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About the Book


"Taking Action" by Reinhard Bonnke is a motivational book that emphasizes the importance of taking bold and proactive steps towards achieving one's goals and dreams. Bonnke shares personal anecdotes and practical advice on how to overcome fear, doubt, and procrastination in order to pursue a fulfilling and purposeful life. The book serves as a call to action for readers to ignite their passions, unleash their potential, and make a positive impact on the world.

Fanny Crosby

Fanny Crosby "Oh, what a happy soul I am, / although I cannot see! / I am resolved that in this world / Contented I will be." Francis Jane Crosby wrote more than 9,000 hymns, some of which are among the most popular in every Christian denomination. She wrote so many that she was forced to use pen names lest the hymnals be filled with her name above all others. And, for most people, the most remarkable thing about her was that she had done so in spite of her blindness. "I think it is a great pity that the Master did not give you sight when he showered so many other gifts upon you," remarked one well-meaning preacher. Fanny Crosby responded at once, as she had heard such comments before. "Do you know that if at birth I had been able to make one petition, it would have been that I was born blind?" said the poet, who had been able to see only for her first six weeks of life. "Because when I get to heaven, the first face that shall ever gladden my sight will be that of my Savior." Blinded by a quack Born in Putnam County, New York, Crosby became ill within two months. Unfortunately, the family doctor was away, and another man—pretending to be a certified doctor—treated her by prescribing hot mustard poultices to be applied to her eyes. Her illness eventually relented, but the treatment left her blind. When the doctor was revealed to be a quack, he disappeared. A few months later, Crosby's father died. Her mother was forced to find work as a maid to support the family, and Fanny was mostly raised by her Christian grandmother. Her love of poetry began early—her first verse, written at age 8, echoed her lifelong refusal to feel sorry for herself: Oh, what a happy soul I am, although I cannot see! I am resolved that in this world Contented I will be. How many blessings I enjoy That other people don't, To weep and sigh because I'm blind I cannot, and I won't! While she enjoyed her poetry, she zealously memorized the Bible. Memorizing five chapters a week, even as a child she could recite the Pentateuch, the Gospels, Proverbs, the Song of Solomon, and many psalms chapter and verse. Her mother's hard work paid off. Shortly before her fifteenth birthday, Crosby was sent to the recently founded New York Institute for the Blind, which would be her home for 23 years: 12 as a student, 11 as a teacher. She initially indulged in her own poetry and was called upon to pen verses for various occasions. In time the principal asked her to avoid such "distractions" in favor of her general instruction. "We have no right to be vain in the presence of the Owner and Creator of all things," he said. It was the work of a traveling phrenologist (one who studies the shape and irregularities of the skull for insights into character and mental capacity) that changed the school's mind and again ignited her passion. Though his study is now the ridicule of science, the phrenologist's words were to prove prophetic: "Here is a poetess. Give her every possible encouragement. Read the best books to her and teach her the finest that is in poetry. You will hear from this young lady some day." Poetry for presidents It didn't take long. By age 23 Crosby was addressing Congress and making friendships with presidents. In fact, she knew all the chief executives of her lifetime, especially Grover Cleveland, who served as secretary for the Institute for the Blind before his election. Another member of the institute, former pupil Alexander van Alstine, married Crosby in 1858. Considered one of New York's best organists, he wrote the music to many of Crosby's hymns. Crosby herself put music to only a few of hers, though she played harp, piano, guitar, and other instruments. More often, musicians came to her for lyrics. For example, one day musician William Doane dropped by her home for a surprise visit, begging her to put some words to a tune he had recently written and which he was to perform at an upcoming Sunday School convention. The only problem was that his train to the convention was leaving in 35 minutes. He sat at the piano and played the tune. "Your music says, 'Safe in the Arms of Jesus,'" Crosby said, scribbling out the hymn's words immediately. "Read it on the train and hurry. You don't want to be late!" The hymn became one of Crosby's most famous. Though she was under contract to submit three hymns a week to her publisher and often wrote six or seven a day (for a dollar or two each), many became incredibly popular. When Dwight Moody and Ira Sankey began to use them in their crusades, they received even more attention. Among them are "Blessed Assurance," "All the Way My Savior Leads Me," "To God Be the Glory," "Pass Me Not, O Gentle Savior," "Safe in the Arms of Jesus," "Rescue the Perishing," and "Jesus Keep Me Near the Cross." She could write very complex hymns and compose music with a more classical structure (she could even improvise it), but she preferred to write simple, sentimental verses that could be used for evangelism. She continued to write her poetry up to her death, a month shy of her ninety-fifth birthday. "You will reach the river brink, some sweet day, bye and bye," was her last stanza.

The Harvest of Homemaking

I have been a homemaker for over eighteen years now, and I feel confident saying it is a difficult and demanding job. What is more, it is a job with a massive PR problem. “It’s a soul-crushing grind!” some say. Others ask, “Do you work?” Public opinion on the nature of homemaking has not been subtle. For a generation at least, homemaking has been spoken of as a prison-like existence that stifles a woman’s gifts — as though homemakers have less ambition than others, less ability, less scope, less understanding. This propaganda effort has been radically effective, shaping the imagination of many women who find themselves at home for one reason or another. It takes little effort to see our calling and the work therein through the lens of resentment. Lately, there has been some pushback to the public opinion that homemaking is a life of boredom and ease, but it has been of the worst kind: long-faced social-media posts bemoaning how no one appreciates your work; TikTok videos telling everyone that because your family failed to notice the work you did, you feel invalidated as a person. This too is the fruit of worldly propaganda — and it too will have devastating effects. Homes in the Great War Homemakers often find ourselves without support — not physical support, the absence of which is so loudly reflected on, but rather the spiritual support of understanding why this field of work is glorious, worthy, essential, God-honoring, and strategic. We need an understanding of the value of the home that is strong enough to endure the tumultuous cultural winds around us. We need to see clearly how we are serving God in and with our work. “The Christian home is an essential work of the Christian resistance.” The Christian home is an essential work of the Christian resistance. In any war, it is customary to target your enemy’s supply lines, manufacturing plants, and headquarters. In our spiritual war, the Christian home is all of those things. Why then would it surprise us that the enemy would like to see the home destroyed? Why are we surprised by the obstacles we face — by the threefold resistance of the world, the flesh, and the devil? We have been cleverly fooled into thinking that the obstacles we face at home are due to the work being unimportant, insignificant, unappreciated, or mindless. We should have noticed that anything under such attack from both without and within must be desperately important. Beautiful or Embarrassing? You shall eat the fruit of the labor of your hands; you shall be blessed, and it shall be well with you. Your wife will be like a fruitful vine within your house, Your children will be like olive shoots around your table. Behold, thus shall the man be blessed who fears the Lord. (Psalm 128:3–4) Scripture is the basis for my commitment to being a homemaker, and if I never saw any other reason to love it, never saw the fruit, never understood the importance of the role, that should still be enough. Paul lays out the importance of older women teaching younger women to be “self-controlled, pure, working at home, kind, and submissive to their own husbands, that the word of God may not be reviled” (Titus 2:5). And Proverbs 31 describes a glorious picture of the woman who is clothed in strength and dignity as she gives herself to the needs of her household. At this point, some readers may have rolled their eyes because I mentioned Titus 2 and Proverbs 31 in the same embarrassingly uncool paragraph. Why is that? Could it be because you have been trained to despise passages like these? Could it be that you have listened to countless people explaining them away? Could it be that you have taken in enough worldly propaganda that you feel free to look down on the tone of the word of God and those who embrace it? I am asking you to consider that perhaps you have been played. You have been had. You have welcomed the lies of the world into your home and given them authority in your life. To say, “Women, be self-controlled, pure homemakers who love your husbands and children” is to speak a biblical, God-fearing statement. I am asking you now to listen to your own heart’s response to that. Is your heart bridling? Is it angry? Are you ready to post angry comments on my ignorant or backward ways? Well, think about what you are doing — it’s not me you are despising, but the words of God. What does your response say about where your heart is? Harvest of Homemaking I say that raw obedience to God’s word is enough, and in a sense it should be. But it is far from all that we are given. When I read those sorrowful monologues about the mental load, about how much it all weighs on the poor woman, about how unfair it all is, about how husbands should be responsible for far more housekeeping, all I can see is that women are suffering from the horrible pairing of trying to do the Lord’s work with the attitude of those who hate him. There will be no joy of obedience there. There will be no fruit of free giving there. There will be no strength and laughter and dignity there, because there is a thick fog of accusation, discontent, and envy. “The end of all our small daily plantings may be a harvest of staggering beauty.” I have come to realize through the years that the countless tasks I do that no one notices still shape our home and the people in it. Every meal I lay on the table is a small picture of the feeding of the five thousand. My meager offering, broken in the hands of Jesus, will feed generations of children. This home — the flavors and the smells and the atmosphere of love — will by God’s grace shape people who will go on to be the mothers and fathers of thousands. Is there any other work I could be doing that would be this exponentially fruitful or influential? A hundred years from now, I hope there are people who do not know my name or remember me, but nevertheless carry about with them seeds of faithful living that were first planted in the soil of this home. Do you have the burden of a million duties on your mind? Ask the Lord to establish the work of your hands. He makes valuable all that is done in him, so ask him to do so with your messy duties. Rejoice in him as you offer yourself as a living sacrifice — a sacrifice that cooks and cleans and blows noses and folds clothes and lays a table and looks after the ways of your household. He is shaping something of great beauty and strength that is far beyond our own capacity to imagine. May God give us all eyes to see it, and hearts to imagine it. The end of all our small daily plantings may be a harvest of staggering beauty. Article by Rachel Jankovic

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