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"The Great Visions of Ellen G. White" by Roger W. Coon provides an in-depth analysis of the prophetic visions of Ellen G. White, a prominent figure in the Seventh-day Adventist Church. Coon explores the significance of White's visions, their impact on the church, and the messages they conveyed. He also discusses the historical context in which White received her visions and how they influenced the development of Seventh-day Adventist beliefs and practices.

Lilias Trotter

Lilias Trotter Long before the concept of the 10-40 window was invented or became a popular term in missions circles, a thirty-four-year-old promising artist named Isabella Lilias Trotter (1853–1928) landed in North Africa in 1888 along with two of her friends. They had neither mission agency support nor training but immediately began studying the Arabic language with the intention of sharing the gospel as widely as they could for as long as they could. For the next forty years, this creative, dynamic woman poured out her life, her artistic abilities, and her linguistic skills to make the gospel known amid many difficulties. Her journals tell of her daily experience of desperately depending on the divine resources of the Holy Spirit.[1] “The life of Lilias Trotter challenges the world’s meaning of success, potential, and fulfillment.” The life of Lilias Trotter challenges the world’s meaning of success, potential, and fulfillment. Through Trotter’s art, writings, and life story come glimpses of Christ’s power in the prayers of his child and faithful witness. Her day-by-day, decade-by-decade journals reveal a life characterized by trust in her Savior and inward rest in his power for victory over sin and darkness. Her success should not be measured numerically, but rather in the fact that Lilias succeeded in learning about prayer and love for Muslims. Her life attests to the exceeding value of knowing and preferring Christ above all else. Her personal devotion to Jesus Christ is exemplary and instructive not only for aspiring missionaries but for all who desire to live wholeheartedly for the glory of God. Laying down Her Life Lilias was born into a wealthy Victorian family, and they considered the value of walking humbly before God to be of first importance. A talented artist, she attracted the attention of John Ruskin, the noted Victorian art critic and Oxford lecturer. Some of her paintings and leaves from her sketchbook can be found in the Ashmolean Museum in Oxford, England. In 1874, Lilias attended a six-day convention that emphasized the importance of the daily application of Scripture in her quest for deeper intimacy with God. She experienced a renewed vitality in personal and corporate worship. Her call to wholeheartedly follow Christ in obedience came during a call to prayer. She wrote of this in her journal: “To bear His name with all that is wrapped up in it of fragrance and healing and power, to enter into His eternal purpose, is the calling for which it is well worth counting all things as loss.” [2] From then on, rather than invest her extraordinary life in the things of this world, Lilias was compelled by a strong yearning for her Savior and the world he loves. In radical obedience, she left the promising artistic career that Ruskin offered her and the comforts of England for a life of missionary service in Algeria. “In radical obedience, she left a promising artistic career and the comforts of England for a life of missionary service in Algeria.” Praying with Passion Trotter’s intercession for Algerians provides inspiration to those who desire to see all peoples worship God. She spent lengthy, frequent sessions of retreat in the hills overlooking the city of Algiers. She prayed and turned her eyes on Jesus, his Word, and his revelation in creation. As she watched the broken waves pushed by the heart of the ocean crashing on the shore of the bay, she waited with faith to see “God’s high tide” sweep across the Muslim world. Lilias was a contemporary of the great missionary to Muslims, Samuel Zwemer. She learned much from him about the power of prayer to pierce the veil of darkness shrouding the Muslim hearts and to engage in the spiritual battle for souls of those held captive by the adversary. Her example of perseverance in prayer is an encouragement for those today who are interceding for God’s high tide to fill the earth and sweep away the veil of darkness. The writings of Lilias Trotter recognize the work of the adversary to hold nonbelievers captive through their unbelief and his power to keep the life-giving truth from reaching them. She pled for Christians to ask God to do a new work among “hard-bound peoples and to generate a fire of the Holy Spirit to melt away though icy barriers and set a host free!” [3] Proclaiming God’s Word in Power Courageous and innovative in her witness to the Algerians, Lilias observed and learned to witness effectively to her neighbors. In 1919, Trotter began writing tracts for Nile Mission Press. She assisted a Swedish missionary in translation and editing the gospels of Luke and John in colloquial Arabic, “into a language that the Arab mother could read to her child.”[4] She also wrote stories in parable form that appealed to her audience, and she creatively illustrated them in Eastern style, the results of which gained wide circulation. The story of Lilias Trotter continues to inspire and mobilize those who long to worship around the throne of Christ with all peoples. She laid down her life and talents and allowed Christ to use her in creative and innovative ways. Her life was one of passionate prayer, dependence on God’s overcoming power, and confidence in proclaiming the life-giving Word of God. Her story encourages others to follow in her footsteps and consecrate their life to the “hardest work and the darkest sinners.” [5] Paula Hemphill and her husband, Ken, have shared fifty years of ministry together. The stories of missionary pioneers in North Africa captured Paula’s heart as a young pastor’s wife, calling her to a lifetime of prayer for Muslim peoples. The Hemphills have three married daughters and twelve grandchildren. Endnotes: For more on Lilias Trotter, see Many Beautiful Things: the Life and Vision of Lilias Trotter (Oxvision Films, 2016) or read the excellent biography by Miriam Huffman Rockness, A Passion for the Impossible (Discovery House, 2003). [1] One journal entry later became the inspiration for “Turn Your Eyes upon Jesus,” a popular hymn written by Helen H. Lemmel: “Turn your soul’s full vision on Jesus and look and look at Him, and a strange dimness will come over all that is apart from Him and the divine attributes by which God’s saints are made, even in the twentieth century, will lay hold of you.” (I.R. Stewart, The Love that Was Stronger: Lilias Trotter of Algiers (London: Lutterworth Press, 1958), 54.)

the progressive pilgrim: allegory for an easy age

Jesus said, “The gate is narrow and the way is hard that leads to life, and those who find it are few” (Matthew 7:13–14). In the twenty-first century, does his statement seem true to you? Have you found an easier way? Abraham may have wandered in tents, Paul may have been hunted like a deer, the disciples may have met brutal ends to their earthly careers, and many in the early church may have been slandered, reviled, plundered, fed to lions, burned to light the streets of Rome — “killed all the day long . . . regarded as sheep to be slaughtered” (Romans 8:36) —  but that was then . We have smartphones now. Modernity seems to have done wonders to smooth the way. The narrow path lying between the City of Destruction and the Celestial City seems paved. Nathaniel Hawthorne (1804–1864) made a similar observation in his day. Though no friend of the Puritans, his short story “The Celestial Railroad” imitates and engages with John Bunyan’s  The Pilgrim’s Progress . In it, he critiques the pillow-soft spirituality of his day (including Unitarianism and Transcendentalism), firing a critique that could have been written yesterday to describe the rampant easy-believism of today. Celestial Railroad Wandering through the gate of dreams, Mr. Hawthorne arrives at the famous City of Destruction. Having read Mr. Bunyan on the place, he is rather taken aback, and pleasantly surprised, to find that hostilities between this city and the Celestial City have all but vanished. Former foes shake hands. A pact built on “mutual compromise” has made allies from enemies. Enmity between the two lands is water under the bridge — or rather, a shining railroad over it. The Wicket Gate, that narrow and impossibly awkward entryway, as Bunyan’s readers will recall, has been replaced by the railroad station itself. Mr. Smooth-it-away — a distinguished gentleman in the enterprise who guides Mr. Hawthorne on his journey — ensures us all that this large building is much better suited to include the broadminded travelers of modernity. And the effect cannot be overstated, as Mr. Hawthorne relays: It would have done Bunyan’s heart good to see it. Instead of a lonely and ragged man, with a huge burden on his back, plodding along sorrowfully on foot, while the whole city hooted after him, here were parties of the first gentry and most respectable people in the neighborhood, setting forth towards the Celestial City, as cheerfully as if the pilgrimage were merely a summer tour. (199) The Celestial Railroad now transports would-be travelers — comfortably and safely — to the renowned City of Light. Individuals from Christian’s birthplace saw to it that no good-hearted pilgrim would ever again leave the city in derision or vulnerable to unsavory conditions and smiling foes. Nor would any carry that dreadful burden upon his back for miles on end — no, as Hawthorne gladly reports, One great convenience of the new method of going on pilgrimage, I must not forget to mention. Our enormous burdens, instead of being carried on our shoulders, as had been the custom of old, were all snugly deposited in the baggage-car, and, as I was assured, would be delivered to their respective owners at the journey’s end. (200) The travelers are sent off with their backpacks snugly tucked away, “to be delivered to their respective owners at the journey’s end.” Genius. But this, dear reader, is but the start to the innovations of the Celestial Railroad. Let me relay but a few more to you. Old Sites, New Conveniences Lengthy scrolls and books are not needed as tiresome maps along this journey; only a ticket is required. Such is very reasonable and expedient. To begin the journey, the dreadful Slough of Despond — that bog full of past sins and lusts and fears and temptations and doubts, in which Christian sank and at which Pliable flustered, only to return home — has a new sparkling bridge erected overhead. While wholesome teaching could not fill Bunyan’s slough, Hawthorne tells us, books of morality, German rationalism, modern sermons, and extracts of Plato, combined with a few innovative commentaries on Scripture, sufficed to lay the sturdy foundations to erect the bridge upon (198). Traveling farther, one discovers that the Interpreter’s House, while still receiving the occasional pilgrim of the old method, was no stop of the Celestial Railroad. Regretfully, Mr. Smooth-it-away remarks, that grand Interpreter grew rather sour, prudish, and prejudiced in his old age (a similar theme for the likes of Evangelist and Great-heart, the latter even “perpetually at blows” with his new collaborators). He could not keep with the times and got left behind. Hurried Cross Yes, dear reader, I can hear your question: What has become of  the cross  where the burden fell from Christian’s back? Let me cite the firsthand account: We were rushing by the place where Christian’s burden fell from his shoulders, [the] sight of the Cross. This served as a theme for Mr. Smooth-it-away, Mr. Live-for-the-world, Mr. Hide-sin-in-the-heart, Mr. Scaly-conscience, and a knot of gentlemen from the town of Shun-repentance, to descant upon the inestimable advantages resulting from the safety of our baggage. (203) “Crosses must be carried in every age, and the costs must be considered.” Rushing past the cross, the passengers revel in their good fortune at finding a way to travel to the Celestial City without leaving behind their precious habits and secret delights. It would be a shame, after all, to lose such desirable pastimes if they could help it. Yet there are still more improvements upon the old way to display. A tunnel now conveniently travels through Hill Difficult — the excavated ground then used to fill in the Valley of Humiliation. That dreary and gloomy Valley of the Shadow of Death now glows with gas lamps. And should you, with Mr. Hawthorne, regret missing the chance to visit Palace Beautiful — where live the young and fair Piety, Prudence, and Charity — ease your disappointed mind by overhearing, “Young ladies!” cried Mr. Smooth-it-away, as soon as he could speak for laughing. “And charming young ladies! Why, my dear fellow, they are old maids, every soul of them — prim, starched, dry, and angular — and not one of them, I will venture to say, has altered so much as the fashion of her gown, since the days of Christian’s pilgrimage.” (203–204) These fair maidens of yesterday, again, resisted the hard-won improvements, cherishing ancient, rough, and inefficient paths. Vanity Fair What can be said of Vanity Fair? Hear it from Mr. Hawthorne: this wonder of a place has the power to make anyone feel at home. The “great capital of human business and pleasure” stands as the epitome of everything “fascinating beneath the sun.” The people, Hawthorne finds, are most interesting and agreeable. Concerning the hostility that once led to the unfortunate execution of Faithful, Christian’s beloved companion, they’ve come to see the misstep. These noble and charming and wise people now enter into great camaraderie and trade with the passengers of the Celestial Railroad; indeed, many of them have taken to the railway themselves. But of all the wonders of the metropolis, Hawthorne relates one that might outshine them all: The Christian reader, if he had no accounts of the city later than Bunyan’s time, will be surprised to hear that almost every street has its church, and that the reverend clergy are nowhere held in higher respect than at Vanity Fair. (209) Indeed, few places could boast so much religiosity. Hawthorne continues, In justification of this high praise, I need only mention the names of the Rev. Mr. Shallow-deep; the Rev. Mr. Stumble-at-Truth; that fine old clerical character, the Rev. Mr. This-to-day, who expects shortly to resign his pulpit to the Rev. Mr. That-to-morrow; together with the Rev. Mr. Bewilderment; the Rev. Mr. Clog-the-spirit; and, last and greatest, the Rev. Dr. Wind-of-doctrine. (209) Filled with fine-dressing, stimulating people, and endless pleasures to buy, sell, and enjoy — mind you, in such a fine  Christian place  — the only curiosity was that people would just disappear. So common was the occurrence, Hawthorne relates, that the citizens learned to continue on as if nothing had happened. Today’s Celestial Railroad Now, Nathaniel Hawthorne was no Christian, and he wrote antagonistically about the Puritans in other stories (in part due to an infamous family history). But here, he casts stones — almost in sympathy with Bunyan — against the modern religiosity he viewed as shallow, smooth, and deceptive. Any reader of the story sees parallels today. They had Mr. Smooth-it-away; so have we. They had trains leaving every day to what is thought the Celestial City; so have we. They had people tucking their sins under the caboose, deploring the hard way, wanting merely a ticket to heaven; so have we. They hurried past the cross of Christ; so do many who claim to be his followers today. How many sermons, small groups, Christian ministries escape this description? There was much pleasant conversation about the news of the day, topics of business, politics, or the lighter matters of amusement while religion, though indubitably the main thing at heart, was thrown tastefully into the background. Even an infidel would have heard little or nothing to shock his sensibility. (200) “False paths, sliding downward, are smoothest.” Teachers and preachers, once found in the Interpreter’s house, wooing pilgrims with golden crowns and warning them against smooth paths, now create them. Done with the cautions and commands, they converse among friends. His name is not Pastor; it is Jake — just Jake. He does not tell you what God has said; he is there to listen, just another broken sheep like everyone else. He gives comforting homilies and entertaining stories, but the utterance “Thus says the Lord” is far from his lips. And I fear that, just as in the end of Hawthorne’s dream before he awakes, so in our world, Mr. Smooth-it-away leaves many on steam ferryboats traveling to Tophet (hell). False paths, sliding downward, are smoothest. The true path is not easy or broad — even for societies without much physical intimidation. Our Christ, who carried his own cross, leaves his church crosses to be carried in every age, and costs to be considered. This earth will pass away, but Jesus’s word shall not: “The gate is narrow and the way is hard that leads to life, and those who find it are few” (Matthew 7:13–14).

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