Inspiring, I was much impacted. The book made me understand that I am God's workmanship, and all I need to do is to depend on Christ to live for Christ and to wage war with Christ. This review has also helped me to remember what I read. I will read the Book of Ephesians again this weekend. What an exposition.
- ngwoke ifeanyi (5 months ago)
About the Book
"Sit, Walk, Stand" by Watchman Nee is a concise and powerful Christian book that explores the themes of spiritual growth and maturity. Nee uses the three words in the title as a framework to discuss the believer's position in Christ (sit), the believer's walk in the world (walk), and the believer's victory over spiritual warfare (stand). The book encourages readers to fully grasp their identity in Christ, live a life of obedience and faith, and rely on God's strength to overcome challenges. It is a practical and insightful guide for Christians seeking to deepen their relationship with God and live out their faith in a more meaningful way.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"âmilitary regulations required a full first nameâand he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndromeâa misdiagnosis that was later corrected to autonomic neuropathyâand was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
Will Hell Really Last Forever
I am almost ashamed to admit that such a tiny bird should have been used to frighten a grown man. But in this case, I was right to tremble. The image in my mindâs eye of that little bird descending from above, flitting back and forth, hopping up and down upon the immensity of sand. What a horror to see it flap away with so little a grain only to expect its return so many lifetimes later. All to remember that it would be all irrelevant anyways. Thomas Watson gave the illustration, preaching on the fate of those who worshiped the beast in Revelation 14:11, which says, âThe smoke of their torment goes up forever and ever, and they have no rest, day or night. . .â It cannot be forgotten: Oh eternity! If all the body of earth and sea were turned to sand, and all the air up to the starry heaven were nothing but sand, and a little bird should come every thousand years, and fetch away in her bill but the tenth part of a grain of all that heap of sand, what numberless years would be spent before that vast heap of sand would be fetched away! Yet, if at the end of all that time, the sinner might come out of hell, there would be some hope; but that word âEverâ breaks the heart. âThe smoke of their torment ascendeth up for ever and ever.â After coming and going every thousand years, carrying away one of the smallest grains of the innumerable amount of sand, this hour glass would finally drain and the banished would be no closer to the end than when they first began. That word which should make the most apathetic among the unforgiven weep, the strongest sweat blood, the youngest curl into the fetal position, the oldest break into madness to hear its footsteps so near, shook me. Who can rightly fathom it? Forever. Ghosts Reading over Shoulders But is it true? Do those in hell suffer eternal conscious punishment? The church throughout its two-thousand-year history has thought so, but many today do not. And we shouldnât wonder why: this is personal to us. I write keenly aware that the memories of deceased loved ones who departed in apparent unbelief hover over shoulders reading along. What of him? What of her? we wonder. Although he was one of the first notable evangelicals of the previous generation to contradict the historic conception of hell, we must all adopt the final question John Stott considers, I find the concept [of eternal conscious punishment in hell] intolerable and do not understand how people can live with it without either cauterizing their feelings or cracking under the strain. But our emotions are a fluctuating, unreliable guide to truth and must not be exalted to the place of supreme authority in determining it. As a committed Evangelical, my question must be â and is â not what does my heart tell me, but what does Godâs word say? So what does Godâs word say? Nothing different from what the church has overwhelmingly held over its two millennia. Three Objections Of all topics that feel crude to abridge, this must be atop the list. Much has been written on this topic that fly past the scope of this article. Resources I found helpful include Hell Under Fire, Grudemâs Systematic Theology, and chapters in Gagging of God (13) and Let the Nations Be Glad (4). That said, I would like to give brief answers to common challenges to those who believe those in hell will ultimately be annihilated. 1. Does âEternalâ Mean Forever? Conditionalists (those who believe the wicked will eventually cease to be, based on the fact that the soul is not inherently immortal but becomes so as they meet certain conditions, and in particular through union with Christ) and annihilationists (those who believe the wicked will cease to be because, although the soul would have otherwise prolonged, God finally annihilates them in judgement) both believe that hell is not endless punishment for the wicked. In proving this, they both point out that âeternalâ does not always mean everlasting. They argue that both in the Hebrew and Greek, the corresponding words we often translate âeternalâ have elasticity to mean âforeverâ as well as other things, such as âage to come,â which they argue could last forever or not. One of the strongest reasons this is unpersuasive (without going text by text) is that some of the biblical passages in question speak in the same breath of both the eternality of the righteous (which we donât question) and the eternality of the unrighteous (which some do). In other words, the life that the righteous enjoy is parallel to the punishment the wicked suffer. Hell lasts as long as heaven. For example, Daniel speaks of those who will awake from death: âMany of those who sleep in the dust of the earth shall awake, some to everlasting life, and some to shame and everlasting contemptâ (Daniel 12:2). This idea is carried through into the New Testament by Jesus in Matthew 25 (which many think is, by itself, decisive on the matter) when he teaches the parallel fates of the righteous and the unrighteous: âThese will go away into eternal punishment, but the righteous into eternal lifeâ (Matthew 25:46). Furthermore, the book of Revelation displays the same thing, utilizing the most emphatic language afforded in Greek to mean forever: âfor ever and everâ (eis aiĹnas aiĹnĹn), as in the text already cited with the little bird: If anyone worships the beast and its image and receives a mark on his forehead or on his hand, he also will drink the wine of Godâs wrath, poured full strength into the cup of his anger, and he will be tormented with fire and sulfur in the presence of the holy angels and in the presence of the Lamb. And the smoke of their torment goes up forever and ever, and they have no rest, day or night, these worshipers of the beast and its image, and whoever receives the mark of its name. (Revelation 14:9â11) The same description is employed to describe the everlasting suffering of Satan and his demons: âThe devil who had deceived them was thrown into the lake of fire and sulfur where the beast and the false prophet were, and they will be tormented day and night forever and everâ (Revelation 20:10). And this, again, is parallel to the righteousâ fate later in the book: âThey will need no light of lamp or sun, for the Lord God will be their light, and they will reign forever and everâ (Revelation 22:5). Heaven and hell will cease together. 2. Will the Wicked Cease to Exist? Scripture often employs terms such as âdestructionâ (Matthew 10:18), âperishingâ (John 3:16), and âdeathâ (Revelation 20:14) to describe the judgment of God on those in hell. These terms, some argue, entail complete annihilation, not continuing anguish. As Stott memorably put it, âIt would seem strange . . . if people who are said to suffer destruction are in fact not destroyed; and as you put it, it is difficult to imagine a perpetually inconclusive process of perishing.â In response, D.A. Carson replies, âStottâs conclusion (âIt would seem strange . . . if people who are said to suffer destruction are in fact not destroyedâ) is memorable, but useless as an argument, because it is merely tautologous: of course those who suffer destruction are destroyed. But it does not follow that those who suffer destruction cease to exist. Stott has assumed his definition of âdestructionâ in his epigraph.â So what does it mean then? I have a family member whose car recently started on fire and was completely destroyed. It was totaled and rendered useless. They sent me a picture of it â its frame, and doors, still were intact though completely black. The mirror hung limp. The front mirror was incinerated. The hood melted and the wires and engine exposed. It was ruined, but did not cease to be. But arenât the wicked described as being thrown into fire â something that utterly consumes? No, for âthey will have no rest day or nightâ (Revelation 14:11). The devil, his demons, and the âchildren of wrathâ who followed him, will, like the burning bush and hellâs worm that does not die, burn yet not be consumed. They will beg any who will listen to give but a drop of water on their tongue to relieve their anguish from the flames (Luke 16:24), their âplace of tormentâ (Luke 16:28). âIn that place there will be weeping and gnashing of teethâ (Matthew 13:50), not silence or the mere roaring of a fire. 3. Does the Punishment Fit the Crime? Another critique, more philosophically argued, is that it is unjust to earn an infinite duration of punishment for finite sins. The punishment doesnât match such a crime, it is alleged. To this, we may respond as follows. Crimes Against the Infinite God A man can commit such gross crimes against his fellow humans that he could earn ten life sentences for ten minutes of mayhem. And these are but sins against men. Can the idea of sinning against God â and not only in a moment but for oneâs whole lifetime â not merit eternal damnation when one sin justly plunged the world into death and darkness? Edwards is often cited as arguing this. John Piper summarizes, âThe essential thing is that degrees of blameworthiness come not from how long you offend dignity, but from how high the dignity is that you offendâ (Let the Nations Be Glad, 127). We sin against a God infinitely worthy of obedience, infinite in glory, infinite in purity. No dignity is higher and no transgression viler. It reveals much that we see more problems with the punishment than the crime. Eternal Sins? Another reason this is righteous is that there is good reason to understand sins as being eternal, in at least two senses. First, Jesus spoke of an eternal (not finite) sin (Mark 3:29), a sin that âwill not be forgiven, either in this age or in the age to comeâ (Matthew 12:32). And sins not explicitly named as this eternal sin, result in eternal destruction (2 Thessalonians 1:9), eternal judgment (Hebrews 6:2), eternal punishment (Matthew 25:46), and eternal fire (Matthew 25:41) which undermines our finite categories. Second, sins of the damned can be eternal in that sinners continue to sin throughout eternity. John Stott admitted that eternal conscious punishment would be much more sensible to him if âperhaps (as has been argued) the impenitence of the lost also continues throughout eternity.â Two texts seem to indicate this. The first, Revelation 22:10â11: âLet him who does wrong continue to do wrong; let him who is vile continue to be vile; let him who does right continue to do right; and let him who is holy continue to be holy.â If the holy practice holiness in anticipation of continuing in perfect holiness, will not the ungodly continue to spiral in evil throughout eternity? Will they suddenly love God with all their souls in hell? The answer is clear enough in Revelation 16:8â11, where people under Godâs judgment âgnawed their tongues in anguish and cursed the God of heaven for their pain and sores. They did not repent of their deeds.â Should They Not Go Free? More on the offensive, Carson asks the necessary question, âOne might reasonably wonder why, if people pay for their sins in hell before they are annihilated, they cannot be released into heaven, turning hell into purgatory. Alternatively, if the sins have not yet been paid for, why should they be annihilated?â King Who Emptied the Desert A bird could not, by the painstaking removal of a world full of sand, move us one step closer to eternity with God. Time will not amend all wounds, nor stop Godâs righteous punishment. Nor will death hide the wicked, though they seek annihilation, calling on the mountains to crush them to hide them from Christâs wrath (Revelation 6:15â17). But what a little bird could not accomplish, a Lamb has. At the pinnacle of his anguish, he cried, âMy God, my God why have you forsaken meâ so that those who repent and believe in him might not âsuffer the punishment of eternal destruction, away from the presence of the Lord and from the glory of his mightâ (2 Thessalonians 1:9). Here alone can the cup of eternal judgment be drained on behalf of sinners. There is an escape from eternal punishment. Although we rightfully feel unceasing anguish and great sorrow for those who never hide beneath the cross on this side of eternity (Romans 9:1â3), even this anguish will not last. We shall celebrate Godâs eternal triumph over evil forever: âOnce more they cried out, âHallelujah! The smoke from her goes up forever and everââ (Revelation 19:3). Christ Jesus our Savior is worthy of eternal praise because he endured, for us, the righteous judgment that would have been ours for eternity. Article by Greg Morse