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About the Book
"2 Minute Wisdom, Volume 2" by Mike Murdock is a collection of short, inspirational messages that provide practical wisdom for daily living. The book offers quick insights and thought-provoking quotes to help readers navigate life's challenges and improve their outlook. It is a valuable resource for those seeking motivation and guidance in their personal and spiritual growth.
Isaac Watts
"Joy to the world, the Lord is come / Let earth receive her King / Let every heart, prepare him room / And heaven and nature sing."
In his later years, Isaac Watts once complained about hymn singing in church: "To see the dull indifference, the negligent and thoughtless air that sits upon the faces of a whole assembly, while the psalm is upon their lips, might even tempt a charitable observer to suspect the fervency of their inward religion."
He had been bemoaning such since his late teens. His father, tired of his complaints, challenged him to write something better. The following week, the adolescent Isaac presented his first hymn to the church, "Behold the Glories of the Lamb," which received an enthusiastic response. The career of the "Father of English Hymnody" had begun.
Head of a genius
At Isaac's birth in 1674, his father was in prison for his Nonconformist sympathies (that is, he would not embrace the established Church of England). His father was eventually freed (and fathered seven more children), but Isaac respected his courage and remembered his mother's tales of nursing her children on the jail steps.
Young Isaac showed genius early. He was learning Latin by age 4, Greek at 9, French (which he took up to converse with his refugee neighbors) at 11, and Hebrew at 13. Several wealthy townspeople offered to pay for his university education at Oxford or Cambridge, which would have led him into Anglican ministry. Isaac refused and at 16 went to London to study at a leading Nonconformist academy. Upon graduation, he spent five years as a private tutor.
His illness and unsightly appearance took its toll on his personal life. His five-foot, pale, skinny frame was topped by a disproportionately oversized head. Almost every portrait of him depicts him in a large gown with large foldsâan apparent attempt by the artists to disguise his homeliness. This was probably the reason for Elizabeth Singer's rejection of his marriage proposal. As one biographer noted, "Though she loved the jewel, she could not admire the casket [case] which contained it."
Though German Lutherans had been singing hymns for 100 years, John Calvin had urged his followers to sing only metrical psalms; English Protestants had followed Calvin's lead.
Watts's 1707 publication of Hymns and Spiritual Songs technically wasn't a collection of hymns or metrical psalms, but it was a collection of consequence. In fact, it contained what would become some of the most popular English hymns of all time, such as "When I Survey the Wondrous Cross."
Watts didn't reject metrical psalms; he simply wanted to see them more impassioned. "They ought to be translated in such a manner as we have reason to believe David would have composed them if he had lived in our day," he wrote. Psalms of David Imitated in the Language of the New Testament followed in 1719.
Many of his English colleagues couldn't recognize these translations. How could "Joy to the World" really be Psalm 98? Or "Jesus Shall Reign Where'er the Sun" be Psalm 72>, or "O God Our Help in Ages Past" be Psalm 90?
Watts was unapologetic, arguing that he deliberately omitted several psalms and large parts of others, keeping portions "as might easily and naturally be accommodated to the various occasions of Christian life, or at least might afford us some beautiful allusions to Christian affairs." Furthermore, where the psalmist fought with personal enemies, Watts turned the biblical invective against spiritual adversaries: sin, Satan, and temptation. Finally, he said, "Where the flights of his faith and love are sublime, I have often sunk the expressions within the reach of an ordinary Christian."
Such looseness brought criticism. "Christian congregations have shut out divinely inspired psalms and taken in Watts's flights of fancy," protested one detractor. Others dubbed the new songs "Watts's whims."
But after church splits, pastor firings, and other arguments, Watts's paraphrases won out. "He was the first who taught the Dissenters to write and speak like other men, by showing them that elegance might consist with piety," wrote the famed lexicographer (and Watts's contemporary) Samuel Johnson.
More than a poet, however, Watts was also a scholar of wide reputation, especially in his later years. He wrote nearly 30 theological treatises; essays on psychology, astronomy, and philosophy; three volumes of sermons; the first children's hymnal; and a textbook on logic that served as a standard work on the subject for generations.
But his poetry remains his lasting legacy and earned him acclaim on both sides of the Atlantic. Benjamin Franklin published his hymnal, Cotton Mather maintained a long correspondence, and John Wesley acknowledged him as a geniusâthough Watts maintained that Charles Wesley's "Wrestling Jacob" was worth all of his own hymns.
We Need More Holy Fools
A man is trapped in a car, rushing down a hill toward a cliff. The doors are locked. The brakes are out. The steering barely works. Far ahead, he can see other cars hurtling into the abyss. How far they fall, he does not know. What they find at the bottom, he cannot imagine. But he does not seek to know; he does not try to imagine. Instead, he paints the windshield, climbs into the back seat, and puts in his headphones. This image, adapted from Peter Kreeft, captures my life in January 2008, as I walked down a college sidewalk in Colorado. The car was my body; the hill, time; the cliff, death. I was, as we all are, rushing toward the moment when my pulse would stop. And though unsure of what would come afterward, I found a thousand ways to look away. âThe Lord looks down from heaven on the children of man, to see if there are any who understand, who seek after Godâ (Psalm 14:2). Like so many other children of men, I neither understood nor sought, I neither asked nor knocked, but let myself tumble through time without a thought of eternity. I was a âfool,â to put it bluntly (Psalm 14:1). And I desperately needed another kind of fool to wake me up. Puncturing the Daydream Few people, perhaps, would look at a normal Western life like mine â busy, successful, spiritually indifferent â and say, âfolly.â But could it be because the folly is socially acceptable? Might we modern Western men and women have made a silent pact to ignore eternity? âMight we modern Western men and women have made a silent pact to ignore eternity?â Blaise Pascal, seventeenth-century Christian polymath, thought so. When Pascal looked round at his modern country, neighbors, and self, he saw a collective pathology, a shared insanity: âManâs sensitivity to little things and insensitivity to the greatest things are marks of a strange disorder,â he said ( Christianity for Modern Pagans , 203). We cultivate hobbies, and follow celebrities, and read the news without knowing why we exist. We stumble through an unthinkably vast cosmos, circled round by unthinkably intricate wonders, too distracted to ask, âWho made this?â We develop firm opinions about politics, and care not whether souls live forever, and where. We look often into our mirrors and seldom into our deep and fallen hearts. A strange disorder indeed. And so, Pascal walked around with needles in hand, seeking to puncture the daydream of secular or religiously nominal apathy to eternity. His unfinished book PensĂ©es  (abridged and explained in Kreeftâs masterful Christianity for Modern Pagans ) may have been his sharpest needle. What Is a Life âWell-Livedâ? Our lives here are hemmed in by mystery and uncertainty. We live on a small rock in an immense universe. We know little about where we came from or where weâre going. We struggle even to understand ourselves. But a few matters remain clear and unmistakable, including the great fact that, one day, we will die. Our car hurtles down the hill, lower today than yesterday. The abyss awaits. And what then? For secular or nominally religious countrymen like Pascalâs, and ours, the options are two: âthe inescapable and appalling alternative of being annihilated or wretched throughout eternityâ (191). Either Christianity is false, and our flickering candle goes out forever â or Christianity is true, and, awakening to lifeâs meaning too late, we fall âinto the hands of a wrathful Godâ (193). A society like ours would lead us to believe that eighty years âwell livedâ (whatever that means) filled with âpersonal meaningâ (whatever that means) makes for a good life; we need seek no more. To Pascal, those were the words of one who had painted the windshield black. Death, rightly reckoned with, functions like the final scene of a tragic play: it reaches its fingers back into all of life, disfiguring every moment, darkly witnessing that all is not well. âThe last act is bloody, however fine the rest of the play,â Pascal writes. âThey throw earth over your head and it is finished foreverâ (144). Stand above the hole in the ground, the dust from which we came and to which weâll return (Genesis 3:19), and consider: âThat is the end of the worldâs most illustrious lifeâ (191). âWe ourselves are an enigma, wrapped in a world of mystery, headed inevitably for the grave.â We ourselves are an enigma, wrapped in a world of mystery, headed inevitably for the grave. Such a dire plight might send us searching for wisdom, if it werenât for our insane âsolution.â Insanity of Our âSolutionsâ How do we â mortal men and women, nearing the cliffâs edge â typically respond to our plight? âWe run heedlessly into the abyss after putting something in front of us to stop us seeing itâ (145). We deny. We divert. We distract. Until one day we die. Of course, no one ever says, âI will distract myself because I donât want to consider my death and what may come afterward.â We suppress the truth more subconsciously than that (Romans 1:18). Instinctively, we avoid the âhouse of mourning,â or else dress it with euphemisms, for fear of facing, terribly and unmistakably, that âthis is the end of all mankindâ â that this is our  end (Ecclesiastes 7:2). Summarizing Pascal, Kreeft writes, If you are typically modern, your life is like a rich mansion with a terrifying hole right in the middle of the living-room floor. So you paper over the hole with a very busy wallpaper pattern to distract yourself. You find a rhinoceros in the middle of your house. The rhinoceros is wretchedness and death. How in the world can you hide a rhinoceros? Easy: cover it with a million mice. Multiply diversions. (169) Eighty years may seem like a long time to distract yourself from the most fundamental questions of life and death. But with hearts like ours, in a world like ours, it is not too long. Make a career. Raise a family. Build wealth. Plan vacations. Get promoted. Watch movies. Collect sports cards. Read the news. Play golf. Resist uncomfortable questions. We hang a curtain over the cliffâs edge that keeps us from seeing the abyss. But not from rushing into it. Sanest People in the World Our chosen âsolution,â then, only aggravates our dire plight. Our distractions sedate us on the way to death rather than sending us searching for some escape. Which means the world has a desperate need for people like Pascal, men and women whom we might call (to use a phrase from church history) holy fools . The term holy fools  drips with the same irony Paul used when he spoke of âthe foolishness of Godâ (1 Corinthians 1:25) and said, âWe are fools for Christâ (1 Corinthians 4:10). In truth, holy fools are the worldâs sanest people. They have felt the sting of sin and death. They have found deliverance in Jesus Christ. And now they are trying to tell the world. With Pascal, they see that âthere are only two classes of people who can be called reasonable: those who serve God with all their heart because they know him and those who seek him with all their heart because they do not know himâ (195). And so, holy fools call people into the âfollyâ that is our only sanity. They come to those caught in distraction, lost in diversion, and they serve, love, persuade, and prod. They risk reputation and comfort, willing to look foolish in the eyes of a wayward world. They bring eternity into everyday conversations with cashiers, neighbors, and other parents at the park. Boldly and patiently, courageously and graciously, they say, âSee your death. See your sin. And seek him with all your heart.â To those bent on diversion, holy fools may seem imbalanced, extreme, awkward, pushy. But not to everyone. Some, as they hear of the Christ these fools preach, will catch a glimmer of âthe power of God and the wisdom of Godâ (1 Corinthians 1:24). And they will become another fool for him. Give Us More Fools for Christ Pascal (and the apostle Paul) make me feel that I am not yet the fool I ought to be. Too often, I prefer social decorum to holy discomfort, this-worldly niceness to next-worldly boldness. But they also make me feel a keen gratitude for the holy fools among us, and a longing to be more like them. For I owe my life to one. In January 2008, as my little car rushed down the hill, and as I did what I could to cover my eyes, someone stopped me on the sidewalk. I would later learn that he belonged to a campus ministry widely known for sharing Jesus with students â widely known, but not widely loved. Their message was, to most, foolishness â and their way of stopping others on the sidewalk, a stumbling block. But to me that day, by grace, it looked like the wisdom of God. In time, I would realize that my various diversions could not deliver me from death. Nor could a life âwell livedâ forgive my sins or undig my grave. Only Jesus could. It took a holy fool to make me sane, and oh how the world needs more.