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Lilias Trotter

Lilias Trotter Long before the concept of the 10-40 window was invented or became a popular term in missions circles, a thirty-four-year-old promising artist named Isabella Lilias Trotter (1853–1928) landed in North Africa in 1888 along with two of her friends. They had neither mission agency support nor training but immediately began studying the Arabic language with the intention of sharing the gospel as widely as they could for as long as they could. For the next forty years, this creative, dynamic woman poured out her life, her artistic abilities, and her linguistic skills to make the gospel known amid many difficulties. Her journals tell of her daily experience of desperately depending on the divine resources of the Holy Spirit.[1] “The life of Lilias Trotter challenges the world’s meaning of success, potential, and fulfillment.” The life of Lilias Trotter challenges the world’s meaning of success, potential, and fulfillment. Through Trotter’s art, writings, and life story come glimpses of Christ’s power in the prayers of his child and faithful witness. Her day-by-day, decade-by-decade journals reveal a life characterized by trust in her Savior and inward rest in his power for victory over sin and darkness. Her success should not be measured numerically, but rather in the fact that Lilias succeeded in learning about prayer and love for Muslims. Her life attests to the exceeding value of knowing and preferring Christ above all else. Her personal devotion to Jesus Christ is exemplary and instructive not only for aspiring missionaries but for all who desire to live wholeheartedly for the glory of God. Laying down Her Life Lilias was born into a wealthy Victorian family, and they considered the value of walking humbly before God to be of first importance. A talented artist, she attracted the attention of John Ruskin, the noted Victorian art critic and Oxford lecturer. Some of her paintings and leaves from her sketchbook can be found in the Ashmolean Museum in Oxford, England. In 1874, Lilias attended a six-day convention that emphasized the importance of the daily application of Scripture in her quest for deeper intimacy with God. She experienced a renewed vitality in personal and corporate worship. Her call to wholeheartedly follow Christ in obedience came during a call to prayer. She wrote of this in her journal: “To bear His name with all that is wrapped up in it of fragrance and healing and power, to enter into His eternal purpose, is the calling for which it is well worth counting all things as loss.” [2] From then on, rather than invest her extraordinary life in the things of this world, Lilias was compelled by a strong yearning for her Savior and the world he loves. In radical obedience, she left the promising artistic career that Ruskin offered her and the comforts of England for a life of missionary service in Algeria. “In radical obedience, she left a promising artistic career and the comforts of England for a life of missionary service in Algeria.” Praying with Passion Trotter’s intercession for Algerians provides inspiration to those who desire to see all peoples worship God. She spent lengthy, frequent sessions of retreat in the hills overlooking the city of Algiers. She prayed and turned her eyes on Jesus, his Word, and his revelation in creation. As she watched the broken waves pushed by the heart of the ocean crashing on the shore of the bay, she waited with faith to see “God’s high tide” sweep across the Muslim world. Lilias was a contemporary of the great missionary to Muslims, Samuel Zwemer. She learned much from him about the power of prayer to pierce the veil of darkness shrouding the Muslim hearts and to engage in the spiritual battle for souls of those held captive by the adversary. Her example of perseverance in prayer is an encouragement for those today who are interceding for God’s high tide to fill the earth and sweep away the veil of darkness. The writings of Lilias Trotter recognize the work of the adversary to hold nonbelievers captive through their unbelief and his power to keep the life-giving truth from reaching them. She pled for Christians to ask God to do a new work among “hard-bound peoples and to generate a fire of the Holy Spirit to melt away though icy barriers and set a host free!” [3] Proclaiming God’s Word in Power Courageous and innovative in her witness to the Algerians, Lilias observed and learned to witness effectively to her neighbors. In 1919, Trotter began writing tracts for Nile Mission Press. She assisted a Swedish missionary in translation and editing the gospels of Luke and John in colloquial Arabic, “into a language that the Arab mother could read to her child.”[4] She also wrote stories in parable form that appealed to her audience, and she creatively illustrated them in Eastern style, the results of which gained wide circulation. The story of Lilias Trotter continues to inspire and mobilize those who long to worship around the throne of Christ with all peoples. She laid down her life and talents and allowed Christ to use her in creative and innovative ways. Her life was one of passionate prayer, dependence on God’s overcoming power, and confidence in proclaiming the life-giving Word of God. Her story encourages others to follow in her footsteps and consecrate their life to the “hardest work and the darkest sinners.” [5] Paula Hemphill and her husband, Ken, have shared fifty years of ministry together. The stories of missionary pioneers in North Africa captured Paula’s heart as a young pastor’s wife, calling her to a lifetime of prayer for Muslim peoples. The Hemphills have three married daughters and twelve grandchildren. Endnotes: For more on Lilias Trotter, see Many Beautiful Things: the Life and Vision of Lilias Trotter (Oxvision Films, 2016) or read the excellent biography by Miriam Huffman Rockness, A Passion for the Impossible (Discovery House, 2003). [1] One journal entry later became the inspiration for “Turn Your Eyes upon Jesus,” a popular hymn written by Helen H. Lemmel: “Turn your soul’s full vision on Jesus and look and look at Him, and a strange dimness will come over all that is apart from Him and the divine attributes by which God’s saints are made, even in the twentieth century, will lay hold of you.” (I.R. Stewart, The Love that Was Stronger: Lilias Trotter of Algiers (London: Lutterworth Press, 1958), 54.)

The Blissful and Trivial Life - How Entertainment Deprives a Soul

When we, as a society, stopped reading and started watching, we began thinking and talking less — at least with the same substance or effectiveness. That was the bright red flag Neil Postman began waving in the sixties, captured for future generations in his classic work, Amusing Ourselves to Death. The book was published in 1985, the year before I was born. With the introduction of the television, Postman observed, entertainment did not merely become a bigger and bigger part of our lives — it became our lives. And everything else in our lives — news, politics, education, even religion — was increasingly forced to perform on its stage. Suddenly, everything had to be entertaining. Newspapers gave way to “the nightly news”; classroom lessons made their way to Sesame Street; worship services transformed into televised concerts with TED talks. “The television slowly taught us that nothing was worth our time unless it was entertaining.” The television slowly taught us that nothing was worth our time unless it was entertaining. And anything entertaining, almost by definition, requires less of us — less thinking, less study, less work. Entertainment, after all, isn’t meant to be taken seriously. But when everything is entertainment, doesn’t that mean little, if anything, can be taken seriously? For those who take the glory of God seriously, and our joy in him seriously, that becomes a very serious question. What Will Ruin Society? Postman warned about this devolution long before others noticed what was happening. He writes, [George] Orwell warns that we will be overcome by an externally imposed oppression. But in [Aldous] Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity, and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. . . . In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us. This book is about the possibility that Huxley, not Orwell, was right. (Amusing Ourselves to Death, xix) When he wrote those words, television had only been around for thirty years (invented much earlier, but not common in households until the fifties). The internet would not become publicly available until the 90s. Social media didn’t come along for another fifteen years (and really didn’t become widespread until the iPhone in 2007, several years after Postman died). If Postman was right about the early years of television, how much more today — a day when we no longer have to schedule time to sit and watch our favorite shows, but carry our entertainment with us literally everywhere we go? If entertainment could control our lives from a small box in the living room, how much more so when it’s nearly surgically attached to us on our phones? Postman, I believe, was more correct than even he realized — and the implications are not just social or cultural, but spiritual. Irrelevance Binds Us What makes television such a terror to the collective mind of a culture? Postman begins by arguing that the “medium is the metaphor.” Meaning, any given medium — whether text, television, or social media — doesn’t only distribute content, but unavoidably shapes the content. How we consume, he argues, is as important as what we consume. Mediums determine how we take in information. For instance, over time typography (despite its own limitations) generally taught us to follow arguments, test conclusions, and expose contradiction. Television, by contrast, consistently does away with arguments, strips away context, and darts from one image to the next. Television, however, not only teaches us a new way to process information, but it also floods us with information and from far beyond our everyday lives. The telegraph, of course, had begun doing this with words long before the television, but notice what was happening then, even with the telegraph: In the information world created by telegraphy, everything became everyone’s business. For the first time, we were sent information which answered no question we had asked, and which, in any case, did not permit the right of reply. We may say then that the contribution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. (68–69) For the most part, the kind of information that would interest people in both Los Angeles and Minneapolis, would need to be nonessential to life in either place (irrelevance), and all the more so with news from around the globe. Stories had to transcend ordinary life in a real place (part of the appeal for people looking to escape the malaise of ordinary life). And, for the most part, the information had to be the kind of information neither could do anything about (impotence). Postman asks a pointed question of all our media consumption: “How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve?” (68). Television only made the irrelevance that much more accessible and that much more appealing (actual images and videos of celebrities doing everyday activities as opposed to the short descriptions the telegraph could produce). And how much more is this the case through social media? We know more and more about our favorite athletes, actors, and musicians and yet often less and less about our neighbors and the places where we might actually make a difference. Worth a Thousand Images But isn’t a picture worth a thousand words? In 1921, the marketer Fred Bernard famously said so, promoting the use of images for advertising on the side of streetcars. He was probably right as far as streetcars go. If you want to make a memorable impression on someone in a couple seconds, by all means use a picture — but is this effective communication or just effective marketing? Maybe it’s more accurate to say a picture is worth a thousand more sales, or clicks, or likes. Even then, though, can a picture really convey what a consumer needs to know about a new phone, or clothing line, or dish soap? For serious shoppers, haven’t we learned that one coherent sentence of honest description might be worth a thousand pictures? Postman saw that as images overtake words as the dominant form of communication in a society, communication invariably suffers. “I will try to demonstrate that as typography move to the periphery of our culture and television takes to place at the center, the seriousness, clarity and, above all, value of public discourse dangerously declines” (29). We descend into “a vast triviality,” he says. We get sillier. As he attempts to summarize his warning to the ever-entertained, he says, “Our Ministry of Culture is Huxleyan, not Orwellian. It does everything possible to encourage us to watch continuously. But what we watch is a medium which presented information in a form that renders it simplistic, nonsubstantive, nonhistorical, and noncontextual; That is to say, information packaged as entertainment. In America, we are never denied the opportunity to amuse ourselves” (141). In the Beginning Was the Word According to Neil Postman, America (and much of the modern world) has laid our collective minds on the altar of entertainment. But why should followers of Christ care about television (or websites or social media)? Should we spend much time worrying about how much we watch and how little we read? Yes, because the fullest Christian life is firmly anchored in words and sentences and paragraphs. When God revealed himself to his chosen people, of all the infinite ways he could have done so, he chose to unveil himself with words. “Long ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Son” (Hebrews 1:1–2). God didn’t build a gallery or start a YouTube channel, he wrote a Book (2 Timothy 3:16). “In the beginning was the Word. . . . And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth” (John 1:1, 14). From the beginning, God has put the Word, his Son, at the center of reality, and, in doing so, he has given words unusual power and importance in anticipating, explaining, and celebrating him. Yes, the heavens are declaring the glory of God (Psalm 19:1). Yes, his eternal power and divine nature have been seen, from the beginning, in the things that have been made (Romans 1:20). But “faith comes from hearing, and hearing through the word of Christ” (Romans 10:17). For now, faith looks “not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal” (2 Corinthians 4:18). And we look to the unseen through words. We may see God in mountains and oceans and galaxies, but we only know him savingly through sentences. He wrote the story that way. Serious Joy in Silly Days If the way we’re using entertainment erodes our ability to reflect, reason, and savor truth, it erodes our ability to know and enjoy Jesus. “Blessed is the man . . . [whose] delight is in the law of the Lord, and on his law he meditates day and night” (Psalm 1:1–2). If we lose the ability to think, we lose the ability to meditate. And if we lose the ability to meditate, we lose our path to meaningful happiness. The life of the mind, and heart, is a pivotal battleground in the pursuit of real and abundant life. “The life of the mind is a pivotal battleground in the pursuit of real and abundant life.” The medium is not the enemy — television and YouTube and Instagram are not the enemy. But if Postman was right, the medium can be wielded by our world, our flesh, and our enemy when we soak up entertainment and ignore the consequences. What, if any, of your entertainment habits need to be curbed or redirected for the sake of your soul? What are ways you are seeking to cultivate the spiritual gift of your mind — slower Bible study or memorization, reading substantive books, meaningful conversation with friends, more time in unhurried reflection and meditation? As we learn to guard and nurture our minds as our God-given pathways to God, the kinds of mindless entertainment that are undoing millions today will be far less appealing and far less dangerous. And we will find pleasures deeper, and far more enduring, than what we see on our screens. Article by Marshall Segal Staff writer, desiringGod.org

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