About the Book
In "God's Word Heals," Derek Prince explains how the Bible contains powerful promises for physical, emotional, and spiritual healing. By understanding and applying these promises, readers can experience God's healing power in their lives. Prince provides practical guidance and examples from scripture to help readers tap into the healing power of God's Word.
Steven Curtis Chapman
Steven Curtis Chapman is an American Christian musician, singer, song writer, record producer, actor, author and social activist. He is the only artist in the history of music to have won 56 Gospel Music Association Dove Awards and is also a proud receiver of 5 Grammy Awards. His music is known for being a unique cross between country music, soft rock and orchestrated pop, which made him a prominent artist in the contemporary Christian music circuit of the 1980s. Chapman grew up in a humble environment where he found his calling for music, owing to his fatherâs inclination towards country music. He learnt to play instruments like guitar and piano just by hanging around in his fatherâs music store, listening to him play along with his friends. He took up music seriously when he moved to Nashville and got recognized by Sparrow Records, a company he stayed with for a long period in his career. He has released 19 studio albums and has sold over 10 million albums until now. Chapman is a family oriented person just like his father and has a big family comprising of his wife Mary Beth and 3 biological and 2 adopted children. He is a vocal advocate for adoption and has worked socially to eradicate the problem of youth violence.
Childhood & Early Life
Steven Curtis Chapman was born on November 21, 1962 in Paducah, Kentucky, to Herb and Judy Chapman. His father was a country singer and songwriter, who turned down opportunities to become a successful singer to concentrate on his family. His mother was a stay-at-home mom.
His father owned a music store, a business he managed from his basement and used to play music with his friends. Such creative environment at home influenced Chapmanâs life from very early on and he bought his first guitar at 6.
Chapman joined as a pre-med student at Georgetown College in Kentucky but after few semesters he moved to Anderson College, Indiana. But he ultimately dropped the idea of studying and went to Nashville to pursue his first love, music.
During 1980s, he wrote a song âBuilt to Lastâ, which gained huge popularity after getting recorded by a gospel group âThe Imperialsâ. The success of the song fetched Chapman a songwriting deal with Sparrow Records.
Career
Chapmanâs first official album âFirst Handâ was released in 1987. The album was an instant hit with singles like âWeak Daysâ and topped at number 2 on the Contemporary Christian Music chart. The album had a mix of country music with soft rock and pop.
In 1988, following the success of his first album, Chapman released âReal Life Conversationsâ. Its hit single âHis Eyesâ received the âContemporary Recorded Song of the Yearâ award from the âGospel Music Associationâ. He co-wrote it with James Isaac Elliot.
After a few years, he made a swift turn to mainstream music with his album âThe Great Adventureâ in 1992. It earned him two Grammy awards for the album and for the title song of the album.
After gaining consistent success with albums like âHeaven in the Real World (1994), âSigns of Life (1996) and âSpeechless (1999), Chapmanâs next great album âDeclarationâ came out in 2001, for which he toured 70 cities.
In 2003, âAll About Loveâ was released and it ranked at Top 15 on the Christian Music charts. It was released under Sparrow Records and Chapman very humbly credited his wife Mary Beth for being the inspiration for his album.
âAll Things Newâ was released in 2004 and the album added another Grammy to Chapmanâs proud award collection. This time he received it in the category of Best Pop/Contemporary Gospel Album. It was also nominated for the Dove Award.
In 2005, âAll I Really Want for Christmasâ was released, which was Chapmanâs another successful Christmas album after âThe Music of Christmasâ. It had traditional holiday tunes and favorites like âGo Tell It on the Mountainâ and Silver Bellsâ.
Chapman took his music to greater levels by taking his concert to South Korea for the U.S. troops who were serving there in 2006. It was the first Christian concert that ever performed for the American army in that country.
In 2007, he released âThis Momentâ which included hit singles like âCinderellaâ, for which he was chosen for WOW Hits 2009. He also went on his âWinter Jamâ tour and took his sonsâ, Caleb and Willâs band along.
âBeauty Will Riseâ, Chapmanâs seventeenth album, was released in 2009. It is said that he wrote the songs of the album after getting inspired by his daughter Maria Sueâs sad and untimely demise. It included songs like âMeant to Beâ and âRe:creationâ.
In 2012, Chapman finally parted ways with Sparrow Records, the record company that he remained loyal to for so many years. He was signed on by Sonyâs Provident Label Group and came out with a Christmas album called âJOYâ.
âThe Glorious Unfoldingâ was released in 2013 under Reunion Records and it peaked on number 27 on the Billboard 200 and was number 1 Top Christian Album. The album was produced by Chapman himself and Brent Milligan.
Major Works
Chapmanâs âThe Great Adventureâ in 1992 was a turning point in his musical career because until now he was making soft and contemporary country music but with âThe Great Adventureâ he targeted the mainstream audience and tasted huge commercial success for the first time.
Awards & Achievements
Chapman is the winner of five Grammy awards for albums like âFor the Sake of the Callâ âThe Great Adventureâ âThe Live Adventureâ, âSpeechlessâ and âAll Things Newâ. He has also received 56 Gospel Music Association Dove Awards, more than any other artist.
Personal Life & Legacy
Chapman got married to Mary Beth in 1984 after they first met at Anderson University in Indiana. They have three biological children: Emily, Caleb and Will and three adopted children: Shaohannah, Stevey and Maria, together.
In 2008, Chapmanâs youngest son Will ran over his car by accident on his adopted daughter Maria Sue Chunxi Chapman. She was running towards him to meet him but he did not see her and she was pronounced dead on arrival at the hospital.
Trivia
Chapmanâs wife Mary Beth Chapman has written and released a book about losing her youngest daughter called âChoosing to SEE: A Journey of Struggle and Hopeâ.
Chapman and his wife have written three children's books with adoption themes: âShaoey And Dot: Bug Meets Bundleâ (2004), âShaoey and Dot: The Christmas Miracleâ (2005), and âShaoey and Dot: A Thunder and Lightning Bug Storyâ (2006).
He has received an Honorary Doctorate of Music from Anderson University.
the majesty of god mastered him: john calvin
In 1538, the Italian Cardinal Sadolet wrote to the leaders of Geneva trying to win them back to the Roman Catholic Church after they had turned to the Reformed teachings. John Calvinâs response to Sadolet uncovers the root of Calvinâs quarrel with Rome that would determine his whole life. Hereâs what Calvin wrote to the cardinal: â[Your] zeal for heavenly life [is] a zeal which keeps a man entirely devoted to himself, and does not, even by one expression, arouse him to sanctify the name of God â ( John Calvin: Selections from His Writings , 89). The issue for Calvin was not, ďŹrst, the well-known sticking points of the Reformation: justiďŹcation, priestly abuses, transubstantiation, prayers to saints, and papal authority. All those would come in for discussion. But beneath all of them, the fundamental issue for Calvin, from the beginning to the end of his life, was the issue of the centrality and supremacy and majesty of the glory of God. Calvin goes on and says to Sadolet that what he should do â and what Calvin aims to do with all his life â is âset before [man], as the prime motive of his existence, zeal to illustrate the glory of God â ( Selections , 89). This would be a ďŹtting banner over all of John Calvinâs life and work â zeal to illustrate the glory of God . The essential meaning of Calvinâs life and preaching is that he recovered and embodied a passion for the absolute reality and majesty of God. Captive to Glory What happened to John Calvin to make him a man so mastered by the majesty of God? And what kind of ministry did this produce in his life? He was born July 10, 1509, in Noyon, France, when Martin Luther was 25 years old and had just begun to teach the Bible in Wittenberg. When he was 14, his father sent him to study theology at the University of Paris, which at that time was untouched by the Reformation and steeped in Medieval theology. But ďŹve years later (when Calvin was 19), his father ran afoul of the church and told his son to leave theology and study law, which he did for the next three years at Orleans and Bourges. His father died in May of 1531, when Calvin was 21. Calvin felt free then to turn from law to his ďŹrst love, which had become the classics. He published his first book, a commentary on Seneca, in 1532, at the age of 23. But sometime during these years he was coming into contact with the message and the spirit of the Reformation, and by 1533 something dramatic had happened in his life. Calvin recounts, seven years later, how his conversion came about. He describes how he had been struggling to live out the Catholic faith with zeal when I at length perceived, as if light had broken in upon me, in what a sty of error I had wallowed, and how much pollution and impurity I had thereby contracted. Being exceedingly alarmed at the misery into which I had fallen . . . as in duty bound, [I] made it my ďŹrst business to betake myself to thy way [O God], condemning my past life, not without groans and tears. God, by a sudden conversion, subdued and brought my mind to a teachable frame. . . . Having thus received some taste and knowledge of true godliness, I was immediately inďŹamed with [an] intense desire to make progress. ( Selections , 26) What was the foundation of Calvinâs faith that yielded a life devoted utterly to displaying the glory and majesty of God? The answer seems to be that Calvin suddenly, as he says, saw and tasted in Scripture the majesty of God. And in that moment, both God and the word of God were so powerfully and unquestionably authenticated to his soul that he became the loving servant of God and his word the rest of his life. Henceforth he would be a man utterly devoted to displaying the majesty of God by the exposition of the word of God. Compelled to Geneva What form would that ministry take? Calvin knew what he wanted. He wanted the enjoyment of literary ease so he could promote the Reformed faith as a literary scholar. That is what he thought he was cut out for by nature. But God had radically different plans. In 1536, Calvin left France, taking his brother Antoine and sister Marie with him. He intended to go to Strasbourg and devote himself to a life of peaceful literary production. But one night, as Calvin stayed in Geneva, William Farel, the ďŹery leader of the Reformation in that city, found out he was there and sought him out. It was a meeting that changed the course of history, not just for Geneva, but for the world. Calvin tells us what happened in his preface to his commentary on Psalms: Farel, who burned with an extraordinary zeal to advance the gospel, immediately learned that my heart was set upon devoting myself to private studies, for which I wished to keep myself free from other pursuits, and ďŹnding that he gained nothing by entreaties, he proceeded to utter an imprecation that God would curse my retirement, and the tranquillity of the studies which I sought, if I should withdraw and refuse to give assistance, when the necessity was so urgent. By this imprecation I was so stricken with terror, that I desisted from the journey which I had undertaken. ( Selections , 28) The course of his life was irrevocably changed. Not just geographically, but vocationally. Never again would Calvin work in what he called the âtranquillity of . . . studies.â From now on, every page of the 48 volumes of books and tracts and sermons and commentaries and letters that he wrote would be hammered out on the anvil of pastoral responsibility. Unrelenting Exposition Once in Geneva, what kind of ministry did his commitment to the majesty of God produce? Part of the answer is that it produced a ministry of incredible steadfastness â a ministry, to use Calvinâs own description of faithful ministers of the word, of âinvincible constancyâ ( Sermons from Job , 245). But that is only half the answer. The constancy had a focus: the unrelenting exposition of the word of God. Calvin had seen the majesty of God in the Scriptures. This persuaded him that the Scriptures were the very word of God. He said, âWe owe to the Scripture the same reverence which we owe to God, because it has proceeded from Him alone, and has nothing of man mixed with itâ ( John Calvin: A Collection of Distinguished Essays , 162). His own experience had taught him that âthe highest proof of Scripture derives in general from the fact that God in person speaks in itâ ( Institutes of the Christian Religion , 1.7.4). These truths led to an inevitable conclusion for Calvin. Since the Scriptures are the very voice of God, and since they are therefore self-authenticating in revealing the majesty of God, and since the majesty and glory of God are the reason for all existence, it follows that Calvinâs life would be marked by âinvincible constancyâ in the exposition of Scripture. He wrote tracts, he wrote the great Institutes , he wrote commentaries (on all the New Testament books except Revelation, plus the Pentateuch, Psalms, Isaiah, Jeremiah, and Joshua), he gave biblical lectures (many of which were published as virtual commentaries), and he preached ten sermons every two weeks. But all  of it was exposition of Scripture. In his last will and testament, he said, âI have endeavored, both in my sermons and also in my writings and commentaries, to preach the Word purely and chastely, and faithfully to interpret His sacred Scripturesâ ( Selections , 35). This was the ministry unleashed by seeing the majesty of God in Scripture. The Scriptures were absolutely central because they were absolutely the word of God and had as their self-authenticating theme the majesty and glory of God. But out of all these labors of exposition, preaching was supreme. Godâs Voice in Every Verse Calvinâs preaching was of one kind from beginning to end: he preached steadily through book after book of the Bible. He never wavered from this approach to preaching for almost 25 years of ministry in St. Peterâs church of Geneva â with the exception of a few high festivals and special occasions. âOn Sunday he took always the New Testament, except for a few Psalms on Sunday afternoons. During the week . . . it was always the Old Testament.â To give you some idea of the scope of Calvinâs pulpit, he began his series on the book of Acts on August 25, 1549, and ended it in March 1554. After Acts he went on to the Epistles to the Thessalonians (46 sermons), Corinthians (186 sermons), the Pastoral Epistles (86 sermons), Galatians (43 sermons), Ephesians (48 sermons) â until May 1558. Then there is a gap when he was ill. In the spring of 1559, he began the Harmony of the Gospels and was not ďŹnished when he died in May 1564. On the weekdays during that season he preached 159 sermons on Job, 200 on Deuteronomy, 353 on Isaiah, 123 on Genesis, and so on. One of the clearest illustrations that this was a self-conscious choice on Calvinâs part was the fact that on Easter Day, 1538, after preaching, he left the pulpit of St. Peterâs, banished by the City Council. He returned in September 1541, over three years later, and picked up the exposition in the next verse. Divine Majesty of the Word Why this remarkable commitment to the centrality of sequential expository preaching? Three reasons are just as valid today as they were in the sixteenth century. First, Calvin believed that the word of God was a lamp that had been taken away from the churches. He said in his own personal testimony, âThy word, which ought to have shone on all thy people like a lamp, was taken away, or at least suppressed as to us.â Calvin reckoned that the continuous exposition of books of the Bible was the best way to overcome the âfearful abandonment of [Godâs] Wordâ ( Selections , 115). Second, biographer T.H.L. Parker says that Calvin had a horror of those who preached their own ideas in the pulpit. He said, âWhen we enter the pulpit, it is not so that we may bring our own dreams and fancies with usâ ( Portrait of Calvin , 83). He believed that by expounding the Scriptures as a whole, he would be forced to deal with all that God wanted to say, not just what he  might want to say. Third, he believed with all his heart that the word of God was indeed the word of God , and that all of it was inspired and proďŹtable and radiant with the light of the glory of God. In Sermon number 61 on Deuteronomy, he challenged pastors of his day and ours: Let the pastors boldly dare all things by the word of God . . . . Let them constrain all the power, glory, and excellence of the world to give place to and to obey the divine majesty of this word . Let them enjoin everyone by it, from the highest to the lowest. Let them edify the body of Christ. Let them devastate Satanâs reign. Let them pasture the sheep, kill the wolves, instruct and exhort the rebellious. Let them bind and loose thunder and lightning, if necessary, but let them do all according to the word of God . ( Sermons on the Epistle to the Ephesians , xii) The key phrase here is âthe divine majesty of this word.â This was always the root issue for Calvin. How might he best show forth for all of Geneva and all of Europe and all of history the majesty of God? He answered with a life of continuous expository preaching. This is why preaching remains a central event in the life of the church five hundred years after Calvin. If God is the great, absolute, sovereign, mysterious, all-glorious God of majesty whom Calvin saw in Scripture, there will always be preaching, because the more this God is known and the more this God is central, the more we will feel that he must not just be analyzed and explained â he must be acclaimed and heralded and magniďŹed with expository exultation.