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Raising Godly Children- Faith A Oyedepo Raising Godly Children- Faith A Oyedepo

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Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

The Dying World Outside My Window

“What a mystery,” wrote Horatius Bonar, “the soul and eternity of one man depends upon the voice of another.” What a mystery, I then thought, that I do not speak more. I gazed out of my window. Three houses stood across the street. Of two, I had to ask myself, Who lives there? What were they doing as I read and prayed? Although I had not yet met them, I knew much about them. They — whoever they were — like me, had been born in sin. They, like me, had souls. They, like me, careened irreversibly towards eternity. They, like me, were tempted to ruin their souls, blinded and energized to do so by unseen spiritual forces. And they, like me, lived deceitfully mundane lives upon a thread floating between heaven and hell, now and forever. As I looked at the homes which sheltered eternal beings, I realized that my voice had not yet traveled across the street. Even though I knew news that they desperately need to hear and a “him” that they were made for (Colossians 1:16), my voice had not bothered to make its way to speak to them, befriend them, and share with them the most necessary message to ever grace human ears: the gospel of Jesus Christ. What a mystery, that the soul and eternity of one man depends on the voice of another — and that the voice upon which souls depend would be so terribly silent and unconcerned. To the Highways and Hedges It is not an overstatement that souls depend upon us to speak. How will they believe if they never hear (Romans 10:14)? “It is not an overstatement that the world depends upon the church to speak.” Each one of us has a part to play; each has work of the ministry to accomplish (Ephesians 4:11–12). Standing far below the electing love of God, you and I muster our courage to knock on doors, to invite neighbors for dinner, to reason with them about God, sin, and Jesus Christ — his cross and resurrection. We all have people to tell the bad news of their condemned standing before a holy God, and the good news of amazing grace that God, in the gospel of his Son, is reconciling sinners to himself. What kind of man — and I stare at him in the mirror more often than I like — could so calmly smile and wave, laugh and chitchat with his dying neighbor, and yet rarely get around to opening my mouth to witness to the authority, love, and mercy of Jesus Christ? Devils wink as sinners perish. Demons dance as the lost submerge undisturbed. Saints, as we see them in Scripture and church history, do not join them, masking their indifference with tutored speech about God’s sovereignty to excuse inactivity. They weep, they fast, they pray. They walk across the street, they share their very lives and this great news, this only news of reconciliation with God. They speak the name — the only name given under heaven — by which we must be saved. As ambassadors of Christ, they implore the lost, “Be reconciled to God!” (2 Corinthians 5:20). They happily go to the highways and hedges of this fallen world, and compel them to come into the Master’s great banquet (Luke 14:23). When you look out your window, when you scroll through your text conversations, when you sit down at the dinner table, or enjoy laughter with friends, do they know? Have they heard? What else should we discuss if not this? But oh, how much do we discuss instead of this. Beyond Personality Types Some do not speak because you are not as profitably given to the verbal exercise as your extroverted brothers and sisters. What comes fluently, naturally, effortlessly for others requires great toil and courage for you. For whatever reason, speaking to strangers is very uncomfortable — your throat clenches in protest, you become short of breath, you grow very self-conscious. Perhaps you replay embarrassing moments early in life, when you seemed to speak English as a second language. Thus, this part of our Christian calling, speaking the good news to others, comes to you with dense clouds and a darkness to be felt. Though you are not the mouth of the Body, your voice — and perhaps especially your voice — is needed, my brother or sister. Your words, rarer and thus less inflated, can do what those whose words are voluminous cannot do as easily: come with weight. We need your testimony to the steadfast love of God. Consider less what your sweaty hands and rapid pulse has to say about you, or how Myers-Briggs describes you. Let God dictate who you are and how you see yourself. Who You Are Who are you? You are a chosen race, a royal priesthood, a holy nation, a people for his own possession, that you may proclaim the excellencies of him who called you out of darkness into his marvelous light. Once you were not a people, but now you are God’s people; once you had not received mercy, but now you have received mercy. (1 Peter 2:9–10) Once you were less than nothing. A child of Satan, a spiritual harlot, a rebel defying the living God. You wallowed in the blood of your fallen father, Adam, without hope and without God in the world. But he, being rich in mercy, because of the great love with which he loved you — a love unsought, unreturned, undeserved — made you alive together with Christ. And this excellent Christ, not considering his equality with God something to be grasped, became poor so that you might be rich — died so that you might live (2 Corinthians 8:9). “Have we forgotten the wonder and privilege of bringing the power of God for salvation to lost souls?” And he made us a people — his people. And he gives us a voice, a purpose: to proclaim his excellencies. We, so seemingly unimpressive and nonthreateningly normal — saints with normal jobs in normal neighborhoods — carry the spectacular message next door and across the street: Christ has died for the forgiveness of sins for all who repent and believe the gospel. This gold lies in jars of clay. We must let it out. We must speak, and go on speaking. It depends not on what our strengths are nor on what personalities we possess — it matters who Christ has made us to be. And he has made us his chosen race, his royal priesthood, his holy nation of people who are satisfied in his excellencies — and can’t stop talking about them. Any Sweeter Work? Have I, have you, have we, forgotten the wonder and privilege of bringing the power of God for salvation to lost souls? Do we now count it a burden? Spurgeon asks each one of us, [We who are] sent on so sweet a service as the proclaiming of the gospel, how can we tarry? What, to tell the poor criminal shut up in the dungeon of despair that there is liberty, to tell the condemned that there is pardon, to tell the dying that there is life in a look at the crucified One — do you find this hard? Do you call this toil? Should it not be the sweetest feature of your life that you have such blessed work as this to do? To speak of him and live lives of love that do not blaspheme his holy name — do we not feel that this is a very small response to such a great salvation? Jesus was slaughtered in the garbage heap outside the camp so that we might go out to him and “continually offer up a sacrifice of praise to God, that is, the fruit of lips that acknowledge his name” (Hebrews 13:15). “What a mystery,” wrote Horatius Bonar, “the soul and eternity of one man depends upon the voice of another.” What a mystery indeed. Let’s not deprive our neighbors of ours this year, but resolve to send out our voices as light into the darkness, proclaiming the excellencies of Jesus Christ. Article by Greg Morse Staff writer, desiringGod.org

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