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About the Book
"God's Secrets" by Shawn Bolz is a spiritual guide that explores how individuals can tap into God's supernatural knowledge and wisdom to empower their lives and fulfill their destinies. The book emphasizes the importance of seeking a personal relationship with God and developing a deeper understanding of His mysteries. It offers practical advice and insights on how to discover and unlock God's secrets for success, purpose, and fulfillment.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
We Wish to See Jesus
“Sir, we wish to see Jesus.” Little did they know how well they spoke — not only for themselves, but for the whole human race. John 12:20 reports that “some Greeks” had come to worship in Jerusalem for that fateful Passover leading up to Jesus’s crucifixion. They approached his disciple Philip, who told another disciple, Andrew. Together, the two came to their Master with the request of the Greeks “to see Jesus” — to which Jesus gave this spectacularly unexpected response: The hour has come for the Son of Man to be glorified. Truly, truly, I say to you, unless a grain of wheat falls into the earth and dies, it remains alone; but if it dies, it bears much fruit. That was not the answer they were expecting — the disciples or the Greeks. But their wish to see Jesus was not rejected but redirected. It was an admirable wish, profoundly so — and if they remain in Jerusalem for the week, they will soon see the most important sight of him, crushing as it at first will be. His time has come to be “glorified” — which will not mean leading a charge to overthrow Rome and seize the crown, but laying down his life. Like a grain of wheat, he will not bear much fruit unless he first dies. These Greeks will indeed see him, and glimpse a sight far greater than they could have anticipated or imagined — far more horrible, and far more wonderful. They will witness the depths of his humiliation that will prove to be the very height of the glory of the one who truly is David’s long-promised heir to the throne, as shocking and unexpected as it will be. And as they see him — in his divine and human excellencies, united in one person, and culminating in the cross and its aftermath — they will have all they wished and more in the request they made expressing the deepest longing of every human heart. Infinite Abyss Famously, Blaise Pascal wrote in his Pensees of “the infinite abyss” in the human soul that we try to fill with all the wonders and the worst this world has to offer. There was once in man a true happiness of which there now remain to him only the mark and empty trace, which he in vain tries to fill from all his surroundings, seeking from things absent the help he does not obtain in things present. But these are all inadequate, because the infinite abyss can only be filled by an infinite and immutable object, that is to say, only by God Himself. So also the great Augustine, more than twelve centuries before Pascal, had spoken of the great, undeniable restlessness of the human heart, until finding its rest in God: “You have made us for yourself, O Lord, and our heart is restless until it rests in you.” Moses, seeking to leverage God’s remarkable favor on him, was so bold as to ask to see God’s glory. God permitted him a glimpse of the afterglow of divine beauty, not his face, and Moses made no complaints. Yet redemptive history was not done at Sinai. Centuries would follow. The kingdom would be established in the land, and decline. Human kings would rise and fall, and the nation with them. And the same Gospel in which the Greeks expressed their wish to see Jesus opens with one of the most stunning claims possible: The Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth. The desire to see Jesus was far more profound than these Greeks could have guessed. They wished for amazement in the presence of someone great. And what they got instead anticipated the heavenly vision the apostle John would receive while in exile on the isle of Patmos. Behold the Lion In John’s vision, none in heaven, or on earth, or under the earth, is at first found worthy to open the scroll of God’s divine decrees of judgment (for his enemies) and salvation (for his people). Sensing the weight and importance of the moment, John begins to weep — perhaps even wondering if his Lord, the one who discipled him, the one to whom he’s dedicated his life as a witness, is not worthy. One of heaven’s elders then turns to him, and declares, in Revelation 5:5, Weep no more; behold, the Lion of the tribe of Judah, the Root of David, has conquered, so that he can open the scroll and its seven seals. Having heard the good news, John turns to look — and what does he see? Not a lion. He says in verse 6: I saw a Lamb standing, as though it had been slain, with seven horns and with seven eyes . . . . We might mistakenly assume this was a disappointment, that John, hearing “Lion,” experienced some letdown to see a Lamb. But that is not how John reports it. This Lamb is no loss. The Lamb is gain. The one who was just declared to be the only one worthy is no less the Lion of Judah. He is also the Lamb who was slain. The Lion became Lamb without ceasing to be Lion. He did not jettison his lionlike glories, but added to his greatness the excellences of the Lamb. He is a Lamb standing — not dead, not slumped over, not kneeling, but alive and ready — with fullness of power (“seven horns”), seeing and reigning over all (“and seven eyes”). So too for the Greeks in John 12 who wished to take counsel with the purported Messiah and Lion of Judah. Whatever disappointment they experienced in the moment in not having their immediate request fulfilled, and whatever devastations they endured on Good Friday as they watched in horror, it all changed on the third day. Then their wish, and perceptive inquiry, was answered beyond their greatest dreams — not just Messiah, but God himself, the very Lion of heaven. And not just divine, but the added lamblike glory of our own human flesh and blood, and that same blood spilled to not only show us glory but invite us into it — Jew and Gentile, Greek and Barbarian. Looking to Jesus Plain as it may seem, the author of Hebrews provides profound direction for the human soul when he says, simply, “Consider Jesus”. This is not a one-time exhortation, but continuous counsel, for every day and at any moment. And again, at the height of his letter, drawing attention to the great cloud of witnesses, Hebrews charges us to “lay aside every weight and sin” and “run with endurance the race set before us, looking to Jesus, the founder and perfecter of our faith” (Hebrews 12:2). There is unmatched power in the Christward gaze. As Jesus himself would soon say, in John 14:9, to the same Philip who relayed the Greeks’ request: “Whoever has seen me has seen the Father.” Paul too, in one blessed flourish in 2 Corinthians 4, would celebrate, and commend, the unsurpassed glory of the Christward gaze: “beholding the glory of the Lord [we] are being transformed into the same image from one degree of glory to another.” Unbelieving eyes have been blinded to “the light of the gospel of the glory of Christ, who is the image of God,” but we, by the mercy of God, have eyes of the heart opened to “the light of the knowledge of the glory of God in the face of Jesus Christ.” We might here speak of the manifest Christocentrism of the New Testament, and a kind of healthy asymmetrical trinitarianism in the Christian faith — “contemplating the Trinity through a christological lens,” as Dane Ortlund writes, “and Christ through a trinitarian lens.” We wish to see Jesus. He is the interpretative key to the Bible, the pinnacle of history, and central in Christian preaching, evangelism, and sanctification, and so we fix our eyes on him. Biblical trinitarianism doesn’t constrain us to symmetrically parcel out our attention and focus to each of the three divine Persons, according to modern notions of fairness, balance, and equality. The New Testament is far from “fair” in this way. Rather, as humans ourselves, we receive a peculiar centrality of the God-man, as the one Person of the Godhead who has drawn near in our own flesh, taking our own nature, to no diminishing of the Father or Spirit, but precisely according to their plan and work to direct attention to Jesus. “Sir, we wish to see Jesus” would be a happy refrain to echo at key junctures in the Christian life. Before morning Bible meditation: “I wish to see Jesus.” Before conversations with the unbelieving: “I wish them to see Jesus.” For pastors, preparing to preach, to imagine these words on the lips of our people: “Sir, we wish to see Jesus.” Made for Him We were indeed made for God — with an infinite abyss only he can fill, with a restlessness of soul satisfied in nothing less than him. And even more particularly, we were made for the God-man — for the greatness of God himself who draws near, in our own flesh and circumstances, in the person of Christ. The lionlike greatness of God in his divine glory is sweetened, deepened, and accented by his lamblike nearness and human excellencies. And his glories as the humble, meek, self-giving Lamb are enriched and magnified in the register of lionlike poise and majesty. We wish to see Jesus — to know him as both great and near, and enjoy him forever. Article by David Mathis Executive Editor, desiringGod.org