About the Book
"Learning" by Karen Kingsbury follows the story of Bailey Flanigan as she navigates the challenges and triumphs of her college years while pursuing her dreams of becoming an actress. Along the way, Bailey learns valuable lessons about love, faith, forgiveness, and the importance of following one's heart. The book explores themes of friendship, family, and finding one's true purpose in life.
Isaac Watts
"Joy to the world, the Lord is come / Let earth receive her King / Let every heart, prepare him room / And heaven and nature sing."
In his later years, Isaac Watts once complained about hymn singing in church: "To see the dull indifference, the negligent and thoughtless air that sits upon the faces of a whole assembly, while the psalm is upon their lips, might even tempt a charitable observer to suspect the fervency of their inward religion."
He had been bemoaning such since his late teens. His father, tired of his complaints, challenged him to write something better. The following week, the adolescent Isaac presented his first hymn to the church, "Behold the Glories of the Lamb," which received an enthusiastic response. The career of the "Father of English Hymnody" had begun.
Head of a genius
At Isaac's birth in 1674, his father was in prison for his Nonconformist sympathies (that is, he would not embrace the established Church of England). His father was eventually freed (and fathered seven more children), but Isaac respected his courage and remembered his mother's tales of nursing her children on the jail steps.
Young Isaac showed genius early. He was learning Latin by age 4, Greek at 9, French (which he took up to converse with his refugee neighbors) at 11, and Hebrew at 13. Several wealthy townspeople offered to pay for his university education at Oxford or Cambridge, which would have led him into Anglican ministry. Isaac refused and at 16 went to London to study at a leading Nonconformist academy. Upon graduation, he spent five years as a private tutor.
His illness and unsightly appearance took its toll on his personal life. His five-foot, pale, skinny frame was topped by a disproportionately oversized head. Almost every portrait of him depicts him in a large gown with large folds—an apparent attempt by the artists to disguise his homeliness. This was probably the reason for Elizabeth Singer's rejection of his marriage proposal. As one biographer noted, "Though she loved the jewel, she could not admire the casket [case] which contained it."
Though German Lutherans had been singing hymns for 100 years, John Calvin had urged his followers to sing only metrical psalms; English Protestants had followed Calvin's lead.
Watts's 1707 publication of Hymns and Spiritual Songs technically wasn't a collection of hymns or metrical psalms, but it was a collection of consequence. In fact, it contained what would become some of the most popular English hymns of all time, such as "When I Survey the Wondrous Cross."
Watts didn't reject metrical psalms; he simply wanted to see them more impassioned. "They ought to be translated in such a manner as we have reason to believe David would have composed them if he had lived in our day," he wrote. Psalms of David Imitated in the Language of the New Testament followed in 1719.
Many of his English colleagues couldn't recognize these translations. How could "Joy to the World" really be Psalm 98? Or "Jesus Shall Reign Where'er the Sun" be Psalm 72>, or "O God Our Help in Ages Past" be Psalm 90?
Watts was unapologetic, arguing that he deliberately omitted several psalms and large parts of others, keeping portions "as might easily and naturally be accommodated to the various occasions of Christian life, or at least might afford us some beautiful allusions to Christian affairs." Furthermore, where the psalmist fought with personal enemies, Watts turned the biblical invective against spiritual adversaries: sin, Satan, and temptation. Finally, he said, "Where the flights of his faith and love are sublime, I have often sunk the expressions within the reach of an ordinary Christian."
Such looseness brought criticism. "Christian congregations have shut out divinely inspired psalms and taken in Watts's flights of fancy," protested one detractor. Others dubbed the new songs "Watts's whims."
But after church splits, pastor firings, and other arguments, Watts's paraphrases won out. "He was the first who taught the Dissenters to write and speak like other men, by showing them that elegance might consist with piety," wrote the famed lexicographer (and Watts's contemporary) Samuel Johnson.
More than a poet, however, Watts was also a scholar of wide reputation, especially in his later years. He wrote nearly 30 theological treatises; essays on psychology, astronomy, and philosophy; three volumes of sermons; the first children's hymnal; and a textbook on logic that served as a standard work on the subject for generations.
But his poetry remains his lasting legacy and earned him acclaim on both sides of the Atlantic. Benjamin Franklin published his hymnal, Cotton Mather maintained a long correspondence, and John Wesley acknowledged him as a genius—though Watts maintained that Charles Wesley's "Wrestling Jacob" was worth all of his own hymns.
God Can Meet Us in the Ashes
Strict practitioners would not have approved of my methods, but on one long ago mid-winter Wednesday, I smeared ashes on the foreheads of my two preschoolers and myself. An offering of the hardwood that had heated our home the day before, these ashes were not “ceremonially correct” in any way. At the time, I did not know that traditional Ash Wednesday ashes come from the remains of Palm Sunday palms. I did not even know about the forty days of Lent to follow. However, I did know about sin — my own and my children’s. We were in “time out” season with one of our sons. At our wits’ end, we had exhausted Dr. Dobson, Elisabeth Elliot, and every parenting resource available in the nineties. “Why is it so hard to be good?” our little Dobson-buster would ask. His younger brother’s eyes would fill with tears whenever they were caught in collaborative naughtiness. In this parenting pressure cooker, maternal apologies had become a daily occurrence. I was hoping to model repentance — while at the same time atoning for sharp words and a short fuse. “I was wrong; please forgive me” were the words through which my sons were learning that their mother had not outgrown the struggle against sin. Ash Wednesday gives Christians an opportunity to grow in our understanding of where to take that struggle. Reclaiming Lent for Christ Historically, our earliest Protestant ancestors revolted against the idea of Lenten practices, and with good reason. In the pre-Reformation mind, penitence, ashes, and self-denial had become ends in themselves. Gradually, however, a biblical understanding of lament has re-entered Christian orthodoxy, anchored in an embrace of our fallen-ness. Ashes on the forehead rightly represent our need to “repent in dust and ashes” (Job 42:5–6), and our identity as “a people of unclean lips [who] dwell in the midst of a people of unclean lips” (Isaiah 6:5). Jesus pronounced a blessing upon those who recognize their poverty of spirit and mourn the effects of sin on their life and in the world (Matthew 5:3–4). Grounded in gospel truth that prompts genuine penitence without crippling guilt and deep conviction without devastating shame, Ash Wednesday invites the believer to a renewed awe of our great salvation. While there is no merit in the wearing of ashes, a season of mourning leading up to Easter may actually enhance our celebration of Resurrection Sunday. A Wednesday to Teach In my challenging season of parenting, Ash Wednesday became a visual aid, a teaching tool to reassure my young sons that our sin does not signal the end of God’s love for us. In our home, hymns around the breakfast table always matched the season, and one year, we learned all four verses of a “cross hymn” in the weeks leading up to Easter. Rich hymns of the faith offer deep gospel truth that requires explanation (but not dilution) for little singers: When I survey the wondrous cross On which the Prince of Glory died, All the vain things that charm me most I sacrifice them to His blood. The vain-ness of the “vain things” Isaac Watts wrote about becomes abundantly clear when we remember that nothing lasts forever. “Remember that you are dust” is the lyric of Ash Wednesday. God made us from dust, and our bodies do not live forever. This is a dying world we inhabit: everything from goldfish to grandfathers eventually stops living. And we mourn the loss. Without becoming morbid or frightening, we can prepare our children for the inevitability of death by putting it in the context of the gospel. Thomas á Kempis prescribed a regular pondering of and preparation for death as a route to happiness. Author Gary Thomas suggests that we present-day believers ought to join á Kempis in allowing the reality of death to act “like a filter, helping us to hold on to the essential and let go of the trivial.” For believers, the “essential” is the eternal, and the eternal comes to us through the cross. The paradox of death leading to rebirth only appears to be a contradiction. All of Christ’s gifts are given to us through death — his death. And it will only be through a different death — our death — that we will finally receive the fullness of life that Jesus died to impart. A Wednesday to Remember My sons and I stood before a mirror together, the three of us with our smudged foreheads. We talked about our struggle to obey God and our sadness over sin — the sin that causes mayhem in our home, hurt feelings between brothers, and, worst of all, separation from a God who loves us. When a little boy is struggling with disobedience, even as a preschooler, he already feels the grit and grind of life on a fallen planet. He may not be able to comprehend sin’s cosmic scale: “For the creation was subjected to futility, not willingly, but because of him who subjected it, in hope. . .” (Romans 8:20). But he is already well-acquainted with the collective groaning, and can love the truth about the hope of our future deliverance from the struggle: “. . . that the creation itself will be set free from its bondage to corruption and obtain the freedom of the glory of the children of God” (Romans 8:21). Reading selected, age-appropriate portions of the crucifixion story from Luke 22 and thinking about Jesus’s willingness to endure the weight of all the sins of the entire world on his body provides a focus for the wearing of our ashes as a symbol of our grief — mourning that we have sinned and caused division from God and sadness over the suffering Jesus endured when he died in our place. A Wednesday to Rejoice If good behavior is all I have to bring to Jesus, he cannot help me. The warm welcome of the gospel on a frigid day in early spring takes into account a little boy’s hopelessness in the face of temptation. Our sin does not signal the end of our relationship with God. It’s a beginning, for it turns out that weakness is a powerful claim upon divine mercy. Learning to hate sin at a young age, to war against it, and to receive God’s forgiveness is a celebratory milestone. There is a reason to rejoice because of Christ’s obedience to all that God commanded. Then, his love in paying the penalty for our failure to obey gives us a reason for hope, even against the backdrop of my own parenting fiascos and my sons’ serial naughtiness. God knows well the stuff we are made of. “He remembers that we are dust” (Psalm 103:14). As a loving heavenly Father, he longs to supply every need for righteous living — in fact it is only his righteousness that will suffice. This orientation provides a solid foundation for a lifelong relationship built on the assurance that God’s purposes will not be thwarted by my sin. He delights to meet me and my children in the ashes. Article by Michele Morin