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About the Book
"How to Pass God's Test" by Norvel Hayes is a practical guide to overcoming life's challenges by trusting in God's plan and purpose for our lives. The author shares personal anecdotes and biblical principles to help readers navigate difficult times and ultimately emerge stronger in their faith. Hayes emphasizes the importance of perseverance, obedience, and faith in God's promises in order to pass the tests that come our way.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
waiting is worth the reward
In my early twenties, I was a newlywed, fresh-faced and full of hope. Matt and I were well traveled. We had seen almost every Baptist encampment in Texas thanks to his itinerant preaching career. (Don’t be jealous.) While there were countless gifts in that season, what marked that time of my life more than anything else was the pain of a dream deferred. I had a burning desire and dream to lead worship and write songs for worship. I was surrounded by gifted men and women doing such, but by God’s grace and design, I enjoyed the ministry only in small doses. I felt stifled. I felt inadequate. There was work to be done on my heart, and the Lord knew it. I just struggled to see it. I wrote the letter below to the woman I was, with the hope that it might be an encouragement to someone who is wrestling with a dream deferred. You aren’t alone. As I wrote this, I found myself encouraged as well. There are still places I desire to see God work, still dreams I would love to see fulfilled. Writing was a needed reminder that he is working even if it isn’t evident to us, and that he is the dream better than any other dream he puts in our hearts. I know it feels like you will always be frustrated — like God has somehow forgotten you or is acting only as your own personal cosmic killjoy. While you’re hitting barrier after barrier pursuing your heart’s dreams and desires, it seems like everyone around you is living their best life now. You are tired of wrestling. You just want something to break your way. But there’s something I want to tell you that you probably don’t want to hear right now. I promise, though, that you will be so glad if you hang on to these words in the years ahead. Count it all joy, my brothers, when you meet trials of various kinds, for you know that the testing of your faith produces steadfastness. And let steadfastness have its full effect, that you may be perfect and complete, lacking in nothing. (James 1:2–4) Broken Dreams, Delayed Desires Yes, this “trial” is nothing compared to what others who worship Jesus are facing. You aren’t being persecuted for your faith; you aren’t destitute. Although you are living in the foreign wilderness of West Texas, you aren’t an exile or refugee. Nonetheless, this trial fits among the “various kinds,” and thus has the potential to do a tremendous work on your heart, if you will let it. On one level, it doesn’t feel like your faith is being tested. You still believe God is able to do anything; he’s just choosing not to do the things you want him to do for you. It feels like punishment. It feels unfair and confusing. You didn’t ask for these desires, but here they are. There’s nothing wrong or sinful about them. So what are you to do with them? In your mind, you assume there are two choices: either he gives you what you want the way you want it, or he takes the desires away. Beloved, there is so much more. Here’s what he’s doing. He is burning away the fluff. He is pulling out every false prop on which you’ve built your trust. He is frustrating your plans so that you turn your eyes from those around you and the lack you find inside you to see and love him for who he is and not merely what he can do for you. There is no more vital work than that. He loves you too much to give you what you want too soon. I know that’s easy for me to say when I know how this will all play out — when I know that you will be relieved that you didn’t get what you thought you wanted in the way you wanted it. The pressing and breaking of steadfastness doing its work is worth it. Portraits of Steadfastness So what does steadfastness look like? It looks like Jacob wrestling with the angel of the Lord (Genesis 32:24–32). He didn’t run away. He endured. He grappled with God even when it gave him a limp. He held on for dear life — for a blessing. He didn’t give up, and neither did God. Steadfastness looks like Job. He suffered horribly. He cried out desperately. He even lamented the day of his birth (Job 3:3). He questioned the Lord’s ways and was confronted with the terrifying beauty of God’s holiness. But he didn’t turn away. He was humbled in God’s presence. He laid his hand on his mouth and opened his ears to what God had to say. He rightly saw his scrawny, limited self in light of the magnificence of God. He repented. He prayed for his friends who just didn’t get what he was going through. God rebuked them, but he didn’t rebuke Job in the same way. He corrected and challenged him and eventually blessed him. Steadfastness looks like Hannah. All she wanted was a baby, but all she had was the love of her husband. She wept. She didn’t eat. Her heart was broken into pieces (1 Samuel 1:6–7). But she still went, year by year, with her husband to worship and sacrifice to the Lord in Shiloh. She poured her heart out to the Lord in her distress and through bitter tears. She didn’t hold back. She came honestly, though reverently, knowing that the Lord was the only one who could do something about her pain. And the Lord heard her prayer. He opened her womb and gave her a son that she gave back to him in return (1 Samuel 1:19–20). Perfect and Complete Do you remember when Jesus told his disciples, “I still have many things to say to you, but you cannot bear them now” (John 16:12)? The same is true of me to you; some things you learn only by growing older. But I will say this: Steadfastness looks like you falling forward into God’s grace — wrestling hard, crying out, and bringing the broken pieces of your heart to the Lord. It’s you looking to Jesus, the author and perfecter of your faith, who was perfectly steadfast through the most excruciating trial (Hebrews 12:2). He endured. He cried out. He became broken on your behalf so that his steadfastness could be your steadfastness. So when you’re in the midst of the hard work of steadfastness, remember that it won’t be pretty. And although you are being made “perfect and complete,” it’s not going to look perfect or feel complete. But who you are becoming is better than anything you now imagine — better than any desire or dream fulfilled before its time. You are becoming slowly but surely like Jesus. Be patient with yourself. You will need to read this letter again. And again and again. The process of becoming more steadfast won’t stop until you see your true heart’s desire face to face.