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About the Book


"The Lion and the Lamb" by Andreas J. Kostenberger is a comprehensive study of the biblical themes of power and weakness as exemplified in Jesus Christ. The book examines the paradox of Christ as both a lion (symbolizing power and authority) and a lamb (symbolizing meekness and sacrificial love). Kostenberger explores how these dual natures of Christ are reflected in his teachings, actions, and ultimate sacrifice on the cross. Throughout the book, Kostenberger emphasizes the importance of understanding and embracing this tension in our own lives as we seek to follow Christ.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

host as you are - practicing hospitality as a family

Love God and love your neighbor . This is the Butterfield family motto. It makes us humble, messy, and on the frontline in our neighborhood. And being on the frontline isn’t pretty. “Hospitality means being profoundly unselfish, and small children need help to see the blessing in this.” Take for example last March, when the pandemic hit. We were supposed to batten down the hatches, disinfect everything, including the family cat, and remain socially distanced at all times, but schools closed before parents were home from work. So after the first week of lockdown, I looked like the little old lady who lived in the shoe. Our house was open, boisterous, noisy, and full of students who would have been in class. I could visualize getting arrested in my apron for violating governor’s stay-at-home and social-distancing orders. While that hasn’t happened, other things have happened that have made me realize that children play a vital and central role in Christian hospitality. Indeed, I couldn’t practice hospitality without them. Consider six touch points for children’s central role in Christian hospitality. 1. Hospitality is a mission of the church. Sometimes we American Christians privatize hospitality in false ways. Hospitality isn’t a Butterfield thing. It’s a church thing. And children are a blessed part of our church. Jesus loves children and so do we. As the church seeks to evangelize the world, the homes of church members become gospel outposts, places where we bring the gospel to the neighborhood. This is very good news for people with young children. It means that the burden is not on you to be different. It means that your unsaved neighbors will benefit from seeing that you also decorate with plastic dinosaurs and LEGOs. And it also means that you do not always have to be in hospitality mode. As Edith Schaeffer said, doors have hinges for a reason. 2. Hospitality puts the church on the frontline. When inviting unsaved neighbors over, Kent and I always invite our church family, too. The more the merrier, especially in the summer. Your unsaved neighbors will benefit from seeing many different models of the covenant family, including singles (whose church membership renders them a covenant family) and older people. Many Christian hands make the care of little ones easier. Also, with the church family on deck, your children will not feel neglected or isolated as they participate in hospitality. Hospitality means being profoundly unselfish, and small children need help to see the blessing in this. 3. Hospitality puts hot-button topics on the frontline. Our family is made by adoption and all of our children are biracial. Christians know that oppression, violence, and discrimination are sin, but we do not believe that racism, for example, is itself a “meta-narrative” — a paradigm that declares all white people are racists, all black people victims, all social structures complicit in a white hegemonic hatred machine, and any white family who has adopted children of color as colonizing micro-aggressionists. If these things were true, then the Butterfield family doesn’t exist. And yet here we stand, opening the door to everyone. When your family is on the frontline, it has the opportunity to showcase the love of Christ, the purpose of natural law, the harmony of the biblical callings of male and female, and the shallowness of the modern social construction of race. It exposes idols and tears down strongholds and reveals how the love of Christ transcends sociology (shocking as this may be). 4. Hospitality builds relationships within the family. Hospitality is a joy for small children when they get to have some agency in the process. Especially when you are opening your home to others in the neighborhood with small children, your children should be enlisted as hosts. They can set the kids’ table and make the kids’ menu. And with platters of chicken nuggets, watermelon, and popsicles, don’t be surprised if some of the neighborhood dads are found sampling the children’s fare. Your children can also be prepared to think like Jesus would about having children over who haven’t gone to church and don’t (yet) know Jesus. Your children need to be guided in how to be good hosts who lead and set examples (and don’t follow bad ones). And you should set clear boundaries for safety. In our house, there is no playing in children’s bedrooms. Ever. We have a big back yard with a trampoline, and we think that a knock on the head is safer than anything that happens behind a closed door. Working together to have a hospitable home also puts all hands on deck — from the smallest to the largest. Children can’t clean the house as well as you can, but even a small child can sweep up tumbleweeds of dog hair and throw trash in the kitchen can. Value their contributions. 5. Hospitality cares about what neighbors care about. When you open your home to neighbors, you set a table that welcomes them. You ask them about food allergies and other sensitivities. You remember these things and you go out of your way to care about what they care about. You practice becoming all things to all people in the hopes of saving some (1 Corinthians 9:22). You help your children to respect differences that they don’t understand (yet). 6. Hospitality is all for one and one for all. If you have small children whose bedtime is 7:30, consider having neighbors over for Saturday lunch instead of Saturday dinner. Don’t think of your children as a burden — ever. Work with the capacities, limitations, and skills of each member of your family. Be a team. Be in sync with each other’s rhythms and needs. “Hospitality isn’t a performance. It’s a Christian grace that involves the whole family.” And when guests arrive, don’t segregate the children, but integrate them. We live in a world that segregates everything. Show the beauty in working together. And at the end of the meal, the older children can put the dishes in the sink and distribute the Bibles. The little children can play with LEGOs on the floor while the family patriarch opens the Bible to the watching world and prays for the power of the resurrected Christ to guide, encourage, correct, and save. Your children will grow up watching you plead for your neighbors to put their faith in Christ. They will inherit an integrated faith, not a compartmentalized one, where parents act like Christians from ten to noon on Sunday, but the rest of the time operate in an orbit of selfish ambition. Hospitality isn’t a performance. It’s a Christian grace that involves the whole family.

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