God's Generals - The Missionaries Order Printed Copy

Author: Roberts Liardon
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Inspiring, I was much impacted.

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About the Book

"God's Generals - The Missionaries" by Roberts Liardon provides a powerful and inspiring look at the lives and faith of some of the most influential missionaries throughout history. From William Carey to Amy Carmichael, this book explores the sacrifices and struggles these individuals faced as they spread the message of Christianity and worked to bring hope and healing to people around the world. Through their stories, readers are encouraged to deepen their own faith and find inspiration to carry out their own missions and callings.

Keith Green

Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

tweeted to and fro - surviving a distracted and divided age

“We live in a divided age” is so self-evidently true that it’s frankly boring to write. Theories abound on how we got here; what’s undisputed is that we’re here. It sure can feel as if the temperature of virtually every conversation and debate, however trivial, is set to blazing hot . And worst of all, the previous paragraph doesn’t just describe the world — it describes many churches. Rather than shining as a contrast to the perpetual outrage machine, many of us are too busy being conformed to the pattern of this age (Romans 12:2). How, then, can believers forge meaningful unity in a fractured time? It is looking unlikely that we’re going to tweet our way out of the problem. So what’s the path forward? Whiplash World As author Yuval Levin has observed in A Time to Build , the function of institutions in modern life has largely shifted from formative to performative — from habitats for growth to platforms for self-expression. Enter a secular university, for example, and you may well emerge more coddled than shaped. But this performative dynamic isn’t confined to colleges; it also infects local churches. Long past are the days when American churchgoers looked to their pastors first (or perhaps even second or third) for help navigating a fraught cultural landscape. Nowadays it’s pundits — whether on cable news or talk radio or social media — whose voices are most formative. On one level, this is understandable. Pastors are not omnicompetent. They aren’t experts on everything, or even most things. Thus when it comes to current events, Christians should (in one sense) expect less from their pastors. Nevertheless, the larger trend is troubling. When church becomes just another arena in which to perform — whether via a “leadership position” or simply by keeping up appearances — rather than a family in which to be shaped, it has ceased to occupy the gravitational center of one’s life. No wonder priorities spin out of orbit. No wonder people demand that their pastors affirm, and publicly echo, their settled opinions on debatable matters. I’ve heard countless stories of someone leaving their church because of their politics. What I have yet to hear is someone leaving their politics because of their church. One reason churches are losing the battle to form hearts is because the Christians who visit and join and show up for worship Sunday after Sunday are battered by the storms of digital discourse. They’re limping along, exhausted and distracted and confused. No Longer Tossed This is precisely why congregational unity is so essential. Unity is not a squishy sentiment or optional add-on to the Christian life; it is something for which Jesus prayed and bled and died (John 17:22). Just consider the apostle Paul’s logic in Ephesians 4. The ascended King Jesus gave the gift of pastors to equip church members for ministry (verses 8–12). As such ministry builds up the body (verse 13), the ensuing unity tears down whatever threatens it (verse 14). In other words, ministry generates unity, and unity generates stability. Thus, unity’s purpose is plain: “so that we may no longer be children, tossed to and fro by the waves and carried about by every wind of doctrine, by human cunning, by craftiness in deceitful schemes” (verse 14). Living in a turbulent time? Labor for unity. It will have a stabilizing effect. But how, practically, do we do this in the local church? How do we keep each other from being pummeled by the raging rapids of modern media? Here are two suggestions. 1. Dust Off Your Documents A good statement of faith, used properly, is a goldmine for church unity. Same with a members’ covenant. These documents shouldn’t gather dust in a file drawer or be confined to a website. They should be used , for they are pregnant with unity-forging potential. Why? They provide a common core, enabling churches to keep the main things central and helping to regulate the temperature of our debates. The million-dollar question then becomes whether our statement of faith speaks to a given topic. Yes, clearly? Then we also will. Yes, sort of? Then we might. No, not at all? Then we likely won’t. In my estimation, a good statement of faith is neither so exhaustive that an undiscipled Christian couldn’t join the church, nor so mere that there’s little the church is actually standing for. But we refuse to divide over things we never agreed to agree on. As a church planter, I’ve had to think about developing documents that will establish biblical guardrails — while recognizing that not all doctrines are equally important or clear. In a recent membership class, someone asked why we don’t stake out a clearer position on the end times. It’s a good question. I briefly explained the idea of theological triage — there are first-rank doctrines we must agree on to be Christians, second-rank doctrines we must agree on to be members of the same church, and third-rank doctrines we can actually disagree on and still be members of the same church. Even if various gospel-proclaiming churches classify second- and third-rank doctrines a bit differently, the classification system itself is a useful tool. By codifying only certain doctrines (statement of faith) and promises (covenant), a church crystallizes what members must agree on — and where there’s room to disagree. This engenders confidence in the essentials and freedom in everything else. This is not to say that a pastor should avoid debatable matters in his preaching — as he unfolds the “whole counsel of God” (Acts 20:27), many such matters will arise. It’s simply to say that a church cannot bind members’ consciences on issues where (the church has agreed, as reflected in its documents) God has not clearly spoken. “It’s counterintuitive but true: one way to preserve sound doctrine is to leave ample room for Christian freedom.” It’s counterintuitive but true: one way to preserve sound doctrine is to leave ample room for Christian freedom. Otherwise, churches can easily succumb to legalism by requiring agreement on third-rank issues. But by lowering the fences on debatable matters, we raise the fences on non-debatable ones. Or to change the metaphor, by lowering our collective voice on issues where Scripture is not clear — say, a specific political-policy proposal — we can raise our voice on issues where it is. This is why liberty of conscience is so critical in an age of outrage. As Mark Dever has observed, leaving space for disagreement (on many matters other than gospel clarity) is, in part, what keeps the gospel clear. When we lack a clear understanding of Christian liberty and space for conscience, we will be tempted to stick more into the gospel than is there — that is, agreement on a wider variety of issues. Don’t underestimate the practical value of church documents. They are your friends; weave them into the life of your church. Corporately confess portions of your statement of faith on Sundays. Rehearse the covenant’s promises when you convene a members’ meeting or celebrate the Lord’s Supper. Quote the documents in sermon applications. In so doing, you will forge unity around what has been agreed on — and avoid division around what hasn’t. 2. Get a Table Another way to foster church unity, not to mention sanity, is to trade the Twitter timeline for a table. I mean this literally. How many hours per week do you typically spend scrolling through social media? (Statistically, it’s probably more than you think.) By comparison, how many do you spend conversing with fellow church members over meals? (Statistically, it may be less than you think.) If the first number dwarfs the second, consider that a check-engine light for your soul. Proximity may not always breed unity, but distance certainly won’t. It’s just harder to resent someone when you’re asking them to pass the salt. “Christian, you are spiritually responsible for the members of your church, not for strangers on the Internet.” Christian, you are spiritually responsible for the members of your church, not for strangers on the Internet. Yet who is getting your best energy these days — the members or the strangers? Likewise, if you are a pastor, remember that on the last day you will give account to God not for your followers, but for your flock (Hebrews 13:17). Who is claiming your best energy these days — the followers or the flock? To borrow language from later in Ephesians 4, we are called to “put off” anything that decreases our joy in God, and in his children, and to “put on” whatever increases it (verses 22–24; see also 1 Thessalonians 2:19–20). If something is generating suspicion or coldness toward fellow believers — especially fellow members — then put it off. Maybe that means shut it off . Pray your heart would be more animated by the faces in your membership directory than by the faces in your newsfeed. No Replacement Technology and parachurch ministries are gifts, but they are no replacement for the local church. Anchor your identity there, friend, for only in the communion of the saints will you find ballast amid the storms. In a world of endless options, the church makes our commitments clear. In a world of enormous complexity, the church makes our duties simple. In a world of escalating division, the church makes our unity sweet. These are my people, and I am theirs.