About the Book
"Legacy Of Faith" by T. L. Osborn is a collection of personal stories and teachings from the author's decades of experience as a missionary and preacher. The book emphasizes the power of faith in overcoming obstacles and achieving God's miracles in everyday life. It encourages readers to trust in the promises of God and live a life of purpose and faith.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
if you could see the end - the story god writes in suffering
A strange grief crept upon me as the final Lord of the Rings  movie came to an end. An unliterary man at the time, I watched the doors to Middle Earth close. The story would not continue. A sense of silliness accompanied the sadness. Why should a boy, let alone a young man, lament saying goodbye to an imaginary friend whom he knew all along to be imaginary? This is exactly what great stories do to us. Whether captured on screen or between covers of a book, to finally arrive at the end can seem as though palace doors were closing to us. The adventure concludes — with all its dangers, losses, courage, companionship, thrill, and great loves worth living and dying for. They leave us again, to our world. As credits roll, we are made to feel like we are leaving the momentous, the beautiful, the good, and returning to, well, the ordinary. But what if the ache one feels at the conclusion of these tales, the bitter loss in the happily ever after, is not unreality mocking, but Reality inviting? Keep Your Hobbitry What if epic stories cast a spell, not because they are fictional, but because they stir suppressed longings that we just might, in fact, live in such a Story? Perhaps we all hunger to be characters in a grand Story, a heroic tale, a high Romance, a story without end. “He has,” after all, “put eternity into man’s heart” (Ecclesiastes 3:11). The lines between our favorite stories and our own story in this life may be thinner than we have yet dreamed. J.R.R. Tolkien himself captures this in a letter to his son, Christopher, who was serving in the Air Force during World War II: Well, there you are: a hobbit amongst the Urukhai [a deadly enemy]. Keep your hobbitry in heart, and think that all stories  feel like that when you are in  them. You are inside a very great story! (183) Do you know yourself to be in a very great story? Do the elves and kings, the lovers and heroes, the characters of your favorite tales have a right to envy you? Until we smile at and embrace the story we find ourselves in, we will not have the hope, the joy, the strength to live to the fullest in this life — and then everlastingly in the next. Designed for Story We are a people of story — delighted by them, taught by them, shaped by them. We starve for meaning. We long for dots to connect. For a golden Thread to run through. Otherwise, we are left in bitter realms of nothingness. “We are a people of story — delighted by them, taught by them, shaped by them.” To reckon with life among us, we search for the Story beyond us. From the beginning, many claimed to do just that. Different prophets from different peoples brought down different explanations from tall mountains to interpret the joys and horrors, hills and valleys, sunrays and shadows of this life. Ancient myths rode to meet ancient desires not so easily filled in hearts hungering for forever. Shared stories made up culture. Shared stories made up religion. Men lived from story and died for story — stories designed to provide answers to life’s biggest questions. And hope needs answers that Story provides. The marketplace is full of stories, of worldviews trying to answer those great questions for us. Andrew Delbanco, in his meditation on hope, identifies that the general narrative that united Americans has shifted from a story about God, to that of nation, to that of self. We have moved from the cross, to the flag, and now landed on the narrow and perilous path of me . Of all people at all times, none has been more driven by story than followers of Christ. Even if an angel came down from heaven with a new story, we would refuse it with disdain (Galatians 1:8). And yet, while we often remain orthodox, despair still emerges when we focus solely on the real sadness in our single sentence called life, and our hearts forget the tale beyond. Hope, however, considers that sentence in the whole Story, a Story written by one who did not spare his own Son. Hope reaches past the groans, for that part of the Story with no more sin, no more suffering, no more separation. Joseph: A Case Study Hope stays attuned to God’s Story, because it withers with forgetting. Take as a test case of someone who didn’t sink in the swamp of self, an Old Testament man of God, Joseph. His life is full of many valleys. Betrayed, assaulted, and sold into slavery, Joseph found himself in Potiphar’s house. After being exalted to Potiphar’s right hand, Joseph is sexually harassed, falsely accused, and sent to prison. After correctly interpreting one of Pharaoh’s servant’s dreams, he is betrayed and forgotten. And then after two more long years in prison, he is exalted to become “a father to Pharaoh” (Genesis 45:8). His human story — full of abuse, betrayal, accusation, and lies — fell purposefully within God’s bigger story, and he knew it . When he reveals his identity to his brothers who sold him, he says to his brothers, “Come near to me, please.” And they came near. And he said, “I am your brother, Joseph, whom you sold into Egypt. And now do not be distressed or angry with yourselves because you sold me here, for God sent me  before you to preserve life. For the famine has been in the land these two years, and there are yet five years in which there will be neither plowing nor harvest. And God sent me  before you to preserve for you a remnant on earth, and to keep alive for you many survivors. So it was not you who sent me here, but God . He has made me a father to Pharaoh, and lord of all his house and ruler over all the land of Egypt.” (Genesis 45:4–8) He and his brothers knew his story. Twice he acknowledges what was obvious to them all: “ You  sold me here.” Joseph had not forgotten the nights — the years — in prison away from friends and family, the horror of their closing ears to his pleading as they cast him in the pit, their cruelty to sell him to those who would mistreat and perhaps murder him. The darkness, though past, was still dark. Memories remained. But when he calls them near, he remembers more than just his story as seen from ground level — and this gives power to forgive and love his guilty brothers. He tells them not to be distressed or angry with themselves. Why? “ For God sent me  before you to preserve life.” In their selling, God was sending. In their evil, God intended good. In the darkest scene of the play, God was still writing. That Story smothered bitterness and revenge. That Story and its Author allowed him to forgive, bless, and love where a different story would have had him calculate the wrongs, grip firmly the treachery, and use his power to exact revenge. And the Story gave him hope for the future promises of his God, recorded as the radiant triumph of his life in Hebrews 11: “By faith Joseph, at the end of his life, made mention of the exodus of the Israelites and gave directions concerning his bones” (Hebrews 11:22). He knew, as those of us who fall asleep in the Lord do as well, that we shall wake in the Promised Land. When Elves Envy Men Although it may not feel  like it, we live in a very great story. Have we forgotten? “We, in America, have moved from the cross, to the flag, and now landed on the narrow and perilous path of me.” Our hearts grow accustomed to the extraordinary as it becomes familiar. We lose a sense of where we live when we can drive home without a map. Life no longer invigorates. God’s epic plays out all around us, and he draws us in to play our part, and yet we halfheartedly read our lines or escape into other people’s lives. We are bored. But awake, we  live in a great Story. Wild and throbbing with adventure, trying and terrible at parts. Eternity hanging in the balance. A fierce Dragon threatens. Demons surround. Hell gapes. The Light still shines in the darkness. Angels assemble. The Spirit animates. Christians stand clad in armor. The church marches on hades. Judgment hastens. Salvation is ready to be revealed. The True King — whose sandals no other character is worthy to unlatch — has died for sinners and lives forevermore. He is coming. This tale plays out on earth in what we blaspheme and call “ordinary.” With all its details and drudgery, its paying bills and crying babies, its baseball games and rush-hour traffic, an eternal drama plays. One that draws heaven’s attention. Angels  ache to leave the theater. You are on the inside of a very great Story — a story to be remembered, cherished, and clung to during the most difficult scenes. Is there any other tale you would rather find was true?