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About the Book


"Marriage Covenant" by Derek Prince explores the biblical foundation of marriage as a covenant between a man, a woman, and God. The book emphasizes the importance of commitment, selflessness, and faithfulness in relationships, offering practical advice and spiritual guidance for building a lasting and fulfilling marriage based on God's design.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Talking Back to God - How His Promises Provoke Our Prayers

It is one of the most audacious, and awe-inspiring, moments in all of Scripture. In the wake of Israel’s shocking rebellion against God — blatantly violating the covenant God just made with them — Moses humbly dares to mediate between God and his people. At the climax of his intercession, and his careful yet determined dialogue with the living God, Moses makes what is perhaps the greatest, and most perceptive, petition a creature can of his Creator. And it is, after all, a prayer — a modest yet bold request, made by man, to God Almighty: “Please show me your glory.” That this is, in some sense, a special moment is plain. We do not stand in Moses’s sandals. We are not prophets called to mediate a covenant, nor do we live under that Sinai pact. Yet Moses’s prayer still functions as a model for the godly after him. It will not be the last prayer in Scripture for a sight of God’s glory, and rightly do the faithful echo it today. What might we who are in Christ learn about our own prayers from the amazing sequence of Moses’s pressing into God in Exodus 32–33? Can and Will God Forgive? Before wrestling with the prayer itself, we need to first acknowledge Moses’s haunting question: Could and would God forgive the people such a horrific breach of the covenant? Moses was not yet sure. He heard stories of his forefathers, encountered God at the bush, and witnessed the plagues in Egypt and the rescue in the Red Sea. Moses knew a powerful God who had delivered his people, but would he also forgive them? At first, it looked like he wouldn’t. When God first informed Moses, on the mountain, that the people had “corrupted themselves,” by making and worshiping a golden calf (32:7–8), God had said, “Let me alone, that my wrath may burn hot against them and I may consume them. . .” (32:10). As Moses began to plead that God withhold destruction, it was far from clear that any relationship of peace could be fully restored. God did relent of immediately consuming the people (32:14), yet the covenant remained broken. Although Moses went down the mountain, confronted the people in their rebellion, burnt the calf, disciplined the people (32:15–20), and oversaw the purging of the three thousand who led in the rebellion (32:21–29), Moses knew this did not restore what lay shattered. The next day, he returned to meet God on the mountain. What drives Moses’s sequence of prayer in Exodus 33 is the question he begins to ask in 32:32: Can and will Yahweh forgive? Will God restore the relationship, and dwell among them, after they had worshiped the golden calf? And as we will see, God draws prayer out of Moses, and then moves to answer Moses’s question, in a way far more powerful, and memorable, than if there had not been an unfolding, developing, deepening relationship with God. Moses, Teach Us to Pray Exodus 33 begins with God declaring to the people that even though he will give them the land promised to their forefathers, God himself will not go up among them (33:3). They mourn this “disastrous word.” They want him, not just the promised land. They humble themselves before God, taking off their ornaments “from Mount Horeb onward” (33:6). Even though the people heard this disastrous word, however, Moses continues to enjoy remarkable favor with God. In a tent pitched far off from the camp, God speaks with Moses (33:9), and verse 11 comments: “Thus the Lord used to speak to Moses face to face, as a man speaks to his friend.” This sets the scene for Moses’s remarkable intercessory prayer in 33:12–18. “In prayer, we respond to God. . . . First, we hear his voice in Scripture; then we access his ear in prayer.” Observe, then, at least three lessons Christians today might take from Moses’s otherwise inimitable prayer. 1. Prayer responds to God. The living God takes the initiative. He first announced to Moses the people’s breach of the covenant (32:7–10). And he revealed his enduring favor on Moses, prompting the prophet to reply. So too for us. We don’t just “dial up” God in prayer when we so wish. First, he speaks, as he has revealed himself in his world, and in his word, and in his Son, the Word. In prayer, we respond to him in light of his revelation to us. First, we hear his voice in Scripture; then we access his ear in prayer. We pray in light of what he has promised. 2. Prayer pleads God’s reputation and glory. When God announces to Moses the peoples’ sin, and the intention to destroy them and start over with him, Moses’s reflex is to lean into God’s own reputation. This is a good reflex. “Why should the Egyptians say, ‘With evil intent did he bring them out, to kill them in the mountains and to consume them from the face of the earth’?” (Exodus 21:12). Moses prays for God to turn from righteous anger and relent “from this disaster against your people,” for God’s own name’s sake. Moses does not plea the people’s worth — or their humanity, made in God’s image — but God’s choice and word. He chose them as his people. “At the bottom of prayer to a God like ours is our longing for his face, not merely the provisions of his hand.” Today we are in good company to pray for God’s own reputation in the world, and to take notice of, and pray, God’s own promises back to him. God loves for his people to pray in light of what he’s said to us, to make our pleas in response to his promises. And praying for his glory not only concerns God’s reputation in the world, but also, and most significantly, our own knowing and enjoying him. At the bottom of prayer to such a God is our longing for his face, not merely the provisions of his hand. 3. Prayer can be incremental and sequential. We might even call Moses’s prayer “dialogical.” It is striking how relational his process and sequence of prayer is in these chapters. At the heart of the “dialogue,” reverent as it is, is whose people the Israelites are, a topic God introduces and draws Moses into. First, to Moses, God calls them, after their sin, “your people, whom you brought up out of the land of Egypt” (32:7). Then God introduces the surprising tension of his ongoing favor on Moses. God will consume the people and “make a great nation” of Moses (32:9–10). This favor, combined with calling the nation “your people,” presents Moses an invitation to reply in prayer. Moses asks to know more about this God — “please show me now your ways” (33:13) — to discern whether God will forgive his stiff-necked nation. And Moses meekly, but importantly, appends this to this first plea: “Consider too that this nation is your people.” God answers positively, though briefly: “My presence will go with you, and I will give you rest” (33:14). The short reply invites Moses to press in further, for the sake of the people. His “me” moves to “us.” He pleads for “I and your people”; then again “we . . . I and your people.” Moses identifies himself with the people, asking that God’s favor on him extend to them. Prayer, by human persons to the living and personal God, is far more than transactional. It is relational, and often incremental, with measured, humble boldness. God leads us, like Moses, into prayer. We make our requests. He answers in time. We learn more of him, which leads us to ask to see more of him. ‘Show Me Your Glory’ Moses’s prayerful dialogue with God has become more and more daring — slowly, one incremental plea at a time: Don’t consume your people (32:11–13). Please forgive your people (32:31–32). Show me your ways (33:13). Count the people with me in my favor with you (33:15–16). And now, most boldly, “Please show me your glory” (33:18). This short but daring plea will be Moses’s last. He will not speak again until 34:9, when he finally completes the plea for forgiveness he left unfinished in 32:32. In Exodus 33:19, God begins to respond: I will make all my goodness pass before you and will proclaim before you my name ‘The Lord.’ And I will be gracious to whom I will be gracious, and will show mercy on whom I will show mercy. (Exodus 33:19) Moses receives his full answer, however, a chapter later in Exodus 34:7 with another revelation: The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin. (Exodus 34:6–7). The driving question has been answered, and so Moses bows in worship and prays with confidence, “O Lord, please let the Lord go in the midst of us . . . and pardon our iniquity and our sin . . .” (34:9). Having prayed, and seen the glory in God’s declarations about his character, his goodness, his mercy, his grace, Moses is confident that God will grant forgiveness and renew the covenant. Christ, Our Moses For Christians today, any Moses-like leveraging of God’s favor we know to be firmly grounded in his favor on Christ. More significant than our echoes and imitations of Moses is the fulfillment of his intercession, and final mediation for God’s people, in Jesus. We may indeed glean some categories and concepts from Moses’s prayers. Yet, as we come in Christ to Exodus 32–33, we identify not only with the prophet, but with the people. They are “stiff-necked.” Rebellious. Deserving of divine justice. Desperate for mercy and grace. But in Christ, we have one far greater than Moses who intercedes for us, leveraging his own perfect favor with God on our behalf. Jesus, our great high priest, “has passed through the heavens,” and calls us to “draw near with confidence to the throne of grace, [to] receive mercy and find grace to help in time of need” (Hebrews 4:14, 16). And he does so not only as new-covenant mediator and intercessor, but also as the very one in whose face we see the glory of God. What was unique in ancient Israel — speaking to God “as a man speaks to his friend” — is offered to all who are in Christ. God now invites us to come to him as Father, and to come to Christ as husband — the deepest and nearest of human relationships — not to make requests, get what we want, pivot, and go back to life apart from him, but to come closer, and nearer, through prayer, and discover again and again that he himself, in Christ, is the great reward.

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