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Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
What Dead Abel Speaks to Us
The story of Cain and Abel in Genesis 4 tells much more about Cain than Abel. In fact, not one word is recorded from living Abel. But the author of Hebrews says that, “through [Abel’s] faith, though he died, he still speaks” (Hebrews 11:4). So what is dead Abel speaking to us? It was dusk. Cain was working late. Not wanting to face his parents, he was trying to disguise his guilt-infused fear with a preoccupation with his crops. Then suddenly the unmistakable voice of the Lᴏʀᴅ sent a shock through his core: “Where is Abel, your brother?” Cain had grown to loathe Abel. It had been building for years. No matter what, Abel always seemed to turn a situation to his advantage. Was there a conflict? Abel the Humble loved to be the first to reconcile. Did anyone need help? Abel the Servant loved to be the first to offer it. Was there an injury? Abel the Compassionate loved to be the first to comfort. Even when Cain showed greater endurance and ingenuity in his work, Abel could rob him of any satisfaction with a virtuoso performance of self-effacing virtue. What Cain found most maddening was Abel the Pious, flaunting his tender conscience and precious devotion to God for the admiration of all. Cain could barely stomach how father and mother gushed over that. With every perceived humiliation, Cain caressed the secret suspicion that Abel only used goodness to show himself superior to Cain. But that morning Cain had suffered a crushing blow. The Lᴏʀᴅ had required each brother to present an offering, the first fruits of their labors. Cain saw in this an opportunity. This time Abel would not upstage him. Cain would prove that he too could excel in devotion. So he made sure that his offering lavishly exceeded the required amount of his best produce. But when the Lᴏʀᴅ reviewed Cain’s extravagant offering, he rejected it. Cain was stunned. Then, injury to insult, the Lᴏʀᴅ accepted Abel’s comparatively simple lamb offering. Humiliated by Abel again! But this time before God! Cain was beside himself. Hatred metastasized into horror. Abel had outshined him for the last time. By late afternoon Abel’s lifeless body lay in a remote field, abandoned in the hope that a beast’s hunger would conceal the fratricide. But the Lᴏʀᴅ’s question left Cain naked and exposed (Hebrews 4:13). He lied with the anger of cornered guilt: “I do not know; am I my brother’s keeper?” What it was, in fact, that he did not know was that his silenced brother had not been quiet. The Lᴏʀᴅ replied, “What have you done? The voice of your brother’s blood is crying to me from the ground” (Genesis 4:9–10). Yes, the blood of dead Abel cried out to God for justice (Genesis 4:10; Hebrews 12:24). But the faith of dead Abel “still speaks” (Hebrews 11:4). So what is he saying to us through his faith? “Without faith it is impossible to please God” One thing we hear is that God only accepts faith-fueled offerings. It’s significant that God doesn’t provide details about either Cain’s or Abel’s offerings, the first ever recorded in the Bible. In the story, I imagined Cain trying to win God’s approval with an impressive looking offering. But it could just have easily been a stingy offering or an exactingly precise offering. The point is that right from the beginning God draws our attention away from what fallen humans think is important, namely how our works can make us look impressive, to what God thinks is important, namely how our works reveal who we trust. All of Scripture teaches us that “the righteous shall live by his faith” (Habakkuk 2:4) because “without faith it is impossible to please” God (Hebrews 11:6). Abel was “commended as righteous” by God because he presented his offering in faith (Hebrews 11:4). Cain’s offering was “evil” (1 John 3:12) because without humble trust in God, even our offerings (hear: any work we do for God) are evil to God — no matter if they appear to everyone else as obedient or impressive. “You will be hated by all for my name’s sake” A second thing we hear from Abel is that the world will hate you if you live by faith in Jesus (who the New Testament reveals is YHWH, the Lᴏʀᴅ in Philippians 2:11). The Apostle John makes this clear: “We should not be like Cain, who was of the evil one and murdered his brother. And why did he murder him? Because his own deeds were evil and his brother’s righteous. Do not be surprised, brothers, that the world hates you” (1 John 3:12–13). Abel was the first to discover that “all who desire to live a godly life in Christ Jesus will be persecuted” (2 Timothy 3:12). To “let [our] light shine before others, so that they may see [our] good works” (Matthew 5:16) will at times expose others’ wickedness and arouse their hatred (John 3:20). Jesus himself said, “you will be hated by all for my name's sake,” “some of you they will put to death” — some even at the hands of “parents and brothers and relatives and friends (Luke 21:16–17). Righteous faith arouses evil hatred. A better word than Abel’s blood In the story, though we’d rather see ourselves as Abel, we are all Cain. We were at one time cursed, “hostile to God” and alienated from him (Romans 8:7; Ephesians 4:18). Abel, the first martyr of faith, is a foreshadowing of our Lord Jesus, whose “blood… speaks a better word than the blood of Abel” (Hebrews 12:24). For though Abel’s innocent blood cried out for justice against sin, Jesus’s innocent blood cried out for mercy for sinners. Abel’s blood exposed Cain in his wretchedness. Jesus’s blood covers our wretchedness and cleanses us from all sin (Romans 7:24; 1 John 1:9). So now as we seek to present our bodies as living sacrifices to God, let us remember that the only thing that makes this acceptable to God, the only thing that makes it a spiritual service of worship, is our childlike faith in Jesus (Romans 12:1; 3:26). And let us soberly remember that the only reward this is likely to earn us from the world is its hatred. Article by Jon Bloom
