with the character, nature, purposes, actions, and heart of God. Words don’t get in the way of worship. They give substance and meaning to it. Songs of Encouragement When God gave John the prophecy of Revelation, Christians were already facing varying degrees of persecution, and it was expected to increase. Pressures to conform to a pagan culture, and even to participate in the idolatry of emperor worship, came at Christians from every direction. What would give John’s readers faith to endure and courage to stand against opposition? What would strengthen their resolve as they saw friends and family members taken from their homes and martyred for their allegiance to King Jesus? The knowledge that God’s throne is immovable, sovereign, and eternal. The saints needed to be reminded that, in the heavenly realms, God’s authority and rule are not only affirmed, but celebrated: The kingdom of the world has become the kingdom of our Lord and of his Christ. (Revelation 11:15) We give thanks to you, Lord God Almighty, who is and who was, for you have taken your great power and begun to reign. (Revelation 11:17) Hallelujah! Salvation and glory and power belong to our God, for his judgments are true and just; for he has judged the great prostitute who corrupted the earth with her immorality, and has avenged on her the blood of his servants. (Revelation 19:1–2) How often do our songs both detail the forces of evil arrayed against us and point us clearly to the God who has triumphed over them in Christ? David Peterson asks, Do our hymns and acclamations . . . challenge us to take a firm stand against every manifestation of Satan’s power and to bear faithful witness to the truth of the gospel in our society? It is not good enough to sing certain items merely because they make the congregation feel good! (Engaging with God, 278) “Words don’t get in the way of worship. They give substance and meaning to it.” When we sing together, our strength comes not from aiming to feel and emote, but to see and hear. We want to see God reigning on his throne with absolute justice, wisdom, and power over every terrorist, virus, dictator, and manifestation of evil in our day. And we want to hear and join in the cries of jubilation that are already ascending to the God who can do all things and whose purposes cannot be thwarted (Job 42:2). Songs of Expectation Endurance is one thing. Expectation is another. It’s possible to sing through dark seasons, discouraging outcomes, heart-wrenching losses, relentless opposition, and dwindling resources with grit, resolve, and stoicism. But that doesn’t describe the songs of heaven. Not even close. They’re marked by joy. And that joy stems from a confident expectation that God will accomplish everything he has promised. The final songs of Revelation describe God overcoming all evil, the nations bowing down in worship, and the bride of Christ finally beholding her groom, King Jesus, at a never-ending royal celebration of grace. All nations will come and worship you, for your righteous acts have been revealed. (Revelation 15:4) Hallelujah! For the Lord our God the Almighty reigns. Let us rejoice and exult and give him the glory, for the marriage of the Lamb has come, and his Bride has made herself ready; it was granted her to clothe herself with fine linen, bright and pure. (Revelation 19:6–8) Do our songs help people clearly understand that what’s yet to come is not only certain but worth celebrating now? Do we fill them with anticipation for our glorious future in Christ, when “all the waiting will be over, every sorrow will be healed, all the dreams it seemed could never be will all be real”? Our songs help bring into sharper focus the things hoped for and unseen that God has promised to us. Transformed Through Singing Will our earthly songs look and sound exactly like the songs of heaven? No. But can the songs of heaven motivate us to sing with greater passion, understanding, confidence, and anticipation now? Absolutely. G.K. Beale writes, Is it possible . . . that, as we declared the same truths about God as the heavenly beings do, the same Holy Spirit who is pictured as being before the throne would deepen and transform our understanding of God and his glory in a way that touches our whole being, in its spiritual, intellectual, emotional, and even physical components? (Revelation: A Shorter Commentary, 108) It’s not only possible. It’s God’s intention. So, may we joyfully model our singing after the songs of heaven until, by the grace of God, they are no longer just a worthy goal, but the sound of present reality. Article by Bob Kauflin