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Career Development All-In-One Career Development All-In-One

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Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

isn’t she beautiful: the role of physical attraction in dating

How significant should physical attraction be in the pursuit of marriage? Or, what role, if any, should physical appearance play in Christian dating? Guys have come to me over the years asking about this. Usually he respects or admires a godly young woman (or, maybe more often, other people in his life think he  should  admire her more), and yet he’s not physically attracted to her. She’s not his “type,” he says. “Should I still pursue her?” What would you say to him? I would say, “No.” Or at least, “Not yet.” Given the common assumptions and practices in our society today, including the church, I do not believe a man (or woman) should begin a dating relationship with someone to whom they are not physically attracted. If he admires other things about her, I’m all for him  befriending  her and getting to know her in safe, unambiguous, non-flirtatious ways (probably in groups). But I believe physical attraction, at least in the vast majority of cases, is one critical piece in discerning whether to date or marry someone. That being said, I also believe that physical attraction is far deeper and more dynamic, even spiritual, than we tend to think. It’s not static or objective. Real, meaningful, durable attraction is far more than physical. A man or woman’s physical appearance only plays one role in what makes them attractive or appealing. Its role is massive initially, say the very first time you see someone, when all you know about them is what you see, before you even know their name or hear their voice. But its role will necessarily evolve the more you learn about someone. After you’ve learned more about them — by asking their friends, or by hearing them talk, or by watching the way they live — you’ll never see them again as just the person you saw at first. The more we learn about them, the more their appearance is filled, for better or for worse, with new and deeper meaning — with their personality, their convictions, their sense of humor, their faith. The once-stunning girl may lose most of her charm, and the easily overlooked girl may become undeniably beautiful. They each look exactly the same as before, and yet they don’t. You see them, even their physical appearance, differently now. Physical (and Flexible) Attraction Don’t believe me? Ask sixty-year-old love birds if they’re still “physically attracted” to each other. Some of them are more attracted to each other than ever, and it’s  not  because they’re gaining weight, losing their hair, or having more trouble getting around. It’s because their appearance, in the eyes of their beloved, is increasingly filled with a deepening appreciation for the beauty in the other. They see something different in each other’s eyes. The hands are worn, but familiar and safe. The wrinkles are the years of faithfulness and bliss spent together. Their love not only looks beyond the surface, but sees the surface with new eyes. “True love not only looks beyond the surface, but sees the surface with new eyes.” On the other side, that celebrity you think is  so  hot right now can lose all of his or her appeal overnight, literally in one headline. The heartthrob guy beats his girlfriend, or the magazine-cover woman sleeps with three more guys. It’s suddenly harder to even look at pictures of them anymore. They each look exactly the same, but they don’t. You see the same pictures differently now — same hair, same eyes, same figure — all suddenly unappealing, unattractive. Physical attraction is real, but flexible. God has wired us to appreciate beauty in his design — to find men (for women) or women (for men) physically appealing — and that is a real and important element in our pursuit of marriage, and eventually in our flourishing within the covenant. God gave us physical senses and desires for our good. But that’s only one piece of what makes people attractive, and it is not the main piece — nowhere close. Mutual faith in Jesus Christ should be the most arrestingly attractive thing about any potential spouse. Beauty Is Vain This may be the most important thing to learn about physical (or sexual) attraction: that at its richest and fullest, it is not only or even mainly physical (eyes, hair, and figure). “Charm is deceitful, and beauty is vain, but a woman who fears the Lord is to be praised” (Proverbs 31:30). Why does Solomon even need to say that? Because physical beauty and charm are naturally appealing. But without faith, they’re fading, and fast. You can look at a picture in an ad or on an app and decide whether someone’s physical appearance is appealing to you, but that’s like buying a house based on a picture from the front yard. Most people want to enjoy how the front of their house looks, but that doesn’t typically break the list of the top ten or fifteen things they’re looking for in a home. How many bedrooms and bathrooms? Have the appliances been updated in the last five or ten years? What kind of shape is the foundation in? The outside may be most important to some people, but they’re probably people who haven’t owned a home before. The inside of a house — space, appliances, interior design — can cover a multitude of sins outside. But no amount of paint and creativity outside can fix serious issues inside. “Godliness should be the most attractive thing about the most attractive people.” So, let’s ask the question another way. Should a Christian man pursue a Christian woman to whom he  is  physically attracted? I might say, “No.” That is, if all you know or like about her is what you see. I would encourage you to befriend her and get to know her in safe, unambiguous, non-flirtatious ways (probably in groups), until you know whether there is real beauty behind her face and everything else anyone can see. Have you seen enough of her faith, her spiritual strength and maturity, her Christlikeness to know if her beauty is real and durable, or superficial and fading? Better with Age I would not encourage a man to pursue a godly woman whom he’s not attracted to physically, but I won’t let the conversation end there, either. I’ll give him a few other questions to ask himself. For instance, if she really is a godly woman, why might you be more attracted to the unbelieving girl in your algebra class? Or (for the women), if he really is a godly man, why might you be more attracted to the ungodly guy at work? As godly men and women, we should find godliness incredibly attractive. In fact, in our eyes and hearts, it should be the most attractive thing about the most attractive people. That doesn’t mean that if you’re a Christian, you should find every Christian man or woman attractive. But it should mean there’s a theme or trend in your attractions. In our day, it seems wise, in general, for men and women to date someone to whom they are attracted.  And  Christian men and women should be cultivating hearts that are more attracted to faith and character than anything else. The world around us will preach that physical beauty is everything, but we know and desire better. Of all the people in the world, we should be the most free from enslavement to physical appearances and sexual titillation. Our eyes should be increasingly drawn to modesty, not immodesty. As we put on the eyes and heart of Christ, we should increasingly be able to see through all the temporary and fading appearances to the things that are truly beautiful — the qualities in each other that imitate Jesus and anticipate heaven. The qualities that get better with age. My Hope for Men What’s my hope for Christian men? “It is my prayer that your love may abound more and more, with knowledge and all discernment, so that you may approve what is excellent, and so be pure and blameless for the day of Christ, filled with the fruit of righteousness that comes through Jesus Christ, to the glory and praise of God” (Philippians 1:9–11). I want our men (and women) to be known for recognizing and approving what is truly excellent and beautiful, that there would be a strange and durable purity to our pursuits of marriage. What an awesome thing it would be if the world was confused today by your interest in a Christian woman whom they find less physically attractive, only to have it make  perfect sense  twenty-five years later when you’re happily married (and more attracted to each other than ever) — and they’re five months into their fifth marriage. “Christians should be cultivating hearts that are more attracted to faith and character than anything else.” If you’re a Christian, and you’re not as attracted to godliness as you want to be, or if you feel yourself fixated on physical beauty, what should you do? Confess that to a brother. Bring someone in to sift through those desires with you, someone who can help you apply the gospel with grace and truth. And then start looking for evidences of grace in godly women. It’s easy to notice physical features — almost any man in the world is capable of that — but discipline yourself to notice and appreciate true beauty, which is not flaunted, but buried in a woman’s heart and expressed in things like patience, kindness, and selflessness. Say a prayer of thanks for what you see in women like that, and then share it with your friend. Turn the world’s crude locker-room conversations on their head by commending true and lasting beauty with humility and respect. Learn the vanity of physical beauty (by itself) and the lies lacing flirtatious charm and flattery, and train your heart and mind to praise and desire the woman whose heart is hot for Jesus.

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