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"After the Due Order" by Larry Gordon follows the story of a young man named Mark who navigates through various relationships and experiences that shape his understanding of life, love, and identity. As he grapples with his inner demons and tries to find his place in the world, Mark learns valuable lessons about forgiveness, redemption, and the importance of self-discovery. The novel explores themes of personal growth, acceptance, and the complexities of human relationships.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

the most wonderful books on earth

As many begin a new year of Bible reading, we would do well to remember one of the chief dangers: searching the Scriptures, and missing the Savior. Recall Jesus’s words to the Jewish leaders of John 5, those most devoted of Bible readers: You search the Scriptures because you think that in them you have eternal life; and it is they that bear witness about me, yet you refuse to come to me that you may have life. (John 5:39–40) Amazingly, it is possible to know your Bible and not know your God. It is possible to study the word and neglect the Word. It is possible to search the Scriptures and miss the Savior. How can we guard ourselves from such a deadly yet subtle danger? Ultimately, we need the Holy Spirit to breathe Christ into the dry bones of our devotions. We need him to come, morning by morning, and turn our living room or desk into a Mount of Transfiguration. And so, we pray. But alongside prayer, we can also resolve to keep one goal of Bible reading high above the rest: Catch as much of Jesus as you can. Know and enjoy him. See and savor him. Study and love him. And to that end, let me offer a modest proposal for your consideration: as you read the Bible this year, plant your soul especially in the Gospels. Keep a Foot in the Four I am not proposing that you read  only  the Gospels this year, but that you consider finding some special way to plant (and keep) your soul in them. You could, for example, use the one-year Discipleship Journal Bible Reading Plan, which includes a Gospel reading for every day. Or you could memorize an extended portion of the Gospels, like the Sermon on the Mount (Matthew 5–7) or the Upper Room Discourse (John 13–17). Or you could read and reread one of the Gospels, perhaps with journal and commentary in hand. This proposal will not fit every reader. Some, perhaps, have spent most of their Christian life in the Gospels, and this may be the year to wander with Moses in the wilderness, or hear what Ezekiel has to say, or trace the logic of Romans. But I suspect many, like myself, would benefit from the counsel of J.I. Packer and J.C. Ryle. First, hear Packer: We could . . . correct woolliness of view as to what Christian commitment involves, by stressing the need for constant meditation on the four Gospels, over and above the rest of our Bible reading; for Gospel study enables us both to keep our Lord in clear view and to hold before our minds the relational frame of discipleship to him. “We should never let ourselves forget,” Packer continues, “that the four Gospels are, as has often and rightly been said, the most wonderful books on earth” ( Keep in Step with the Spirit , 61). Now listen to Ryle: It would be well if professing Christians in modern days studied the four Gospels more than they do. No doubt all Scripture is profitable. It is not wise to exalt one part of the Bible at the expense of another. But I think it should be good for some who are very familiar with the Epistles, if they knew a little more about Matthew, Mark, Luke, and John. ( Holiness , 247) Neither Packer nor Ryle sought to create red-letter Christians, who treat the words of Jesus as more inspired than the rest of Scripture. All the Bible is God-breathed, and the Son of God speaks as fully in the black syllables as he does in the red. Why then would whole-Bible lovers like these two men counsel Christians to give themselves to the Gospels? Consider four reasons. The Gospels give glory a texture. Matthew, Mark, Luke, and John could have given us a summary of Jesus’s life, death, and resurrection in their own words. Instead, the Gospels take us among the twelve, where we see and hear Jesus for ourselves. Why? John tells us: “The Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth” (John 1:14). For John and the other disciples, the glory of Christ was not a vague or summarized or paraphrased glory; it was a particular glory, a textured glory, a glory they had “seen and heard” (1 John 1:3) in the specific words, deeds, joys, heartaches, and sufferings of the Word made flesh. And by Gospel’s end, they want us to join them in saying, “We have seen his glory” (John 20:30–31). “Sinners and strugglers like us need more than general notions of Jesus in our most desperate moments.” Sinners and strugglers like us need more than general notions of Jesus in our most desperate moments; we need his particular glories. The fearful soul needs more than to remember that Jesus gives peace — it needs to hear him say in the upper room, “Let not your hearts be troubled” (John 14:1). The oppressed mind needs more than a vague idea of Jesus’s power over darkness — it needs to watch him send demons fleeing (Mark 1:25–26). The guilty heart needs more than to say, “Jesus forgives” — it needs to feel Calvary shake under the force of “It is finished” (John 19:30). Sin is not vague. Sorrow is not vague. Satan is not vague. Therefore, we cannot allow Christ to be. The Gospels shatter false Christs. Ever since the real Jesus ascended, we have been in danger of embracing “another Jesus” (2 Corinthians 11:4) — or at least a distorted Jesus. Some do so deliberately, in search of a more convenient Messiah. Many, however, just struggle to faithfully uphold what Jonathan Edwards calls the “diverse excellencies” of Jesus Christ, the lamblike Lion and lionlike Lamb ( Seeing and Savoring Jesus Christ , 29). We understand lions, and we understand lambs, but what do we make of a Lion-Lamb? Imagine yourself in Peter’s shoes. Just when you think you’ve discovered Jesus’s tenderness, he goes and calls someone a dog (Matthew 15:25–26). Just when you imagine you’ve grasped his toughness, he takes the children in his arms (Mark 10:16). Just when you pride yourself for seeing him clearly, he turns and says, “Get behind me, Satan!” (Mark 8:33). And just when you’re sure you’ve failed beyond forgiveness, he meets you with threefold mercy (John 21:15–19). “We need our vision of Jesus regularly shattered — or at least refined — by the real, unexpected Jesus of the Gospels.” “My idea of God is not a divine idea,” C.S. Lewis writes. “It has to be shattered time after time” ( A Grief Observed , 66). So too with every one of us. We tend to remake the full, surprising, perfect humanity of Jesus in the image of our partial, predictable, distorted humanity. So, like Peter, we need our vision of Jesus regularly shattered — or at least refined — by the real, unexpected Jesus of the Gospels. The Gospels make Bible reading Personal. When we talk of “personal Bible study,” we may say more than we mean. The best Bible study is indeed Personal — centered on the Person of Jesus Christ. His presence rustles through every page of Scripture, Old Testament or New. All the prophets foretell him; all the apostles preach him. And the Gospel writers in particular display him. Yet how easily Bible reading becomes an abstract, impersonal affair — even, at times, when we are reading  about Christ . To know Christ doctrinally and theologically is not necessarily to know him personally. To follow old-covenant shadows to their substance is not necessarily to follow  him . To grasp the logic of redemption is not necessarily to grasp his love. To be sure, we cannot commune with Christ without knowing something about him. But we can certainly know much about Christ without communing with him. “It is well to be acquainted with the doctrines and principles of Christianity. It is better to be acquainted with Christ himself,” Ryle writes ( Holiness , 247). And nowhere does the Bible acquaint us with Christ  the Person  better than in the Gospels. Matthew, Mark, Luke, and John especially are written for those who, like the visitors in John 12, come to Scripture saying, “Sir, we wish to see Jesus” (John 12:21). The Gospels are bigger than they look. The four Gospels are relatively small compared to most of the books on our shelves. If we wanted, we could read through each in a single sitting. But like the Narnian stable in  The Last Battle , the inside of the Gospels is bigger than the outside. Between their covers lies an infinite glory — a Jesus whose riches are not metaphorically but literally “unsearchable” (Ephesians 3:8). We will never catch all there is to know and love about Jesus, but we can catch something more next year. So come again and walk with him on the waters. Come and watch a few loaves feed five thousand. Come and sing with Zechariah, rise with Lazarus, and walk with the women to the empty tomb. Come and remember why the Gospels are indeed “the most wonderful books on earth” — because they give us the most wonderful Person.

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