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Walking In Divine Favor Walking In Divine Favor

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  • Author: Jerry Savelle
  • Size: 889KB | 94 pages
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About the Book


"Walking in Divine Favor" by Jerry Savelle explores how individuals can experience the abundant blessings and favor of God in their lives by following biblical principles and developing a strong faith. Savelle emphasizes the importance of believing in God's promises and aligning one's thoughts and actions with His will to receive His favor. The book offers practical guidance and inspirational stories to help readers cultivate a deeper relationship with God and experience His favor in all areas of their lives.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Weighing the Beauty and Brevity of Life

It’s been ten years since my father died. A decade. Already? Nearly 20 percent of my lifetime has passed since I last saw him. Where did the time go? My oldest child recently turned 24. To me it seems that almost yesterday I was holding that precious newborn, singing softly to him while slowly pacing in the hospital room. But in reality, I’ve since lived 44 percent of my lifetime. Where did the time go? Thirty-six years ago, I began dating a beautiful 16-year-old girl whom I had the extraordinary privilege of marrying four years later. Scenes from that hot, sunny, summer day when it all began are still vivid to me, and have a hue of  new  about them. Yet 65 percent of my life has managed to slip by since that monumental moment became a memory. Where did the time go? Where did the time go?  Why do we all ask some form of that question — and ask it over and over as the years pass? It’s not like we don’t know. Each of the approximately 3,700 days since my father died, the 8,800 days since my son was born, and the 13,200 days since my wife and I began dating passed just like the ones before it. The days accumulated over time. It’s simple math. But of course, it’s not the math that bewilders us. We’re bewildered by something far more profound — that this life we’ve been given, this significant existence with all its sweet and bitter dimensions, passes so quickly and then is gone. We Are Marvels We all intuitively discern that our lives have profound significance. Even when we’re told they don’t, we don’t really believe it — or if we really do, we no longer want to live. We also intuitively discern that there is profound significance to the great human story-arc, with all of its collective triumphs and tragedies. This isn’t mere human hubris, because most of us, including the greatest among us, have always been cognizant of our smallness in the cosmos. Truly did David pray, When I look at your heavens, the work of your fingers,      the moon and the stars, which you have set in place, what is man that you are mindful of him,      and the son of man that you care for him? (Psalm 8:3–4) “We are marvels of creation, who long for eternity, yet whose lifespans here are like a mist.” But even in view of our smallness, it’s undeniable that there is something awesome about humanity. Just a brief glance around us shouts this. From where I’m writing (on a laptop computer wirelessly connected to the world!), I see automobiles driving by, a commercial jet flying overhead, an educational institution devoted to helping underprivileged children succeed in school, and a talented gardener carefully cultivating her organic artwork. These phenomena are just part of “normal” daily life for me, yet each represents staggering layers of human ingenuity. And to top it off, my (also wirelessly world-connected) mobile phone has just informed me that NASA has successfully launched its latest rover mission to the planet Mars. Without denying our great and grievous capacities for evil, every single one of us is simply a marvel in our various ranges of intellect, capacities for language and communication, aptitudes for innovation, abilities to impose order upon chaos, and contributions to collective human achievements. Truly did David pray, You have made [man] a little lower than the heavenly beings      and crowned him with glory and honor. You have given him dominion over the works of your hands;      you have put all things under his feet. (Psalm 8:5–6) God has endowed human beings with the glory and honor of being made in his image (Genesis 1:26–27). This is the profound significance we all intuit, even those who deny it. Our lives are imbued with tremendous meaning. We Are Mists Yet each of our profoundly significant earthly lives, no matter how short or long it lasts, is so brief. We look up to find 10, 24, 36 years have suddenly passed. Repeatedly we’re hit with the realization that our lives “are soon gone, and we fly away” (Psalm 90:10). Truly did David pray, Behold, you have made my days a few handbreadths,      and my lifetime is as nothing before you. Surely all mankind stands as a mere breath! (Psalm 39:5) And truly did James say, “What is your life? For you are a mist that appears for a little time and then vanishes” (James 4:14). It’s this existential experience of being marvels and mists that we find bewildering. We find it a strange phenomenon to watch our lives move relentlessly along a continuum, leaving experiences that are massively important to us in an increasingly distant past, while our earthly end — the end of the only reality we’ve ever known — approaches with unnerving speed. It recurrently catches us by surprise. With Eternity in Our Hearts But  why  do we find this experience strange and surprising? Many experts from various branches of the cognitive and biological sciences venture answers. But just as recounting the math of passing days doesn’t address the strangeness and surprise we feel when we ask, “Where did the time go?” neither do the chemical mechanics of consciousness. And there’s more to the deep longings this whole experience awakens than just the awareness and anticipation of our mortality. Truly did the writer of Ecclesiastes say, [God] has put eternity into man’s heart, yet so that he cannot find out what God has done from the beginning to the end. (Ecclesiastes 3:11) God has given us the ability to conceive of eternity, yet in spite of conferring upon us many marvelous capacities, he has not granted us to peer into eternity past or eternity future, no matter how hard we try. And due to our efforts to seize forbidden knowledge, God has withdrawn our once-free access to simply eat of the tree of life and live forever (Genesis 3:22–24). We are marvels of creation, whose lives are imbued with great meaning, who long for eternity, yet whose lifespans here are like a mist. No wonder we find time mystifying. Teach Us to Number Our Days Our strange experience of the passing of time is more than a by-product of consciousness, more than mere existential angst over mortality. It is a reminder and a pointer. “God has reopened for us the way to the tree of life, to eternal life, and that way is through his Son, Jesus.” It is a  reminder  that we are contingent creatures and that the profound significance we intuitively know our lives possess is  derived  significance, not  self-conferred  significance. Though created in the likeness of God and given marvelous capacities, we are not self-existent or self-determining like God. Rather, “in him we live and move and have our being” (Acts 17:28), receiving from him our “allotted periods” of life and “the boundaries of [our] dwelling place” (Acts 17:26). And the brevity of those allotted periods of life are meant to make us cry out, “O Lord, make me know my end and what is the measure of my days; let me know how fleeting I am!” (Psalm 39:4). And our experience of deep heart longing for eternity in the face of such brevity is a  pointer  that we are actually designed for such a thing as eternal life. For those who have eyes to see, this is a gospel pointer. For God has reopened for us the way to the tree of life, to eternal life, and that way is through his Son, Jesus (John 3:16; 14:6; Romans 6:23; Revelation 2:7). Those moments when we ask, “Where did the time go?” are reminders that “all flesh is grass, and all its beauty is like the flower of the field. The grass withers, the flower fades when the breath of the Lord blows on it” (Isaiah 40:6–7). And they are pointers to the reality that though our “days are like grass,” yet “the steadfast love of the Lord is from everlasting to everlasting on those who fear him” (Psalm 103:15–17). Those moments come to us in order to “teach us to number our days that we may get a heart of wisdom” (Psalm 90:12).

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