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Systematic Theology Systematic Theology

Systematic Theology Order Printed Copy

  • Author: Wayne Grudem
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Fanny Crosby

Fanny Crosby "Oh, what a happy soul I am, / although I cannot see! / I am resolved that in this world / Contented I will be." Francis Jane Crosby wrote more than 9,000 hymns, some of which are among the most popular in every Christian denomination. She wrote so many that she was forced to use pen names lest the hymnals be filled with her name above all others. And, for most people, the most remarkable thing about her was that she had done so in spite of her blindness. "I think it is a great pity that the Master did not give you sight when he showered so many other gifts upon you," remarked one well-meaning preacher. Fanny Crosby responded at once, as she had heard such comments before. "Do you know that if at birth I had been able to make one petition, it would have been that I was born blind?" said the poet, who had been able to see only for her first six weeks of life. "Because when I get to heaven, the first face that shall ever gladden my sight will be that of my Savior." Blinded by a quack Born in Putnam County, New York, Crosby became ill within two months. Unfortunately, the family doctor was away, and another man—pretending to be a certified doctor—treated her by prescribing hot mustard poultices to be applied to her eyes. Her illness eventually relented, but the treatment left her blind. When the doctor was revealed to be a quack, he disappeared. A few months later, Crosby's father died. Her mother was forced to find work as a maid to support the family, and Fanny was mostly raised by her Christian grandmother. Her love of poetry began early—her first verse, written at age 8, echoed her lifelong refusal to feel sorry for herself: Oh, what a happy soul I am, although I cannot see! I am resolved that in this world Contented I will be. How many blessings I enjoy That other people don't, To weep and sigh because I'm blind I cannot, and I won't! While she enjoyed her poetry, she zealously memorized the Bible. Memorizing five chapters a week, even as a child she could recite the Pentateuch, the Gospels, Proverbs, the Song of Solomon, and many psalms chapter and verse. Her mother's hard work paid off. Shortly before her fifteenth birthday, Crosby was sent to the recently founded New York Institute for the Blind, which would be her home for 23 years: 12 as a student, 11 as a teacher. She initially indulged in her own poetry and was called upon to pen verses for various occasions. In time the principal asked her to avoid such "distractions" in favor of her general instruction. "We have no right to be vain in the presence of the Owner and Creator of all things," he said. It was the work of a traveling phrenologist (one who studies the shape and irregularities of the skull for insights into character and mental capacity) that changed the school's mind and again ignited her passion. Though his study is now the ridicule of science, the phrenologist's words were to prove prophetic: "Here is a poetess. Give her every possible encouragement. Read the best books to her and teach her the finest that is in poetry. You will hear from this young lady some day." Poetry for presidents It didn't take long. By age 23 Crosby was addressing Congress and making friendships with presidents. In fact, she knew all the chief executives of her lifetime, especially Grover Cleveland, who served as secretary for the Institute for the Blind before his election. Another member of the institute, former pupil Alexander van Alstine, married Crosby in 1858. Considered one of New York's best organists, he wrote the music to many of Crosby's hymns. Crosby herself put music to only a few of hers, though she played harp, piano, guitar, and other instruments. More often, musicians came to her for lyrics. For example, one day musician William Doane dropped by her home for a surprise visit, begging her to put some words to a tune he had recently written and which he was to perform at an upcoming Sunday School convention. The only problem was that his train to the convention was leaving in 35 minutes. He sat at the piano and played the tune. "Your music says, 'Safe in the Arms of Jesus,'" Crosby said, scribbling out the hymn's words immediately. "Read it on the train and hurry. You don't want to be late!" The hymn became one of Crosby's most famous. Though she was under contract to submit three hymns a week to her publisher and often wrote six or seven a day (for a dollar or two each), many became incredibly popular. When Dwight Moody and Ira Sankey began to use them in their crusades, they received even more attention. Among them are "Blessed Assurance," "All the Way My Savior Leads Me," "To God Be the Glory," "Pass Me Not, O Gentle Savior," "Safe in the Arms of Jesus," "Rescue the Perishing," and "Jesus Keep Me Near the Cross." She could write very complex hymns and compose music with a more classical structure (she could even improvise it), but she preferred to write simple, sentimental verses that could be used for evangelism. She continued to write her poetry up to her death, a month shy of her ninety-fifth birthday. "You will reach the river brink, some sweet day, bye and bye," was her last stanza.

Are You a Friend to the Poor

God’s heart is for the least of these: the suffering, lost, and lonely. "Do you know the name of a poor person?" a young man in his twenties who was sharing about his experiences as a missionary in Moldova posed the question to me in church. His phrase was tricky because if he'd said, "Do you care about the poor?" I might have tossed it in that drawer where you keep all the stuff you've heard a million times and are supposed to ponder but probably won't do much with. When he asked if I knew the name of a poor person he exposed a glaring gap in my Christianity: Whose name did I know? Not whose face had I passed on 21st Street on my way to grab coffee; not what homeless man had I handed a dollar for the paper he peddles at the stoplight; not what anonymous tsunami victim had received an online donation I'd made. Whose name did I know? I was left to consider this very important question because if I didn't know the name of a poor person, I didn't really know a poor person. (This is one of the biggest problems with going to church — the possibility of getting all convicted and stuff.) I always knew that if God's heart was for anything it was for the least of these: the suffering, sick, needy, uneducated, foreigner, lost, lonely — this much was clear. And it's true that these were people I cared about, prayed for, and on whose behalf I tithed, but how many of them called me friend? Who had my phone number, been to dinner at my house, or sat beside me at church? Without condemnation, I had to recognize that I was someone who cared for the poor mostly from a distance but who had yet to intimately involve herself. My first step: Learn a name. In the Law of Moses God commanded the Israelites to leave their extra sheaves, olives, and grapes for the alien, fatherless, and widow — for all the people who didn't have what the Israelites had and who didn't have the means to get what they had. At the end of this recurring command the Lord gave His people an intriguing reason for why He required this, "Remember that you were slaves in Egypt. That is why I command you to do this" (Deut. 24:22, NIV). Didn't God want them to leave their excess food for the poor and outsider because these people were hungry, because they needed community, because they couldn't provide for themselves, because He loved them? Wasn't that why? Oh I'm sure those were all reasons, but I believe God first had to deal with that sneaky mind-set, the one that tries to trick us into thinking that when we step over a stalk of wheat to leave it for the poor we're doing something really noble, plain over-the-top gracious. That we're going above and beyond by giving away what is rightfully "ours." The Lord was staving off this kind of thinking by saying, "Hold your fancy horses. Remember you used to be slaves too! Don't forget to tap into what that felt like." The Israelites were no strangers to poverty, oppression, or powerlessness as ones who had once been enslaved in Egypt. It was only because of God's deliverance they were now free, only because of His goodness they were blessed with flourishing fields and bursting branches. By remembering their once low estate, they were poised to welcome the foreigner, fatherless, and widow, not out of self-righteousness, guilt, or duty, but out of the love God had shown them. Last night I served dinner to an Iraqi couple and their 2-year-old daughter, a family some of my friends and I have gotten to know. I'd hoped that chicken, broccoli, and couscous were safe selections to serve these well-dressed Middle Easterners, though I sensed I may have been pushing it with the hot apple cider. I was going for the American autumn experience, and judging by their first and only sip, this went over moderately. As we settled around the table I asked them why they'd left Baghdad to come to America. The husband replied, "Because there are less car bombings here," and then he broke out into hysterical laughter. (Safwat's a sanguine.) His wife was less buoyant, confiding that the war had been devastating and that they'd fled here as refugees hoping to find jobs but so far without any success. My eyes welled up as she spoke because her suffering was not that of a nameless Iraqi, but it belonged to her, a real-life woman with a name, Rida. As the adults carried on, Rubaa fingered the icing on her cupcake and tapped her shoes on the hardwood floors, just like any other baby girl in a bright red dress who wanted the room to be enchanted with her — some things are the same everywhere. When it was time for them to leave, Safwat shook my hand, Rubaa blew me a kiss at her mother's urging, and Rida kissed my right cheek, left cheek, and then back to my right cheek again (it's that third one I always forget). As we said our good-byes I realized what a privilege it was to know their names, because knowing their names meant I was getting to know their stories. And knowing their stories reminded me in deeply spiritual and emotional places that I, too, was once a foreigner outside of God's kingdom, but because of Christ, I am now a daughter. Kelly Minter

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