Take Time To Be Holy: 365 Daily Inspirations To Bring You Closer To God Order Printed Copy

Author: Samuel Logan Brengle
Size: 2.99MB | 472 pages
|

Download Read Online

Continue with

Google Twitter

Email Register

Others like take time to be holy: 365 daily inspirations to bring you closer to god Features >>

Unto The Hills: A Daily Devotional

Finding Favor With The King (Preparing For Your Moment In His Presence)

40 Days To Discovering God's Big Idea For Your Life

About the Book

"Take Time To Be Holy" is a daily devotional that offers practical and inspiring messages to help readers deepen their relationship with God. Author Samuel Logan Brengle provides 365 short reflections and prayers that emphasize the importance of living a holy life and growing in faith. The book encourages readers to prioritize their spiritual growth and make time for prayer, reflection, and connection with God each day.

Keith Green

Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

the sluggard in me - four lies that lead to lazy

Come, follow closely, and gaze for a moment upon a rare creature in his native habitat. There he is, drooling upon his pillow an hour before lunchtime, creaking over the bedsprings like a door on its hinges. “How long will you lie there? When will you arise from your sleep?” his mother shouts from the kitchen. Quiet, now: she has roused him. Here he comes, stumbling into his chair, and begins to feed. “What’s wrong with a little sleep, a little slumber?” he mumbles between mouthfuls. A dozen handfuls later, however, he stops, his hand submerged in his cereal like a sunk boat. He breathes heavily, chin against his chest, and begins to snore again. Meet the sluggard (Proverbs 26:14; 6:9–10; 19:24). He is a figure of “tragi-comedy,” Derek Kidner writes ( Proverbs , 39): comedy, because the sluggard’s laziness makes him ludicrous; tragedy, because only sin could so debase a man. The image of God was never meant to yawn through life. Yet those who are paying attention will also see something more in this tragi-comic sloth: themselves. We all have an inner sluggard, counseling us to sleep when we should rise, rest when we should work, eat when we should move. “The wise man,” Kidner goes on to write, knows that the sluggard is no freak, but, as often as not, an ordinary man who has made too many excuses, too many refusals, and too many postponements. It has all been as imperceptible, and as pleasant, as falling asleep. (40) We don’t need to look far, then, to see the sluggard in his native habitat. We only need to hear his “excuses,” “refusals,” and “postponements,” and then listen for their inner echo. ‘I need just a little more.’ A little sleep, a little slumber, a little folding of the hands to rest. (Proverbs 6:10; 24:33) The words sit in the mouth of the sluggard more than once in Proverbs. They are, perhaps, his motto, his favorite response to the wisdom of the diligent. “Early to rest, early to rise . . .” they tell him; “A little sleep, a little slumber . . .” he answers. “An ordinary man becomes a sluggard one small surrender at a time.” Sluggishness often hides beneath that eminently reasonable phrase “just a little more.” What harm could a little do? What’s one more snooze cycle? What’s one more show? What’s one more refreshing of the timeline? Not much, in itself: but much indeed when piled atop ten thousand other littles and one mores . They may seem like “small surrenders” (to use a phrase from Bruce Waltke, Proverbs , 131) — and they are. But an ordinary man becomes a sluggard one small surrender at a time. How do the wise respond? They know that diligent Christians are not a special species of saint. Like the sluggard, the diligent daily face unpleasant tasks. Unlike the sluggard, the diligent speak a different motto: “A little labor, a little energy, a little moving of the hands to work.” Instead of building a stack of small surrenders, they build a stack of small successes — taking little step by little step in the strength that God supplies. Over time, how we handle little is no little matter. Little drudgeries, little tasks, little opportunities: these are the moments when the sluggard gains ground in our souls, or loses it. ‘There’s always tomorrow.’ The sluggard does not plow in the autumn; he will seek at harvest and have nothing. (Proverbs 20:4) Often enough, “just a little more” achieves the sluggard’s purpose. But if, for some reason, his conscience should protest, he has another word at his disposal that rarely fails: tomorrow . Autumn was the season for plowing and planting in ancient Israel, and summer the season for harvest. We don’t know exactly why the sluggard took it easy while his neighbors plowed their fields. Maybe the difficulty of the task daunted him, or maybe, as the King James Version suggests, the season’s chill deterred him: “The sluggard will not plow by reason of the cold .” Either way, he no doubt fell asleep on many autumn nights warmed by the thought, “There’s always tomorrow” — until one day he woke up in winter. When the sluggard finally arrived at his chosen tomorrow , the time for plowing and planting had escaped his grasp. How often have we too discovered that tomorrow is too late? The conversation we should have initiated yesterday proves more awkward today. The essay we should have begun last week overwhelms us this week. The forgiveness we should have sought last month feels harder to seek this month. Autumn has passed, winter has come, and opportunity has slipped through our fingers. The wise learn to take the farmer’s view of life: when the time comes to plow, a farmer pays more attention to the season than to his feelings. And when the time comes to tackle our own difficult tasks, the wise do the same. ‘I would be putting myself at risk.’ There is a lion outside! I shall be killed in the streets! (Proverbs 22:13; see also 26:13) Indulging a bad excuse is a little like feeding a pigeon: give bread to one, and twenty more will soon coo at your feet. Bad excuses breed bad excuses — and even worse excuses over time. And so, when a friend, family member, or boss refuses to entertain the sluggard’s littles and tomorrows , he takes more radical measures: “Haven’t you seen the lion roaming the streets? I’ll die!” Did any sluggard ever attempt such an excuse? Maybe. “Laziness is a great lion-maker,” says Charles Spurgeon. “He who does little dreams much. His imagination could create not only a lion but a whole menagerie of wild beasts” (“One Lion: Two Lions: No Lion at All”). For our own purposes, however, we can consider a tamer version of the sluggard’s beast: “I would be putting myself at risk.” To our inner sluggard, a scratch in the throat is cause for a sick day, a little tiredness is reason to nap instead of mow, and a long day at work is justification for skipping small group. After all, our bodies and minds need the rest, don’t they? Care is required here, of course. Some people really do work their bodies into the dust, forsaking the rest God gives and “eating the bread of anxious toil” (Psalm 127:2). The sluggard, however, is prone to label as “anxious toil” any work that meets with inner resistance. He forgets that overcoming such resistance is part of what makes diligence diligence . God made our bodies to bend and strain, our minds to crank and labor, our souls to strive and press. The lion called “Lazy” will counsel us to avoid the strain, but diligence will slay the lion. ‘What do you know about the pressures I’m under?’ The sluggard is wiser in his own eyes than seven men who can answer sensibly. (Proverbs 26:16) Confront a sluggard in his sluggishness, and you may find that he has a penchant for euphemisms. “He has no idea that he is lazy,” writes Kidner on Proverbs 26:13–16. He is not a shirker but a “realist” (13); not self-indulgent but “below his best in the morning” (14); his inertia is “an objection to being hustled” (15); his mental indolence a fine “sticking to his guns” (16). ( Proverbs , 156) Our own sluggishness, then, often appears in our defenses against the charge. Once, as a single man, I told a mentor, “I need more time to myself.” “You don’t need it,” he responded. Immediately, I raised the drawbridge, manned the ramparts, and launched inward mortars against the attack. What could he, a husband and father of three, possibly know about the pressures I was under? The self-defense is laughable now, but back then, wise in my own eyes, I couldn’t accept that much of what I called “alone time” was better labeled “sluggishness.” The sluggard sees his own work as the hardest work, his own excuses as the best excuses, his own diversions as the most reasonable diversions — no matter what his friends, wife, or pastor may say. But the wise learn to develop a self-distrustful posture. Rather than responding to requests or challenges with an inward Don’t you see my burdens? they remember their proneness to folly, and learn to call the sluggard by his real name. The Christian and the Sluggard Between the Christian and the sluggard, Spurgeon says, “there should be as wide a division as between the poles.” He’s right. “Christian” and “sluggard” go together like “husband” and “playboy,” like “judge” and “thief”: the latter destroys the integrity of the former. “In Christ we find our pattern for work. In Christ we find our power for work. And in Christ the sluggard dies.” And why? Because Christians belong to Jesus Christ, and Jesus Christ was not sluggish. He was no workaholic, of course: he could feast, rest, sleep, and develop deep relationships. But oh did he work. In the Gospels we find not the sluggishness but “the steadfastness of Christ” (2 Thessalonians 3:5): the diligence of one who never entertained “just a little more” or “tomorrow,” but worked while it was day (John 9:4). He plowed in the autumn cold of life, forsaking every excuse not to save us. And he never cried “lion!” though he walked into the den (Psalm 22:21). Therefore, the apostle Paul can say to the sluggish, “Such persons we command and encourage in the Lord Jesus Christ to do their work” (2 Thessalonians 3:12). In Christ we find our pattern for work. In Christ we find our power for work. And in Christ the sluggard dies.