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About the Book
"The Applause of Heaven" by Max Lucado is a Christian book that explores the idea of finding true happiness and fulfillment in God. Lucado emphasizes the importance of living a life that pleases God rather than seeking approval from others. He encourages readers to focus on their relationship with God and strive to hear the applause of heaven, rather than seeking validation from the world. Through heartfelt stories and biblical teachings, Lucado encourages readers to turn to God for lasting happiness and contentment.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
The Very First Prayer
From the opening chapters of the Bible, God makes it clear that humanity was created to enjoy life with God, and God in life — to experience the radiance of his presence and listen to him speak “close up.” Adam and Eve walked with God in the garden, which God himself has provided for this very purpose. And they are charged to turn the whole of creation into a place where God can be known and enjoyed (see Genesis 1:28 and 2:15–16). Relating to God, for them, was natural and unhindered. After the events of Genesis 3, of course, everything gets so much harder. “From the opening chapters of the Bible, God makes it clear that humanity was created to enjoy life with God.” God’s grand plan for his people and his world remains the same, but suddenly the way to God is littered with obstacles, as the ease of relating to God is replaced with struggle. In fact, it’s not altogether clear how our first parents are supposed to relate to God as they leave the now inaccessible garden behind (Genesis 3:24). The task they were commissioned to do in Genesis 1:28 remains, but it now will be tackled against the grain of a broken creation and without the immediate presence of the Creator. Which brings us to Genesis 4. First Recorded Prayer After the exclusion of the original couple from Eden, the narrative immediately jumps to the birth of Cain and then Abel. The intriguing note of Genesis 3:15 has set us up to expect an individual who is able to undo the recently created chaos of sin. Both brothers are pictured bringing offerings to God (the awareness of our obligation to the one who made us remains intact), but the violent events which follow do little beyond showing that the hope of humanity must be found elsewhere — and yet, remarkably, God has continued to speak to his people. Cain’s evil quickly spirals further out of control, as he settles down in a city (Genesis 4:17), rather than continuing to “fill the earth and subdue it,” and then fathers a dynasty of self-reliant men, culminating in the brutality of Lamech, who boasts to his wives that if anyone messes with him, he will exact disproportionate revenge (Genesis 4:24). At this point in the tragic narrative, we find these words: And Adam knew his wife again, and she bore a son and called his name Seth, for she said, “God has appointed for me another offspring instead of Abel, for Cain killed him.” To Seth also a son was born, and he called his name Enosh. At that time people began to call upon the name of the Lord. (Genesis 4:25–26) Initially, Genesis 4:25 raises our hopes. Cain and Abel are not to be the sole heirs of Adam — there is another son, Seth. Eve’s own words, highlighting that he is another “offspring” (same word in Genesis 3:15), lead us to expect more detail, and hopefully a bright counterpoint to the darkness of Cain and his line. However, we get no details whatsoever about Seth. He is born, and then his sole contribution to the unfolding plan of God is to sire a son, Enosh. Like his father, Enosh makes no contribution to the narrative beyond providing a descendant. All this makes it doubly puzzling when the birth of Enosh leads people to begin calling on the name of the Lord, apparently for the first time. Why Pray Now? The phrase “at that time” in the first five books of the Bible tends to introduce significant incidents (for example, Genesis 12:6; 38:1; Deuteronomy 1:9). In this case, the striking nature of the action (calling on the name of the Lord) is a further signal that something important is going on. But it is puzzling — what could possibly have occasioned this “new start” in humanity’s relationship with God? Seth is born, but does nothing else. Now Enosh is born, and similarly, there appears to be nothing remarkable about his birth. So what are we to make of this? What prompted them to seek God in this way now? It’s theoretically possible that this is simply a chronological note. Given the fact, however, that not one word is wasted in the opening chapters of the Bible, and every phrase seems loaded with significance for the unfolding narrative, this seems highly unlikely. Rather, it seems that starting to “call on the name of the Lord” is the right response to the fact that Cain and Abel, Seth and Enosh have all shown up, but there is, as yet, no sign of the promised Serpent-Crusher of Genesis 3:15. The waiting — and the appealing to God to act — has begun. We Ask for What He Promised This is the first address to God after the fall — and it is a cry to God to act by fulfilling his promises. In the Institutes, John Calvin says, “Just as faith is born from the gospel, so through it our hearts are trained to call upon God’s name” (III XX.21). I think that’s what’s going on here in Genesis 4. The announcement of Genesis 3:15 has brought gospel hope to life, which in turn leads God’s people to ask God to act. The gospel gives birth to gospel-shaped prayer. “Prayer is a means of communion with God, but far more often it is simply asking God to do what he has promised to do.” As we look at prayers throughout the Bible, it becomes increasingly apparent that they are dominated by this single concern: to see God act to fulfill his promises as he advances his plan of redemption in our world. That’s not to say, of course, that our relationship with God can be reduced to this one thing. There are lots of activities that we are invited or commanded to engage in as part of our relationship with God (like praise, or repentance, or intercession, or lament, or thanks). When it comes to prayer, however, the Bible seems to have a much narrower focus than we would normally allow. Prayer is a means of communion with God, but far more often it is simply asking God to do what he has promised to do. Until Prayer Is Unnecessary This simple observation, which flows naturally from Genesis 4:25–26, does cut through much of the guilt and confusion we often feel about prayer. Prayer begins with asking God to do his gospel work. This is presumably why Jesus can encourage us to pray unhypocritical, to-the-point kingdom prayers (Matthew 5:5–14). Prayer isn’t primarily communing with God, let alone twisting his arm, but asking God to do what he is already committed to doing (see Luke 11:5–13). It is easy to miss the significance of Genesis 4:25–26, but that doesn’t mean that it isn’t a beautifully gospel-shaped clue to how people like you and me are to relate to the God who loves us this side of the fall. We are to pray — asking God to do what he has promised — until that day when prayer is no longer needed, because all things have already been made new and all his promises have been brought to perfect fruition. But until then? We keep praying like people of the day of Seth and Enosh, asking God to act for our good and his glory. Article by Gary Millar
