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"Saints at War: Spiritual Warfare" by Frank D. Hammond explores the spiritual battles that Christians face and offers guidance on how to effectively fight against the forces of evil. The book provides practical strategies and biblical insight to help individuals engage in spiritual warfare and overcome spiritual obstacles.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

What Does Ongoing Sin Say About Me

One of the most common questions a Christian can ask is also one of the most troubling: What does my ongoing sin say about me? The question is common because all Christians deal with ongoing sin, and many with patterns of repetitive sin. And the question is troubling because it ushers us into one of the great tensions of Scripture. We know, on the one hand, that “if we say we have no sin, we deceive ourselves, and the truth is not in us” (1 John 1:8). And we know, on the other hand, that “no one born of God makes a practice of sinning” (1 John 3:9). Every Christian sins — even every day (Matthew 6:11–12) — yet some practices of sin throw doubt on a person’s claim to be born of God. So, what distinguishes Christians from the world when it comes to sin? Puritan pastor Richard Baxter, writing to “melancholy” (or depressed) Christians, offers one fruitful answer: Remember what a comfortable evidence you carry about with you that your sin is not damning while you feel that you love it not but hate it and are weary of it. Scarce any sort of sinners have so little pleasure in their sin as the melancholy, or so little desire to keep them, and only beloved sins undo men. ( The Genius of Puritanism , 88–89) Christians commit sins. At times, they may even commit grievous sins, as David and Peter did. But Christians do not love their sins. And only beloved sins undo us. Our Complex Hearts Of course, Baxter’s answer forces us to ask another question: How can we know whether we hate or love sin? Answering that question requires great care. We find many people in Scripture, for example, who only  seemed  to hate their sin. Israel’s wilderness generation “repented and sought God earnestly” at times, but in the end “their heart was not steadfast toward him” (Psalm 78:34, 37). The Pharisees likewise appeared to hate sin — yet beneath their religious exterior they were “lovers of money” (Luke 16:14). The love of sin, though smothered for a time, was never quenched. Alternatively, we can find cases where genuine Christians, often immature ones, seemed for a time to love sin. Some surprising sins appear in Paul’s letters to the Corinthians, for example, yet godly grief could also follow, and with it a restored indignation against sin (2 Corinthians 7:10–11). How then can we tell whether, under all our conflicting feelings and internal wrestlings and contradictory actions, our fundamental attitude toward sin is an increasing  hatred  or  love ? We might begin by prayerfully asking ourselves four smaller questions. How do you commit your sin? Although we all sin, we do not all sin in the same way. The Old Testament distinguishes between types of transgressions, ranging from less severe unintentional sins to sins committed “with a high hand” (Numbers 15:22, 30). Our own sins likewise fall on a spectrum between defiant and reflexive — between those  we pursue  and those that  pursue us . If sin is a snare (Proverbs 5:22), then sometimes we walk into it with eyes wide open, and other times we find our foot caught before we know what happened. A mother may speak a harsh word, for example, after slowly brewing the cauldron of her self-pity — or she may do so in a rush of unlooked-for impatience. Similarly, a husband may indulge an illicit sexual image because he went looking for a website — or because a billboard went looking for him. The mother and the husband sin in both cases, but  how  they do so — especially as a characteristic practice — reveals much about their heart’s orientation. Ongoing patterns of planned, premeditated sin expose a heart whose affections are dangerously entangled. “Christians commit sins. But Christians do not love their sins. And only beloved sins undo us.” In one sense, of course, we play the role of both  pursuer  and  pursued  whenever we sin. Even the most defiant sins have spiritual forces of evil behind them (Ephesians 2:2); even the most reflexive sins reveal a twisted inner willingness (James 1:14). More than that, genuine Christians still can fall into patterns of  pursuing  sin for a season. At times, we contradict the life of Christ within us and step into snares that we see. But in general, those who hate sin move — gradually but genuinely — farther from planned, pursued sins the longer they are in Christ. How far have you come? Now for a complication. Although everyone who hates sin gradually moves away from planned, pursued sins, we start moving from different spots. Some begin walking toward Mount Zion from Moab; others from as far as Babylon. And as with any journey,  distance  (though important) matters less than  direction . Some people, by virtue of God’s common grace, enter Christ with great degrees of decency and discipline. And others enter Christ with self-control threadbare, a conscience almost seared, and a soul still bearing the claw marks of addiction. Both receive in Christ the same Spirit, one “of power and love and self-control” (2 Timothy 1:7). But if we expect their progress toward Christlikeness to look the same, we deny their radically different starting places. Imagine, for example, the sin of drunkenness, which falls nearer the  defiant  side of the spectrum. A night of drunkenness for the first Christian may raise a serious concern: here is a planned, pursued sin unknown even in his pre-Christian days. But for the second Christian, a night of drunkenness may be only one brief backward step on an otherwise forward journey. (Which is no reason, of course, for resting satisfied with even one backward step: repentance means opposing all known sin  now , not on a gradually reduced schedule.) The Christian life goes “from one degree of glory to another” (2 Corinthians 3:18); the sky above us “shines brighter and brighter until full day” (Proverbs 4:18); we travel “from strength to strength” (Psalm 84:7). But as important as asking, “How far along are you?” is “How far have you come?” How do you confess your sin? Just as we can commit sin in more ways than one, so we can confess sin in more ways than one. While some confess with sincere resolve not to commit that sin again, others confess with silent resignation to sin’s power in their lives. The second kind of confession, as John Piper puts it, expresses guilt and sorrow for sinning, but underneath there is the quiet assumption that this sin is going to happen again, probably before the week is out. . . . It’s a cloak for fatalism about your besetting sins. You feel bad about them, but you have surrendered to their inevitability. Those who confess in this way often treat forgiveness as only a balm for a wounded conscience, and not also as a sword for the fight against sin. They hate the  guilt  that sin brings, but they may not hate the  sin itself , or at least not enough to rage against the lie that sin is ever inevitable. To be sure, those who hate sin often need to confess the same sins repeatedly (especially sins of the more reflexive kind), even over years and decades. But apart from some regrettable seasons, their confessions hold no hints of fatalism or inevitability. Rather, their confessions match the pattern of Proverbs 28:13: Whoever conceals his transgressions will not prosper,      but he who confesses  and forsakes them  will obtain mercy. Those who confess sin sincerely also strive to forsake sin completely. So, when they rise from their knees and return to the battle, they do not hold their weapon loosely, as one who expects defeat. They enter with head held high, shielded with new mercy, clothed with fresh power. How do you fight your sin? Some of the clearest displays of our loves and hates appear on the battlefield. While some fight their sin half expecting and (if truth be told) half hoping to lose, others learn to fight like their souls are at stake — like Jesus spoke seriously, even if not literally, when he talked about cutting off hands and tearing out eyes (Matthew 5:29–30). Sin haters walk through this world armed with spiritual weapons (Romans 8:13; Ephesians 6:17) — not to harm others, but to harm every enemy within themselves. They watch and pray against temptation, needy enough to ask for daily deliverance (Matthew 6:13). They resolve to make no provision for the flesh, even if doing so requires abstaining from otherwise neutral substances, situations, and forms of entertainment (Romans 13:14). Their battle plans are not vague (“Read the Bible and pray more”) but specific (“Wake up at 6:00 to read and pray for an hour”). And though they know that no wall of accountability can rise higher than their sin, they also live like they are dead without help (Hebrews 3:13). “Sin seems beloved to us only when Christ does not.” And what’s more, they do not fight for a day or a season or a year, but for a life. They know this warfare ends only when their breath does (2 Timothy 4:7). So, though they sometimes feel weary in the war, they refuse to lie down on the battlefield. In time, fresh strength comes from above, fresh resolves fire from within, and despite many discouragements and defeats, they make progress. Those who, at bottom, still love their sin will not fight their sin  like this . They may raise a resistance of sorts, but not a whole-souled war. We cannot kill what we still love. Better Beloved So then, how do you commit your sin? How far have you come? How do you confess your sin? How do you fight your sin? Questions like these call for our attention — but only some of our attention. Self-examination can help us discern the state of our souls, but it cannot change the state of our souls. Wherever we find ourselves in these questions, if we would hate sin increasingly, then only one path lies before us: love Christ increasingly. Richard Baxter’s contemporary John Owen once wrote, Be frequent in thoughts of faith, comparing [Christ] with other beloveds, sin, world, legal righteousness; and preferring him before them, counting them all loss and dung in comparison of him. ( A Quest for Godliness , 206) Sin seems beloved to us only when Christ does not. So go ahead and compare your sins to him: their blackness with his light, their shame with his glory, their cruelty with his mercy, their hell with his heaven. For now, we see only the rays of Christ’s beauty. But even the faintest of them outshines the most attractive sin. Only beloved sins undo us. And the only Savior from beloved sins is a beloved Christ.

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