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The Warrior The Warrior

The Warrior Order Printed Copy

  • Author: Francine Rivers
  • Size: 787KB | 173 pages
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About the Book


"The Warrior" by Francine Rivers follows the story of Hadassah, a young Christian woman living in Roman-occupied Jerusalem. After being captured and enslaved by the Roman soldier Atretes, Hadassah faces numerous challenges and must rely on her faith to survive. As Hadassah and Atretes navigate their complicated relationship, they both learn valuable lessons about love, forgiveness, and redemption.

Aimee Semple McPherson

Aimee Semple McPherson Aimee Semple McPherson was born on Oct. 9, 1890, on a farm in Salford Ontario, Canada. Her father, James Kennedy, was a farmer and came from a Methodist background. Her mother, Mildred, known as “Millie,” came from a Salvation Army background. Although she was raised in a Christian home, she began to question the Bible during her teen years. When she was 17, she attended a revival Pentecostal meeting presented by evangelist Robert Semple, where she heard the message of repentance. He also spoke of baptism in the Holy Spirit, an experience for which she hungered. After receiving the infilling of the Holy Spirit, she also was filled with a great love and compassion for souls and a fervent passion to serve the Lord throughout her whole life. The meeting Aimee attended changed her life not only spiritually but also romantically. The evangelist Robert Semple later become Aimee’s husband. They were married when she was 18. Their ministry desires were compatible. After their ministry trips in Chicago and the Ingersoll area, they headed to China as missionaries. In 1910 while in China, Robert and Aimee contracted Malaria within months of arriving in Hong Kong. Robert didn’t survive, leaving Aimee pregnant and a widow at 19. When her daughter, Roberta Star, was a month old, Aimee returned to United States to raise her. Aimee and Roberta lived in New York with Aimee’s mother. She assisted her mother raising money for the Salvation Army. It was there she met and married a Christian businessman named Harold McPherson. They had a son, Rolf Kennedy McPherson. After a decline in health, two major surgeries and a near-death experience, God asked her one last time, “Now, will you go?” She answered yes to God’s call and almost immediately was healed. She never again questioned the call to preach the gospel. Aimee is known for founding the Foursquare Gospel Church in 1918. She also was a woman ahead of her time, possessing boldness in her speaking ability and creative ways to communicate the gospel. The name Foursquare Gospel originated from the Book of Ezekiel. It represents the four phases of the gospel of Jesus Christ. In the face of the Man, she saw Jesus our Saviour. In the face of the lion, she saw Jesus the mighty Baptiser with the Holy Spirit and fire. In the face of the ox, she saw Jesus the Great Burden Bearer. In the face of an eagle, she saw Jesus the coming King, who will return in power and glory. It was, in Aimee’s opinion, “a perfect gospel. A complete gospel for body, for spirit and for eternity.” Her ministry was dynamic. She witnessed thousands saved and healed during her evangelistic meetings. Being creative and theatrical, Aimee used drama, music and opera to appeal to the audience. Bands, choirs and other crowd-pleasing touches enhanced her dynamic preaching. Though she was well-versed in the Bible, Aimee’s success wasn’t based on her knowledge, but rather the delivery of her messages. She also was known as a faith healer, with claims of physical healing occurring during her meetings. Her faith healing demonstrations were written about extensively in the media, as they were a large focus of her early ministry. Aimee was an evangelistic pioneer, determined to spread the message of the Pentecostal faith, and used her fervour and flamboyance to win a huge following. She had achieved what no one had yet done in ministry, which was to build a 5,000-seat auditorium in an influential area of Los Angeles. This paved the way for other female evangelists during a time when women were not accepted in the pulpit. She also launched the first Christian radio station and established a Bible college. By 1917, she had started her own magazine The Bridal Call, for which she wrote many articles about women’s roles in religion; she portrayed the link between Christians and Jesus as a marriage bond. Jan. 1, 1923, the new Angelus Temple was opened in a flamboyant style. Aimee was seated on a red velvet throne dressed in a nurse’s uniform and cape. Accompanying her were 200 singers, three bands, two orchestras and six quartets. The Angelus Temple was featured on a float in Pasadena’s Tournament of Roses parade, while the extravagant dedication service was given full coverage in The New York Times. What became the home of The Church of the Foursquare Gospel filled four times each Sunday and twice weekly. Aimee also ministered at highly sought-after healing services during the week. Reporters marveled at her oral skills, saying, “Never did I hear such language from a human being. Without one moment’s intermission, she would talk from an hour to an hour and a half, holding her audience spellbound.” Rather than using fire-and-brimstone preaching, Aimee resorted to a style of joyous celebration, representing the loving face of God. She also brought old-time religion into the modern age, using illustrated sermons to help people understand the gospel better. Also, stage productions were incorporated, drawing people who usual didn’t attend church. In an era prior to television, these services proved entertaining, and she used this method to present the message of salvation through faith in Jesus. Aimee welcomed all walks of life. She preached to the high class of society, as well as the poor and disadvantaged. She treated everyone equally regardless of race, gender or status. In the 1920s, Aimee became a well-known voice among civic leaders, politicians, actors and actresses, and pastors from various denominations. Her sermons were reprinted in hundreds of newspapers in Canada, the United States and Mexico and were read by millions. In 1927, she opened a commissary to feed the marginalized and supply them with clothing and other necessities. Aimee set up a 24/7 soup kitchen at her temple in 1936 to help families through the Great Depression .She also became involved with war bond rallies and linked religion to patriotism in her sermons when America joined the Second World War in 1941. Aimee’s legacy is threefold. Using the dramatic arts to reach the lost (an innovative tool) and the latest technology to spread the gospel. She reached out to the poor, helping thousands in the Los Angeles area who were starving. She taught a full-gospel message and regularly saw thousands of healings and miracles in her meetings. Aimee passed away due to an accidental overdose in 1944 and was buried in Forest Lawn Memorial Park Cemetery in California. Her son, Rolf, has kept her memory and ministry alive by carrying the ministry for 40 four years. The Foursquare church is still standing strong with 8 million members worldwide.

The Blissful and Trivial Life - How Entertainment Deprives a Soul

When we, as a society, stopped reading and started watching, we began thinking and talking less — at least with the same substance or effectiveness. That was the bright red flag Neil Postman began waving in the sixties, captured for future generations in his classic work, Amusing Ourselves to Death. The book was published in 1985, the year before I was born. With the introduction of the television, Postman observed, entertainment did not merely become a bigger and bigger part of our lives — it became our lives. And everything else in our lives — news, politics, education, even religion — was increasingly forced to perform on its stage. Suddenly, everything had to be entertaining. Newspapers gave way to “the nightly news”; classroom lessons made their way to Sesame Street; worship services transformed into televised concerts with TED talks. “The television slowly taught us that nothing was worth our time unless it was entertaining.” The television slowly taught us that nothing was worth our time unless it was entertaining. And anything entertaining, almost by definition, requires less of us — less thinking, less study, less work. Entertainment, after all, isn’t meant to be taken seriously. But when everything is entertainment, doesn’t that mean little, if anything, can be taken seriously? For those who take the glory of God seriously, and our joy in him seriously, that becomes a very serious question. What Will Ruin Society? Postman warned about this devolution long before others noticed what was happening. He writes, [George] Orwell warns that we will be overcome by an externally imposed oppression. But in [Aldous] Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity, and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. . . . In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us. This book is about the possibility that Huxley, not Orwell, was right. (Amusing Ourselves to Death, xix) When he wrote those words, television had only been around for thirty years (invented much earlier, but not common in households until the fifties). The internet would not become publicly available until the 90s. Social media didn’t come along for another fifteen years (and really didn’t become widespread until the iPhone in 2007, several years after Postman died). If Postman was right about the early years of television, how much more today — a day when we no longer have to schedule time to sit and watch our favorite shows, but carry our entertainment with us literally everywhere we go? If entertainment could control our lives from a small box in the living room, how much more so when it’s nearly surgically attached to us on our phones? Postman, I believe, was more correct than even he realized — and the implications are not just social or cultural, but spiritual. Irrelevance Binds Us What makes television such a terror to the collective mind of a culture? Postman begins by arguing that the “medium is the metaphor.” Meaning, any given medium — whether text, television, or social media — doesn’t only distribute content, but unavoidably shapes the content. How we consume, he argues, is as important as what we consume. Mediums determine how we take in information. For instance, over time typography (despite its own limitations) generally taught us to follow arguments, test conclusions, and expose contradiction. Television, by contrast, consistently does away with arguments, strips away context, and darts from one image to the next. Television, however, not only teaches us a new way to process information, but it also floods us with information and from far beyond our everyday lives. The telegraph, of course, had begun doing this with words long before the television, but notice what was happening then, even with the telegraph: In the information world created by telegraphy, everything became everyone’s business. For the first time, we were sent information which answered no question we had asked, and which, in any case, did not permit the right of reply. We may say then that the contribution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. (68–69) For the most part, the kind of information that would interest people in both Los Angeles and Minneapolis, would need to be nonessential to life in either place (irrelevance), and all the more so with news from around the globe. Stories had to transcend ordinary life in a real place (part of the appeal for people looking to escape the malaise of ordinary life). And, for the most part, the information had to be the kind of information neither could do anything about (impotence). Postman asks a pointed question of all our media consumption: “How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve?” (68). Television only made the irrelevance that much more accessible and that much more appealing (actual images and videos of celebrities doing everyday activities as opposed to the short descriptions the telegraph could produce). And how much more is this the case through social media? We know more and more about our favorite athletes, actors, and musicians and yet often less and less about our neighbors and the places where we might actually make a difference. Worth a Thousand Images But isn’t a picture worth a thousand words? In 1921, the marketer Fred Bernard famously said so, promoting the use of images for advertising on the side of streetcars. He was probably right as far as streetcars go. If you want to make a memorable impression on someone in a couple seconds, by all means use a picture — but is this effective communication or just effective marketing? Maybe it’s more accurate to say a picture is worth a thousand more sales, or clicks, or likes. Even then, though, can a picture really convey what a consumer needs to know about a new phone, or clothing line, or dish soap? For serious shoppers, haven’t we learned that one coherent sentence of honest description might be worth a thousand pictures? Postman saw that as images overtake words as the dominant form of communication in a society, communication invariably suffers. “I will try to demonstrate that as typography move to the periphery of our culture and television takes to place at the center, the seriousness, clarity and, above all, value of public discourse dangerously declines” (29). We descend into “a vast triviality,” he says. We get sillier. As he attempts to summarize his warning to the ever-entertained, he says, “Our Ministry of Culture is Huxleyan, not Orwellian. It does everything possible to encourage us to watch continuously. But what we watch is a medium which presented information in a form that renders it simplistic, nonsubstantive, nonhistorical, and noncontextual; That is to say, information packaged as entertainment. In America, we are never denied the opportunity to amuse ourselves” (141). In the Beginning Was the Word According to Neil Postman, America (and much of the modern world) has laid our collective minds on the altar of entertainment. But why should followers of Christ care about television (or websites or social media)? Should we spend much time worrying about how much we watch and how little we read? Yes, because the fullest Christian life is firmly anchored in words and sentences and paragraphs. When God revealed himself to his chosen people, of all the infinite ways he could have done so, he chose to unveil himself with words. “Long ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Son” (Hebrews 1:1–2). God didn’t build a gallery or start a YouTube channel, he wrote a Book (2 Timothy 3:16). “In the beginning was the Word. . . . And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth” (John 1:1, 14). From the beginning, God has put the Word, his Son, at the center of reality, and, in doing so, he has given words unusual power and importance in anticipating, explaining, and celebrating him. Yes, the heavens are declaring the glory of God (Psalm 19:1). Yes, his eternal power and divine nature have been seen, from the beginning, in the things that have been made (Romans 1:20). But “faith comes from hearing, and hearing through the word of Christ” (Romans 10:17). For now, faith looks “not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal” (2 Corinthians 4:18). And we look to the unseen through words. We may see God in mountains and oceans and galaxies, but we only know him savingly through sentences. He wrote the story that way. Serious Joy in Silly Days If the way we’re using entertainment erodes our ability to reflect, reason, and savor truth, it erodes our ability to know and enjoy Jesus. “Blessed is the man . . . [whose] delight is in the law of the Lord, and on his law he meditates day and night” (Psalm 1:1–2). If we lose the ability to think, we lose the ability to meditate. And if we lose the ability to meditate, we lose our path to meaningful happiness. The life of the mind, and heart, is a pivotal battleground in the pursuit of real and abundant life. “The life of the mind is a pivotal battleground in the pursuit of real and abundant life.” The medium is not the enemy — television and YouTube and Instagram are not the enemy. But if Postman was right, the medium can be wielded by our world, our flesh, and our enemy when we soak up entertainment and ignore the consequences. What, if any, of your entertainment habits need to be curbed or redirected for the sake of your soul? What are ways you are seeking to cultivate the spiritual gift of your mind — slower Bible study or memorization, reading substantive books, meaningful conversation with friends, more time in unhurried reflection and meditation? As we learn to guard and nurture our minds as our God-given pathways to God, the kinds of mindless entertainment that are undoing millions today will be far less appealing and far less dangerous. And we will find pleasures deeper, and far more enduring, than what we see on our screens. Article by Marshall Segal Staff writer, desiringGod.org

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