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Inspiring, I was much impacted.

- adekunle adekeye (10 months ago)

About the Book


"God's Generals - The Missionaries" by Roberts Liardon provides a powerful and inspiring look at the lives and faith of some of the most influential missionaries throughout history. From William Carey to Amy Carmichael, this book explores the sacrifices and struggles these individuals faced as they spread the message of Christianity and worked to bring hope and healing to people around the world. Through their stories, readers are encouraged to deepen their own faith and find inspiration to carry out their own missions and callings.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

‘curse god and die’ - satan’s favorite response to suffering

My Dear Globdrop, Regretfully, I have received your last letter. Centuries serving his Lowliness — lifetimes damning souls and training young devils — and yet you still find ways to surprise me. Are you or are you not but one soul away from active duty, from wearing our legion’s darkest colors on the frontlines? If so, what should I expect to find you consumed with? Trapping? Spoiling? Sabotaging? Or, should I — with so much at stake — expect to find you playing with your food like a human child, giggling girlishly about? You have not tasted any meat pierced with your own spear, yet you trifle with the chase. Whatsoever do you mean?  I can hear your simple mind ask. Your man, you report, went in for a routine shoulder surgery where,  inexplicably , they pierced his lung. This alone causes you great joy, does it? You take great pride that “the fork pierced the prey.” You leave him unattended to tell me all about the victory. Yes, the doctor’s blade took an unexpected (and delicious) detour, but tell me, has the blade yet punctured his soul? Has the wound brought forth an infection  of spirit ? Are you so lazy as to hope that the doctor has done your work for you? You have failed miserably to realize that it is not the surgeon’s  miscalculations  but your patient’s  response  that gets at the vital thing, the eternal thing. Pierced spirits, seared consciences, scarred hearts, burnt beliefs — these we bend our dark labors toward. Tantalizing trials and savory sufferings serve as an opportunity for this, the real work. Collapsed lungs — or more commonly: sick children, diseased spouses, faltering friendships, ruined romances, cursed careers, even the occasional dead pet — are mere playthings compared to what they can produce: a collapsed faith. This is to strike at the jugular, to slice the major artery. We love the vermin’s squeals and agonies, but never at the  expense  of our filled bellies. Unpredictable Flame At the expense?  you wonder. Suffering, you should know by now, is most unpredictable. Most assuredly it can harden the heart — pushing out the very possibility of a kind, powerful, all-knowing God.  Or  (as you better hope is not your case) it can be the very thing used by the Enemy to rob our knives and forks of their roast. Have you not glanced over the apostle’s shoulder lately? Not all suffering ends up advancing our cause. We rejoice in our sufferings, knowing that suffering produces endurance, and endurance produces character, and character produces hope, and hope does not put us to shame, because God’s love has been poured into our hearts through the Holy Spirit who has been given to us. (Romans 5:3–5) Who means for suffering to encourage such a horrid thing as endurance, nephew? Do  we  mean for suffering to produce in them — and I struggle to even write the word —  hope ? The punctured lungs, the groans and pains, at every turn, threaten to terribly backfire. The Enemy knows this well enough, and for all his talk, he is as underhanded as any devil. Often, we think we have set the perfect trap, until we discover (too late) that he had tampered with our afflictions and temptations to fit  his  designs. Making them squeal is pleasurable, watching them squirm under torments make us howl and snort, but it amounts to a mere play  if they escape to the Enemy  and further enact his dreadful purposes. This, you must ensure, does not happen with your man. Adding Iniquity to Injury Have done, at once, with your prepubescent squeaks and premature gloating. The game is afoot, and the Enemy means to have him as surely as we do. First, make his suffering personal. The question of “How could a good God allow bad things to happen?” is not nearly as useful a question as “How could God allow this bad thing to happen  to me ?” This, of course, is the precise question to ask. The Enemy parades himself as the “personal God” at every turn; well, then, let him give his personal defense to the charges. Where was this personal God during his surgery? Give no cover to the Enemy on this point. Press your man, as we have pressed for centuries: Of all people to face  this  loss,  this  pain,  this  nightmare —  why me ? Casually point out to your man that his “loving God,” his “refuge,” plays terrible favorites. None of the Christians he knows is facing such “lifelong complications” from such an improbable miscue. Perish any consideration that the Enemy is attempting, at any rate, to twist our bed of thorns into an eternal crown of glory. Hide the Enemy’s lies that such afflictions are precisely measured for their eternal good or in any way  purposeful . Second, attend every stab. Never overlook the power of the small inconveniences and stings of discomfort. You must be always on standby for your patient — ready to nurse every flicker of pain toward self-pity, anger, or delectable despair. When he goes to reply to that email one-handed, or has to ask his wife for help to put on his socks, or feels the residual irritations and distresses that will accompany him to the grave — be ready to sow bitterness and pour salt on the wound. No crack, never forget, is too small to exploit. As you attend to his every moan, understand you will not be alone. The Enemy stands by them, always at their beck and call, like a drooling terrier, ready to remind them of his lies and calm them with his presence. In his embarrassing commitment to his fictions, his Spirit stands by to whisper to them. We can’t overhear most of it, but undoubtedly it has to do with Scripture telling them something like he “lovingly” designs their aches, pains, diseases, and deformities in this world, and to persuade them that he is their true comfort, and that this is not their true home. Fight whisper with whisper to keep the dogs from returning to their vomit. Third, hide Tomorrow from him. Finally, conceal any fictions about a Tomorrow that will make all sufferings “untrue.” Of such a Day that beaten, bruised, and bloodied apostle made consistent (and irritating) appeals to, calling the summation of his manifold (and mouthwatering) sufferings as  nothing  —  nothing!  — not even worth comparing to that Day of an “eternal weight of glory” which lies ahead (2 Corinthians 4:17) — a “glory” our Father Below weighed and found greatly wanting. Curse God and Die Affliction, nephew, is an uncertain flame, certainly not one to be trifled with. Job and his most useful wife prove a great illustration. Crushed with the fatal blows to property and household, this “upright” man tried to make our Father the fool, shaming us all by responding to murder, devastation, and destruction in such a servile and groveling way: “Job arose and tore his robe and shaved his head and fell on the ground and  worshiped ” (Job 1:20). But not all responded in kind. Job’s wife, whom our Master most mercifully and wisely preserved, responded most excellently: “Do you still hold fast your integrity? Curse God and die” (Job 2:9).  Curse God and die  — I couldn’t have said it any better. Here lies the battlefield, nephew. Not the inflicting of affliction, but the infecting of the soul. We want each man, woman, and child to renounce such a Poser, to spit upon their former loyalties, and curse him before heaven’s eyes. This, nephew,  this , is where your man must be led: To much more than a punctured lung But to a depleted faith and denouncing tongue. To teeth tightly clenched and fists held high In flames to curse his god and die. Damnation, Globdrop, damnation. Nothing less. Your most expectant Uncle, Grimgod

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