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About the Book
"The True Nature Of God" by Andrew Wommack explores the character and attributes of God, emphasizing his love, grace, and desire to have a relationship with his children. Wommack challenges traditional beliefs that portray God as harsh or punitive, offering a fresh perspective on the nature of God as a loving father who wants the best for his creation. He encourages readers to deepen their understanding of God's true nature and experience the freedom and joy that comes from knowing and walking in relationship with him.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
my times are in your hand - learning to trust the speed of god
Did you know your head ages faster than your feet? Scientists have confirmed this, proving again that Albert Einstein was spot-on in his theories of relativity: the speed of time is relative to a particular frame of reference. For us terrestrials, that frame of reference is earth’s gravitational force. The higher up from the earth something is, the weaker the gravitational pull and the faster time moves. An implication of this is that we frequently put our trust in a frame of reference on time different from the one we experience. For instance, the Global Positioning System (GPS) we rely on to accurately and safely guide us as we pilot our cars, ships, planes, and spaceships only works because it’s programmed, based on Einstein’s theories of relativity, to compensate for the distance between earth and space. Without those formulas, our computers and smartphones would soon get disastrously out of sync with the GPS satellites, which orbit in a different time. Stick with me; I am going somewhere with this. How we experience time depends on our frame of reference. And our particular frame of reference is not always the one we should trust. In fact, sometimes it’s critically important that we trust another framing more than our own. One Day with the Lord For Christians, this concept is nothing new. Over three millennia ago, Moses wrote, A thousand years in your sight are but as yesterday when it is past, or as a watch in the night. (Psalm 90:4) And some two millennia ago, Peter wrote, Do not overlook this one fact, beloved, that with the Lord one day is as a thousand years, and a thousand years as one day. (2 Peter 3:8) In other words, time in God’s eyes moves at different speeds from time in our ours. And in the life of faith, it’s critically important that we learn to rely on God’s timing more than our own — to learn to trust the speed of God. How Long, O Lord? Learning to trust God’s timing is not easy, to say the least. This is partly due to our sin and unbelief. But it’s also because trusting a frame of reference different from ours is, by definition, counterintuitive. Since we can’t calculate God’s time, his timing often doesn’t make sense to us. That’s why after Peter described one God-day as being like a thousand years for us, he went on to say, “The Lord is not slow . . . as some count slowness” (2 Peter 3:9). The “some” he referred to were “scoffers” who mocked Christians’ hope in the return of Christ (2 Peter 3:3–4). But the truth is that all of us fit into the “some” category at times. I don’t mean as scoffers, but as children of God painfully perplexed by our heavenly Father’s apparent slowness. We cry out, “How long, O Lord?” (Psalm 13:1), wondering when he will finally fulfill some promise to which we’re clinging. So, Peter exhorts us, the “beloved” of God, not to “overlook” the fact that God-time is not man-time; therefore, God “is not slow” as man counts slowness (2 Peter 3:8–9) — as I  sometimes count slowness. Indeed, he is not. God Is Not Slow Someone who has created such a thing as light speed, and who knows what’s happening in every part of a universe spanning some 93 billion light-years across, is clearly not slow. “It’s critically important that we learn to rely on God’s timing more than our own.” It’s also clear, however, that such a being as God operates on a very different timeline than we do — if timeline  is even the right word. For God is not constrained by time. He is the Father of time (Genesis 1:1; Colossians 1:16). He is “the Ancient of Days” (Daniel 7:9), existing “from everlasting to everlasting” (Psalm 90:2). God is not in time ; time is in God  (Acts 17:28; Colossians 1:17). The “thousand years” of Psalm 90:4 and 2 Peter 3:8 is just a metaphor, using a timeframe we can somewhat comprehend to communicate a reality we can’t. So, when the speed of God seems slow to us, or when his timing doesn’t make sense, we must “not overlook this one fact”: God-time is different from man-time. God-time is relative to his purposes, which is his frame of reference. And God, according to his wise purposes, makes everything beautiful in its time — the time he purposefully chooses for it. Time for Everything Everything beautiful in its time . I get that from Ecclesiastes 3:11: [God] has made everything beautiful in its time. Also, he has put eternity into man’s heart, yet so that he cannot find out what God has done from the beginning to the end. This verse captures like no other both the mysterious nature of our experience of time, and the pointers God has placed within our frame of reference to help us trust the wisdom of his timing. In designing us with eternity in our hearts, the “eternal God” made us to know him (Deuteronomy 33:27). But in limiting the scope of our perspective and comprehension, he also made us to fundamentally trust him and not ourselves (Proverbs 3:5–6). This is how he means for us to know him: I am God, and there is no other; I am God, and there is none like me, declaring the end from the beginning and from ancient times things not yet done, saying, “My counsel shall stand, and I will accomplish all my purpose.” (Isaiah 46:9–10) He is “the everlasting God” (Isaiah 40:28), “who works all things,” including all time everywhere, “according to the counsel of his will” (Ephesians 1:11). One clear way he reveals the wisdom of his purposes is how he has created, in our frame of reference, “a time for every matter under heaven” (Ecclesiastes 3:1): a time to be born, and a time to die; a time to plant, and a time to pluck up what is planted; a time to kill, and a time to heal; a time to break down, and a time to build up; a time to weep, and a time to laugh; a time to mourn, and a time to dance. (Ecclesiastes 3:2–4) God “made everything beautiful in its time.” The Hebrew word translated “beautiful” means appropriate , fitting , right . God’s “invisible attributes” can be “clearly perceived” in the created order we observe and experience (Romans 1:20). They reveal the wisdom of his purposes — a wisdom far beyond ours. And God intends them to teach us that his “beautiful” timing can be trusted, even when we don’t understand it. In the Fullness of Time God did not merely leave us to deduce his character and wisdom from nature. For “when the fullness of time had come, God sent forth his Son” (Galatians 4:4). In Jesus, the Creator of all stepped into terrestrial time, into our frame of reference (John 1:2). In fully human form, he “dwelt among us,” directly revealing the divine attributes with a “glory as of the only Son from the Father, full of grace and truth” (John 1:14). “Time in God’s eyes moves at different speeds than time in our ours.” While here, he performed many signs and wonders and proclaimed, “The time is fulfilled, and the kingdom of God is at hand; repent and believe in the gospel” (Mark 1:14–15). As he did so, he displayed the marvelous wisdom of the timing of God, often in ways that surprised and confused his followers (John 4:1–42; 11:1–44). Then, when his time had come (John 12:23), Jesus obeyed his Father to the point of death on a cross, “offer[ing] for all time a single sacrifice for sins.” And then he was raised from the dead and “sat down at the right hand of God, waiting from that time until his enemies should be made a footstool for his feet” (Hebrews 10:12–14). As his followers, we also wait. We wait for the Father to “send the Christ appointed for [us], Jesus, whom heaven must receive until the time for restoring all the things about which God spoke by the mouth of his holy prophets long ago” (Acts 3:20–21). Trust the Speed of God As we wait, two thousand years later (or two God-days), we help each other remember, The Lord is not slow to fulfill his promise as some count slowness, but is patient toward [us], not wishing that any should perish, but that all should reach repentance. (2 Peter 3:9) Yes, we must frequently help each other remember: God-time moves at different speeds than ours. God works all things, at all times, in all places, in all dimensions, after the counsel of his will to accomplish all his purpose. God has a purposeful time for everything, and he makes everything beautiful in its time. However God chooses to use our times, it’s critically important that we learn to trust his timing over the relative and unreliable earthbound perspective that shapes our expectations. Our times, like all times, are in God’s hand (Psalm 31:15). This is what it means to live by faith in relation to time. In choosing to trust the speed of God, we humble ourselves under his mighty, time-holding hand. According to 1 Peter 5:6–7, the amazing reward of choosing to embrace such joyful, peaceful, childlike trust in God is that he will exalt us at the proper time.