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About the Book
"Love One Another" by Watchman Nee explores the biblical concept of love as the foundation of Christian relationships. Nee emphasizes the importance of self-sacrificial love and forgiveness in building a strong and harmonious community of believers. Through practical examples and insights from the Bible, Nee challenges readers to cultivate a spirit of love towards one another.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
martyr or madman: the unnerving faith of ignatius
“I am afraid of your love,” Bishop Ignatius wrote to the early church in Rome, “lest it should do me an injury” ( Epistle to the Romans 1.2). It is hard to imagine more ironic words. Ignatius, a disciple of the apostle John, was nearing seventy years of age when he sent the letter ahead of him on August 24 (somewhere between AD 107 and 110). He told them he remained “afraid” of the believers’ love — meaning he was afraid that they would keep him from martyrdom, that they would “do him an injury” by keeping him from being torn apart by lions. Ignatius sent a total of seven letters to seven churches en route to the Colosseum. This letter to the church in Rome gave his thoughts on martyrdom and extended a special plea for their non-interference in his. Instead of asking for whatever influence the Roman believers may have had to release him, he bids them stand down. In his own words, For neither shall I ever hereafter have such an opportunity of attaining to God; nor will ye, if ye shall now be silent, ever be entitled to the honor of a better work. For if ye are silent concerning me, I shall become God’s; but if ye show your love to my flesh, I shall again have to run my race. Pray, then, do not seek to confer any greater favor upon me than that I be sacrificed to God. (2.2) And again, I write to all the Churches, and impress on them all, that I shall willingly die for God, unless ye hinder me. I beseech of you not to show an unseasonable good-will towards me. Suffer me to become food for the wild beasts, through whose instrumentality it will be granted me to attain to God. (4.1) Martyr or Madman? Michael Haykin’s assessment seems conclusive: “In the seven letters of Ignatius of Antioch we possess one of the richest resources for understanding Christianity in the era immediately following that of the apostles” (31). Surveying Ignatius’s letters to the seven churches on the road to Rome, Haykin summarizes three concerns weighing heavily upon the bishop’s mind: (1) the unity of the local church, (2) her standing firm against heresy, and (3) non-interference in his calling to martyrdom (32). The first and second are unsurprising, but what are we to make of the third? What do you think of a man saying, “May I enjoy the wild beasts that are prepared for me; and I pray that they may be found eager to rush upon me, which also I will entice to devour me speedily. . . . But if they be unwilling to assail me, I will compel them to do so” (5.2)? Who is this Daniel praying not for rescue but looking forward to the lion’s den? “Christians had been killed in the past, but few with as much enthusiasm.” Some scholars, Haykin notes, have called him mentally imbalanced, pathologically bent on death (32). Christians had been killed in the past, but few, if any, with such enthusiasm. What right-thinking Christian would write, “If I shall suffer, ye have loved me; but if I am rejected, ye have hated me” (8.3)? Was he a madman? ‘Sanity’ to Ignatius Did he have an irrational proclivity for martyrdom? Can his death wish fit within the bounds of mature Christian life and experience? If you were his fellow bishop and friend — say, Polycarp (later a martyr himself) — what might you say if you desired to dissuade him? You might call his mind to the holy Scripture — for example, Jesus’s prophecy of Peter’s own martyrdom (which happened years earlier in Rome). Jesus foretold, “Truly, truly, I say to you, when you were young, you used to dress yourself and walk wherever you wanted, but when you are old, you will stretch out your hands, and another will dress you and carry you where you do not want to go ” (John 21:18). The apostle Peter did not want to go and stretch out his hands in his own crucifixion. He did not want to be dressed by another and “carried” to his death. Granted, he wanted that end more than denying his Master again, but it stands to reason that if he could have ended differently, he would have chosen otherwise. Or you might consider the apostle Paul and his second-to-last letter before he too was likely beheaded in Rome. “First of all, then, I urge that supplications, prayers, intercessions, and thanksgivings be made for all people, for kings and all who are in high positions, that we may lead a peaceful and quiet life, godly and dignified in every way” (1 Timothy 2:1–2). He exhorts that prayers be made for rulers that Christians might lead quiet and peaceful lives. Pray for your leaders, in part, that they might be saved — and thus not given to killing you “all the day long” for public entertainment (Romans 8:36). Ignatius to ‘Sanity’ “But,” the well-taught bishop might have responded, “did not Peter write much of suffering and necessary trials as tests to our faith? Does not God place our faith in the fire (or the Colosseum) that it might be found to result in praise and glory and honor at Christ’s revelation (1 Peter 1:7; 4:12)? Or did Peter not put forward the suffering servant, Jesus Christ, as our example to follow? Or is it not a ‘gracious thing in the sight of God’ to endure suffering for righteousness’ sake — something we are ‘called to’ and blessed in (1 Peter 2:20; 3:14)? And further, did Peter not tell the church to ‘arm’ themselves with this thinking (1 Peter 4:1), and to rejoice insofar as they share in Christ’s sufferings, evidence that the Spirit of glory rests upon them (1 Peter 4:13–14)? “And what to say of our beloved Paul? Was it not he who was hard pressed to stay, even when fruitful labor awaited him? Did he not inscribe my heart on paper when he said, ‘To live is Christ, and to die is gain,’ and that to be with Christ is ‘far better’ (Philippians 1:21, 23)? And was it not also the case that, knowing he was walking from one affliction to the next, he walked the martyr’s path — against the behest and weeping of fellow Christians who threatened to break the apostle’s heart (Acts 21:12–13)? “‘Constrained by the Spirit,’ did he not go forward (Acts 20:22)? He testified that he did not count his life of any value nor as precious to himself, if only he could finish his race and ministry to testify to God’s grace (Acts 20:24). He assured crying saints along the violent road that he was ready not only to be imprisoned but to die for the name of Jesus (Acts 21:13). They eventually submitted and said, ‘Let the will of the Lord be done’ (Acts 21:14). Will you not imitate them, beloved Polycarp?” This imagining is to help us get into the mind of the “madman,” as well as to warn us from drawing hasty applications. Though most will not consent so insistently and passionately to a martyr’s death, some will pass by other exits on the way to testifying to the ultimate worth of Christ. Messiah’s Madmen What might we, far from the lions of Ignatius’s day, learn from the martyred bishop of Antioch? I am challenged by his all-consuming love for Jesus, a love that the world — and some in the church — considers crazy. Let fire and the cross; let the crowds of wild beasts; let breakings, tearings, and separations of bones; let cutting off of members; let bruising to pieces of the whole body; and let the very torment of the devil come upon me: only let me attain to Jesus Christ. (5.3) “If we are madmen, let it be for Christ.” If we are madmen, let it be for Christ. Should not Paul’s words be stated over our entire lives? “If we are beside ourselves, it is for God; if we are in our right mind, it is for you” (2 Corinthians 5:13). If we are crazy, it is because of Christ. If we are in our right minds, it is for others to be won to the same madness we have. The love of Christ “controls us” (2 Corinthians 5:14). Oh what a beautiful strangeness, what a provocative otherness, what an unidentifiable oddity is a Christian who loves Christ with his all and considers death to be truly gain. Such a one can see, even behind the teeth of lions, an endless life with him .