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"Keep Yourself From Idols" by David Alsobrook discusses the dangers of idolatry and presents practical steps for Christians to guard against the temptation to worship false gods. The book emphasizes the importance of staying true to God and avoiding distractions that can lead us away from Him.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

‘This Word Must Be Preached’

Forty years ago, John Piper was not sleeping very well. It was October of 1979, and his brain hurt. For the past five months, he had been on a teaching sabbatical from Bethel College, just north of the Twin Cities in Minnesota. It was a scholar’s dream come true: except for a few weeks of family vacation, his job would be to spend six days a week reading and writing and researching until a new school year began in the fall of 1980. He was 33 years old. Back in January, on his birthday, he had written in his personal journal, “It was a decisive age for Jesus. Deep down I feel it will be for me too.” His first book was about to be published by Cambridge University Press — a revision of the doctoral dissertation he completed five years earlier at the University of Munich. His main focus now was writing an academic monograph on Romans 9, where Paul extols the glory and freedom of God in electing individuals to salvation. On days of heavy writing, he found it physically hard to sleep. “I get so wrenched in the brain,” he wrote in his journal, “that my head feels twisted and tight lying on the pillow.” Despite the mind-numbing work, however, he was emotionally and spiritually energized. It felt terrifically rewarding to produce written pages on the great things of God. He was trying to plan out the rest of the year. The annual meeting of the Evangelical Theological Society would be held on campus at Bethel that December, and his deadline to submit his paper was just weeks away. In preparation, he was working through a book by New Testament scholar Peter Stuhlmacher. A slow but disciplined reader, John was averaging about forty pages a day of working through this German text, a pace he found frustrating. “I am closer tonight to actually deciding to resign at Bethel and take a pastorate than I have ever been.” Ronald Reagan, who had been governor when John was at Fuller Seminary out in California, was gearing up to challenge Jimmy Carter for president of the United States. But politics and cultural happenings were not the sort of thing John would have noted in his journal. That was reserved for spiritual resolutions, theological and exegetical observations, prayers from his heart, updates on his family, wrestling with decisions. He had been journaling faithfully, often every day, since his sophomore year at Wheaton. But in the first two weeks of October in 1979, his journal suddenly went dark. He penned not a single entry. October 14, 1979 On Sunday evening, October 14, John went down to the basement of their house in New Brighton. The temperature in his study was cool, with the dehumidifier in the boys’ playroom going on and off to keep the basement from becoming too damp for him and his books. He usually wore a t-shirt, layered by a sweater shirt, and on top of that his “study sweater,” a thick brown and tan cardigan knit by Noël as a gift. Diagonally across his study was an eight-foot-long former library table. A fluorescent light hung above it from the ceiling. On either side were two piles of commentaries on Romans, each open to chapter 9. There were two bookstands, one holding the Greek New Testament open to where he was at in his morning devotions, the other holding an open Revised Standard Version of the Bible. Alongside the back edge of the desk was a row of books he was reading or regularly consulting: the works of Jonathan Edwards; Chaim Potok’s 1972 novel, My Name is Asher Lev; a French New Testament; a German work on Jesus by Adolf Schlatter; a Webster’s Dictionary; and a McGuffey’s Reader #4 (for when his seven-year-old son came in and sat on his lap to read). A card table in the study was covered with books on Judaism that he was consulting for his exegetical and historical research. He had recently built his own four-foot-tall standing desk, hanging the sanded plywood by hinges from the wall, then adding two folding legs to support the front when it swung out. He also built himself a prayer bench with a shelf for the Bible that could be read in front of him as he knelt for regular times of prayer over the word. Noël and the boys were long asleep, and the hour was growing late that Sunday night. As he sat at his desk, wrestling and praying, he eventually reached for his notebook and pen, ready to start journaling again. He often said he didn’t know what he thought until he wrote. That evening, he began with these words: “I am closer tonight to actually deciding to resign at Bethel and take a pastorate than I have ever been. The urge,” he added, “is almost overwhelming.” “Is the calling so managerial in our day that the Word burning to be spoken and lived and applied is no qualification?” The desire was taking this form in his heart and mind: “I am enthralled by the reality of God and the power of his word to create authentic people.” That afternoon after church he had over to the house a dreadlocked Bethel College student named Mark. They ended up talking for four hours. It left John aching at how comparably rare it was to find such authentic men and women of faith in the church. He wrote, “I believe, I really believe, that God has made me a vessel of his Word which when poured onto people changes them in this direction.” ‘Burning to Be Spoken’ It is remarkable how realistic he was that night. He knew himself well. “I know, really know, I would despair as a pastor. I would despair that my people are not where I want them to be, I would despair at ruptured study and writing goals, I would despair at barren administrative details.” But he asked himself, “Who shall shepherd the flock of God? People who love barrenness? People who feel no flame to study God and write it out? People who weep not over the tares and the choking wheat? Is the criterion for judging one’s fitness for the ministry that one feels no pain in the mechanics of ‘running a church’? Is the calling so managerial in our day that the Word burning to be spoken and lived and applied is no qualification?” He wondered if he had been kidding himself about scholarship. Had he been foolish to think he had been destined to be an influential writer and teacher of college or seminary students? “Has not there been all along the simmering frustration that this Word — this unbelievably powerful Word — must be preached and spoken with tears to the dying and tears to the rejoicing? Has not all my occupation with the word broken out in an irresistible longing to sing its praises?” For five years he had refused to “preach around” or “teach around” the Twin Cities. Instead, he had been devoted to one Sunday School class, week after week, year after year. This seemed to signify his burden to apply the Word to one flock over the long haul. “My heart is not in one time shots or one week shots. I am not a gifted evangelist. My heart leans hard to regularity of feeding. I believe little in the injection method to health. I believe in the long steady diet of rich food in surroundings of love.” What Would He Lose? He was close to a decision. “I can taste the challenge on the horizon.” He thought about all that he would leave behind, including “the joy of long uninterrupted hours of thought in pursuit of theological problems.” But, he thought, “I have discovered more of living value in the fewer and more pressed hours of meditation for sermons and devotions than often in preparation for class.” What would be different from the scholarly realm is that it “would all have to be real, living, life-changing insight. All my energies would be on finding reality in the text for only what is real — deeply, movingly real — can be fed to the really hungry and the really needy. No more fence sitting.” John knew that when the divorcee approaches him, he must have an answer, or at the very least some word of help. He wouldn’t be leaving burgeoning theological insight for some sterile managerial slot. “The demands of the pulpit on me . . . would be the demands of God on my mind and heart to penetrate like never before to the heart of the word and to abound in understanding.” What, realistically, would he lose? He was thinking, now, as he was writing, and his pen was flowing. I would lose the simplicity of task and routine in the college. My life and time would be much less my own. I would lose the serenity of undisturbed hours of study and self-imposed hours of study and self-imposed hours of leisure because the needs of the flock are unpredictable. I would lose the quiet of the study and trade it for hours in the car on the way to the hospital, and to homes. I would lose the uniformity of responsibility and be swamped by dozens of different tasks, many of which would no doubt be distasteful unless and until my palate changed. I would lose the collegial stimulation of fellow theologians in return for a draining ministry to the hungry. I would lose an almost total occupation with theological subject matter and inherit the press for programs and functions. I would lose the ease of having to reckon with no visible failure (if I fail with students they pass on quickly). But in a church I must reckon with the possibility of nothing happening, people becoming discontented, no one being won to Christ, old animosities remaining unhealed. Magnify, Exalt, Display Life would be so different. From kindergarten until today, he had known only the life of first being a student and then a teacher. But it seemed that almost every movement of his heart over the past five years had been toward the church. “Sometimes it comes surging up as a passion to be in seminary teaching. But we know what that means.” He was having a conversation with himself now. “It means you long to be as near the proclamation event as possible but have not been encouraged by anyone to be in it yourself. But of late — a year or so — that passion has passed right through seminary and into the pulpit. Why? What has been changing?” “Oh, to make something with the Word, words, and a way with words — something powerful, full of glory.” He did not know for sure. What he thought had happened, though, was a gradually emerging clarification of what his highest values were and the most fruitful way to achieve them. “Those values are to see the Word of God produce people of great faith and great love.” The apostle Paul desired to stay on earth and minister “for your advancement and joy of faith” (Philippians 1:25). This was how he magnified Christ in his body by life. And that was John’s greatest goal as well: “To magnify, exalt, display Christ in the world and in heaven by seeing people transformed into new creatures of love and faith through His word and spirit.” Yes, that happened some at Bethel. Yes, that would happen more if he were to teach seminarians. But he had a hunger to be the direct instrument of the Word. So much of what he saw needing to be done in the pulpit was getting lost along the way between the lecture hall and the sanctuary! John believed in the goals of a liberal-arts education and could defend it powerfully. But as he examined his heart, he believed it with nothing close to the same passion and intensity that he believed in the goals of preaching. Gifted to Proclaim As John continued to think and write that night, he was reminded of another thing in his life that had changed. For the first time in his life, he had been an active, responsible member of one church for an extended period of time (five years now). “I have taught its adults and served on its board and spoken to its worship service. I have not hit and run. It is my church. I have no romantic notion of it. It is full of sinners. But it is precisely in that church over this long haul that the vision and the burden for preaching as a pastor has grown.” When John went into a Sunday school class as a student, it was not long before he was thinking about teaching. He would watch and listen, and the longing would grow: “I must do this! No, no, not to replace this preacher or that preacher, but simply to do this work which attracts me with my zeal for the word and its power to change people.” Another factor, perhaps more subconscious than the others, was his awareness that while he could hold his own in scholarly writing and in most conversations, he did not have some of the crucial gifts for greatness in scholarship, like speed-reading with comprehension or a good memory for recall. “These two deficiencies make me very narrow in my awareness and comprehension of broad sweeps of things. I do not fear being useless in scholarship. My books will bear witness to my competence. But my weaknesses often return to me and sometimes ask me: do you not see that your gift of penetration, intensity, and poetry lend themselves to moments of proclamation rather than years of research for books and seminars? Perhaps not. But perhaps yes!” Word, Words, and a Way John concluded his journal entry in this way before he went to bed that night: “This moment of indecision is real and makes me feel on the brink of doing something that could be so revolutionary for me and for some group of people that I do not want to set it aside now and say, O it will pass. You have felt this way before and you get over it and realize it was a moment of dissatisfied fantasy. No. The recurrence is now too frequent and tonight (it is almost midnight now) too strong. I will seek counsel and pray. My last word is this. I cannot decide now. But I know which side I want to win — the pastorate.” He had written 1,826 words across nine notebook pages. He closed his journal and walked upstairs, taking off the study sweater and hanging it on the back of the gray and black metal chair, where it would wait for him in the morning. “This Word — this unbelievably powerful Word — must be preached and spoken with tears to the dying and tears to the rejoicing.” After crawling into bed with Noël, sleep proved elusive, as he considered and refuted several arguments in his head. Perhaps his brain hurt again. But this time his heart was full as he eventually drifted to sleep with a new dream. Years earlier, contemplating his gifting, limitations, and future, he had written, “All I have is Word, words, and a way with words and underneath a heart. Oh, to make something with the Word, words, and a way with words — something powerful, full of glory, something to shake the foundations. A book to kindle a flame in the scholarly world, a short piece to make a thousand housewives and husbands sing, a sermon to save all the lost in the place, a tale to delight the children and teach them.” John Piper had never been a pastor. He had never been to Bethlehem Baptist Church. Nine months later, he would be their senior pastor. The God of Romans 9 was about to help a thousand husbands and wives sing of their salvation in a whole new way. Article by Justin Taylor

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