About the Book
"Building God's Kingdom" by Julie J. Ingersoll explores the rise of the Christian Right in America and its impact on politics, culture, and society. The book delves into the history and ideologies of influential leaders within the movement, as well as their efforts to shape public policy and promote a conservative Christian agenda. Ingersoll also examines how the Christian Right has mobilized its followers and gained political power, while also facing challenges and criticisms from within and outside the movement. Ultimately, "Building God's Kingdom" offers a comprehensive analysis of the Christian Right's influence in shaping the political landscape of the United States.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
the dying gambler
"He died for sinners, and that's me exactly." While holding gospel meetings in the town of Albuquerque, N. M., we were told one morning of a man who was reported to us as being under deep conviction of sin, the Lord having awakened him through the preaching on the street. Our informant told us that he was one who never went to a church or mission hall, as he would not have anything to do with religion or its advocates. But, happening to be out upon the streets in the evenings, he had twice listened to the Word as there proclaimed, and was now in deep distress about his soul. No more cheering intelligence can be conveyed, to one whose heart is in the work of evangelization, than that God has been using the message to the awakening or the conversion of sinners; so, giving thanks for what we had heard, Mr. M— and I went over to the house in which the convicted man was living. We found him in deep distress. He was a consumptive who had come to Albuquerque from the Indian Territory in search of a climate where his disease would be more readily checked. But it was easy to see that his days on earth were fast drawing to a close. In broken accents he told us his story. He had been a most ungodly person. Gambling was his occupation, and all its attendant evils had held him in their snare. His had been "the pace that kills," and now he was reaping the bitter fruits in his own body of a life spent in reckless dissipation in the service of the devil. The reason why he had, although awake to his wretched physical condition, avoided all Christians who might have been able to help him, now came out. He realized that he was dying. He was in dread of death with the awful judgment which he knew must follow. But he had long since concluded that there was no hope for him. He was too far gone for the mercy of God to be extended to him. His sins were crying for vengeance. There was no solace to be expected in religious meetings, so he had kept away, as it only aggravated his mind to see others happy in the knowledge of the forgiveness of their sins while for him there was nought but the "blackness of darkness" forever. Through the goodness of God he had been led to listen to the preaching on the corner; and for the first time he began to realize that there might be mercy even for him. But accompanying this faint hope had come a deeper sense of his own iniquity, so that he was tossed about between hope and despair. We read the word of God and conversed with him, but he was quite gloomy, though he said,"I'm praying; and I've made up my mind that if I have to go to hell, I'll go praying." Earnestly we sought to impress upon his mind that salvation was God's free gift, offered "without money and without price" to all who confessed their sins, and who, as guilty, lost men and women, were ready to receive it for nothing. He did not seem to grasp it, but frequently remarked, "I won't give up praying." It is hard for man to realize the perfect freedom of the offer made by the God of all grace to needy sinners. It is neither by prayer nor by works of human righteousness that salvation is obtained. The believing sinner, saved by grace divine, gladly owns: "Could my zeal no languor know, Could my tears forever flow, These for sin could not atone; Thou must save, and Thou alone." Jesus it was who did all the doing; there remains nothing for the repentant sinner but the taking. But the very freedom of it all seemed to stumble the poor dying gambler. He promised to be out to the meeting however; and so, after praying that he might be led to see the perfection of the finished work of Christ, we left him. In accordance with his promise he was present at night. He seemed to listen eagerly, but with a look of bewilderment that implied inward anxiety and confusion of mind. Upon the conclusion of the meeting we handed him several gospel booklets, which he promised to read. The following evening he came to the hall, and it was easy to see that some great change had taken place. After the preaching he spoke to Mr. M— and brokenly told what had that day transpired. His voice was so weakened by the inroads of disease that he could only speak in short whispers. He said, "This afternoon—I lay on the bed—I took the tracts and tried to read.—My aunt came in—I asked her to read them to me.—Every time she came to a verse from the Bible—I said, 'Look it up.—She said, 'Tain't necessary.'—I said 'It is.—I can't afford to make any mistake—I must be sure.' She got a Bible and looked them up—They were all just the same.—At last I saw it—I said, 'That's it—Christ died for sinners—that's me exactly.—He shed His blood for sinners—He saves all who trust Him—I can trust Him now—He died for sinners—That's me,'—I felt happy then—knew it was all right—I know He won't cast me out." Together we rejoiced that thus he had been led to rest upon Him whose blood cleanses from all sin. And now a remarkable change took place. When we went to see him the next day, we found that physically he had failed to an amazing degree. He could no longer go about. It seemed that strength had been given him to get out where he might hear the gospel, and then he was bereft of it all. Mr. S, a fellow-laborer, had been to see him in the morning and had apprised me of the change; but, although expecting to see a great difference, I was not prepared for what I found when together we called on him in the afternoon. He was so weak that he could barely make himself understood. Satan had been troubling him with doubts. We gave him God's own words, and the doubts were dissipated. He seemed to receive as a child every statement from the Scriptures as indeed the word of Him who cannot lie. Three days later he passed away. Just before the end came he looked up and asked, "Do you hear it? I hear them singing. Jesus died for sinners. He died for me." And so the redeemed gambler had gone into the presence of Him who delights to show mercy to the vilest. To the unsaved reader we would address a word in closing this brief account. Whether a sinner of the deepest dye, crushed beneath the weight of the iniquities of a life-time spent in high-handed rebellion against the God who created you, and who, though you have neither known nor acknowledged Him, has yet been your preserver through all your devious paths; or whether you may be generally accounted moral and religious, but are still guilty of that greatest of all sins—the rejection of the Lord Jesus Christ—"unto you is the word of this salvation sent." For you God's blessed Son died upon the cross, having borne the judgment due to sin; and now, through the work He there accomplished, you, like the poor gambler, may be "justified from all things" and prepared to enjoy an eternity of bliss in His own presence. Christ received, means eternal joy; Christ rejected, means eternal misery. From The Only Two Religions and Other Gospel Papers by H. A. Ironside. New York: Loizeaux Brothers, Publishers, [n.d.].
