GIP Library icon

I Walked In Hell I Walked In Hell

I Walked In Hell Order Printed Copy

  • Author: Aline Baxley
  • Size: 324KB | 10 pages
  • |
Continue with
Google Twitter
LOG IN TO REVIEW
Isaac Watts

Isaac Watts "Joy to the world, the Lord is come / Let earth receive her King / Let every heart, prepare him room / And heaven and nature sing." In his later years, Isaac Watts once complained about hymn singing in church: "To see the dull indifference, the negligent and thoughtless air that sits upon the faces of a whole assembly, while the psalm is upon their lips, might even tempt a charitable observer to suspect the fervency of their inward religion." He had been bemoaning such since his late teens. His father, tired of his complaints, challenged him to write something better. The following week, the adolescent Isaac presented his first hymn to the church, "Behold the Glories of the Lamb," which received an enthusiastic response. The career of the "Father of English Hymnody" had begun. Head of a genius At Isaac's birth in 1674, his father was in prison for his Nonconformist sympathies (that is, he would not embrace the established Church of England). His father was eventually freed (and fathered seven more children), but Isaac respected his courage and remembered his mother's tales of nursing her children on the jail steps. Young Isaac showed genius early. He was learning Latin by age 4, Greek at 9, French (which he took up to converse with his refugee neighbors) at 11, and Hebrew at 13. Several wealthy townspeople offered to pay for his university education at Oxford or Cambridge, which would have led him into Anglican ministry. Isaac refused and at 16 went to London to study at a leading Nonconformist academy. Upon graduation, he spent five years as a private tutor. His illness and unsightly appearance took its toll on his personal life. His five-foot, pale, skinny frame was topped by a disproportionately oversized head. Almost every portrait of him depicts him in a large gown with large folds—an apparent attempt by the artists to disguise his homeliness. This was probably the reason for Elizabeth Singer's rejection of his marriage proposal. As one biographer noted, "Though she loved the jewel, she could not admire the casket [case] which contained it." Though German Lutherans had been singing hymns for 100 years, John Calvin had urged his followers to sing only metrical psalms; English Protestants had followed Calvin's lead. Watts's 1707 publication of Hymns and Spiritual Songs technically wasn't a collection of hymns or metrical psalms, but it was a collection of consequence. In fact, it contained what would become some of the most popular English hymns of all time, such as "When I Survey the Wondrous Cross." Watts didn't reject metrical psalms; he simply wanted to see them more impassioned. "They ought to be translated in such a manner as we have reason to believe David would have composed them if he had lived in our day," he wrote. Psalms of David Imitated in the Language of the New Testament followed in 1719. Many of his English colleagues couldn't recognize these translations. How could "Joy to the World" really be Psalm 98? Or "Jesus Shall Reign Where'er the Sun" be Psalm 72>, or "O God Our Help in Ages Past" be Psalm 90? Watts was unapologetic, arguing that he deliberately omitted several psalms and large parts of others, keeping portions "as might easily and naturally be accommodated to the various occasions of Christian life, or at least might afford us some beautiful allusions to Christian affairs." Furthermore, where the psalmist fought with personal enemies, Watts turned the biblical invective against spiritual adversaries: sin, Satan, and temptation. Finally, he said, "Where the flights of his faith and love are sublime, I have often sunk the expressions within the reach of an ordinary Christian." Such looseness brought criticism. "Christian congregations have shut out divinely inspired psalms and taken in Watts's flights of fancy," protested one detractor. Others dubbed the new songs "Watts's whims." But after church splits, pastor firings, and other arguments, Watts's paraphrases won out. "He was the first who taught the Dissenters to write and speak like other men, by showing them that elegance might consist with piety," wrote the famed lexicographer (and Watts's contemporary) Samuel Johnson. More than a poet, however, Watts was also a scholar of wide reputation, especially in his later years. He wrote nearly 30 theological treatises; essays on psychology, astronomy, and philosophy; three volumes of sermons; the first children's hymnal; and a textbook on logic that served as a standard work on the subject for generations. But his poetry remains his lasting legacy and earned him acclaim on both sides of the Atlantic. Benjamin Franklin published his hymnal, Cotton Mather maintained a long correspondence, and John Wesley acknowledged him as a genius—though Watts maintained that Charles Wesley's "Wrestling Jacob" was worth all of his own hymns.

the bride satan loves to insult

My Dear Globdrop, I’ve had the misfortune of receiving the protestation you called a letter. My favorite line was when you asked how  we  (your superiors) could expect  you  (a mere afterthought) to damn souls with all those bombs exploding night and day outside your barracks? You assume Glubgore and our Cannon Battalion are engaged in endless target practice. This, your great error, is somewhat understandable. Headquarters may have, I admit, exaggerated our current position in the war. They did not want to unsettle morale, you see, and thus their reports these past centuries make it perhaps unthinkable that the unpleasant tremor at our gates could be, in reality, the Enemy’s troops firing upon us. But so it is. The humans, though mostly harmless, can make a great deal of noise. They press at the door; their cannons knock. Now, you mustn’t lose your nerve, nephew. I remember my initial discomfort when Screwtape allowed me my first gaze over the wall, writing, “we see her spread out through all time and space and rooted in eternity,  terrible as an army with banners .” “That,” Screwtape confessed, “is a spectacle which makes our boldest tempters  uneasy .” Although you might assume that we stand in a  defensive  position, two thousand years have passed, nephew, and our flag still flies firmly overhead. And firm overhead it shall always fly. The Enemy shall not advance; noise is all we need fear. Why? Screwtape alluded to one of the main reasons in his very next sentence: “But fortunately it is quite  invisible  to these humans.” They cannot see themselves as we do. Where might we be if they did? The Church (Invisible) When the humans look about them in the pews, what do they see? Do they see what we see: handfuls of saints dressed in their Enemy’s blinding armor — golden helmets, shields, and swords — a horror which makes even our boldest tempters tense? When they gather, what do they hear? You complain of all the blasts and screams of warfare — but do they? Do they hear that cloud of witnesses behind them, the living saints beside them, their dreadful Commander before them urging them onwards? May it never be! They mean to take up that barren banner,  The Church Triumphant , but we must show them other, more accurate, slogans. The Church Insignificant Even their best soldiers can be deceived into looking at his clumsy comrades with unimpressed glances. As he looks about the congregation at our bitterest foes, show him the Arnett family sneaking into church late (once again); let him catch a whiff of silly Mr. Jones who always smells of his cats; amplify the joyful  noise  of always-out-of-tune Mrs. Johnson upon him; extinguish any belief that he could possibly be in the presence of anything grand. Wonder loud enough for him to overhear: How could  this  group possibly be a threat to all that is wrong with the world? The Enemy, in his matchless arrogance, helps us on this point by choosing mostly the weak, lowly, despised of the world. He wages his warfare with the ducks and squirrels, leaving us the lions and bears. By fighting with these blunt spoons, of course, he means to make fools of us. The Church Impotent Periodically, place upon your man’s mind doubt as to how these people’s bumbling prayers, their simple faith, their small acts of love, and ordinary obedience — spurred on somehow by something like  that  man’s preaching — could really make any difference at all in the world. Ask him how could this ragtag assembly of misfit toys really be the grand temple of the Spirit of the living God? Is this really God’s great response to evil? Old widow Ortiz cannot even see the words in her Bible anymore — should  she  have anything to do with  our  undoing? Highlight all the  real  (worldly) movements for change happening outside the narrow confines of the so-called “buttress of truth.” Enflame the itch to bring about  real  change, and allow him to recognize the impotence of the church to engage in anything of  real  importance. Make him clamor to combat the earthly darkness with more of the same, never the cosmic powers behind it. The Church Dying Next, you must show the church severely wounded. Show her dying out. Of course, to our shame, she has been “dying” now for centuries, and yet never “dead.” The humans, unversed in history, do not consider how vexing this has been to us. The more we have mauled her in the Roman Coliseum, or burned her to light the streets, or cut off heads on foreign beaches, the larger she grew. When we persecute her most violently, our gates begin to shake most forcefully. She is never fiercer, we almost discovered too late, than when covered in her own blood. We contend with a warrior, nephew, who gains more arms, ears, and eyes with each swipe at her. Even when the age of our persecution is bloodiest, she seems the healthier for it in the end. Who is this that grows stronger when wounded? The humans must never know. The Church Hideous Make it sport — especially among the most spiritual — to insult the church. Call her a whore in as many ways as you can devise. The Enemy, as pointless as it was, claims to have given himself up for her to dress her in the finest clothes and beautify her completely. He claims her as his  family , his own body, his bride, and boasts to have “filled her with his Spirit,” “reformed her ways of life,” and “made her precious to him” (all Enemy propaganda, of course). We cannot allow these lies to take hold. Don’t let them think well of her. The church, with all her reported crusades, abuses, divorces, racism, pornography, adultery, and deformity (this among the “professed” church, of course) is to be apologized for profusely. Suggest, and this constantly, that there is not an  actual  difference from those who belong to the Enemy and those who belong to us. Don’t let them see that sickening splendor, that horrid stateliness, that perverse potency, that actual transformation in them that has stood despite all our missiles throughout the ages. Play the Devil Globdrop, though this army has proven an inconvenience for us, though it may appear we fight with our backs temporarily against the wall, to guarantee our campaign, we must keep their blood from stirring at a sight of themselves as eternity sees them. Veil who they are and the effect of what they accomplish while continuing to unveil the oddities, the annoyances, the awful mundaneness of the day-to-day and the week-to-week. Assure your man that this mission is small, the stakes smaller, and those with him the smallest of all — hardly anything to take too seriously. Nothing of value transpires during their prayers, their sermons, their evangelism, their gatherings — at least, nothing to outweigh the afternoon sports game. Your Concerned Uncle, Grimgod

Feedback
Suggestionsuggestion box
x