Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
God Answers Better Than We Ask
A godly king, backed into a deadly corner, teaches us a liberating truth about prayer. In one of the great tragedies in all of Scripture, David’s son Absalom has exploited his father’s love and conspired against him. Now the rebellion has grown strong, and David is left with no option but to flee Jerusalem in hopes of living to fight another day (2 Samuel 15:14). “Prayer is for turning the tide, for changing the seeming course of history.” As he retreats, weeping as he goes, barefoot, with his head covered in shame, it gets worse. He learns that his most prized advisor, Ahithophel — whose counsel “was as if one consulted the word of God” (2 Samuel 16:23) — has joined Absalom (2 Samuel 15:12). Yet in this most desperate of moments, when David could have crumbled, or wallowed in self-pity, his reflex is Godward. He breathes up a prayer: O Lord, please turn the counsel of Ahithophel into foolishness. (2 Samuel 15:31) Unlikely Plea Admittedly, the prayer seems utterly unlikely, if not impossible, humanly speaking. None was wiser than Ahithophel. One might as well ask for the sun to stand still as to pray for Ahithophel’s wise counsel to turn into folly. Yet these are the very moments for which God has given us prayer. He opens his ear to his people. Not for calling down more comforts for an already cushy existence, but precisely for the times when life and death are at stake. Prayer is not an exercise in naming ahead of time what already seems to be the natural course of action. Prayer is not for making an educated guess out loud to God about what seems to be unfolding already. And it’s certainly not for advising God as to how things should go, as if he needed a counselor (Romans 11:33–34). Rather, prayer is for turning the tide, for changing the seeming course of history. Prayer is for desperate times and dire moments, when we’re backed in a corner — when humanly speaking, the desired outcome, and what seems to be our last chance, is painfully unlikely to unfold, and we need God. We need him to intervene. Without the interruptive fingers of Providence reaching down into the details to disturb what seems to be, from our vantage, the natural course of action, we are doomed. But if he is God, and if he is listening, and if he acts, then we have a fighting chance. Cause and effect do not carry the day. God does. So, David prays. God Does the Unthinkable No sooner has David prayed than Hushai the Archite, who is loyal to David, meets him with torn coat and dirt on his head in mourning (2 Samuel 15:32). David has prayed for Ahithophel’s counsel to turn sour, but now David also acts in faith. He sends Hushai to feign fealty to Absalom, serve as a spy, and perhaps even “defeat for me the counsel of Ahithophel” (2 Samuel 15:34). “Prayer is for desperate times and dire moments, when we’re backed in a corner.” Hushai goes, and like Ahithophel, is received into Absalom’s conspiracy. One of the first orders of business is whether to chase David down and overtake him as he retreats. Ahithophel speaks first: “Pursue David tonight . . . while he is weary and discouraged” (2 Samuel 17:1–2). Per normal, this is wise counsel. “And the advice seemed right in the eyes of Absalom and all the elders of Israel” (2 Samuel 17:4). The great sage has spoken, and this looks like a done deal. And such will spell the end of David — were it not for Hushai, who then speaks. “This time the counsel that Ahithophel has given is not good,” says the mole (2 Samuel 17:7). He then paints David not as the weak and discouraged man that he is, but as mighty, enraged, and expert in war. And God does the unthinkable: he turns the hearts of Absalom and all the men of Israel to say, “The counsel of Hushai the Archite is better than the counsel of Ahithophel.” What? This is a stunning turn of events. An impossibility, apart from God. Only God himself can turn the hearts like this. And so, 2 Samuel 17:14 adds the explanation, “For the Lord had ordained to defeat the good counsel of Ahithophel, so that the Lord might bring harm upon Absalom.” No one could have seen this coming. Even David did not at the time of his prayer. Hushai’s deceptive word carries the day, the dominoes begin to fall, and it soon means the end of Absalom, and salvation for David. He Answers Better Than We Ask So, God answered David’s prayer. Or did he? Remember how the king had prayed: “O Lord, please turn the counsel of Ahithophel into foolishness” (2 Samuel 15:31). God had not answered that prayer. In fact, 2 Samuel 17:14 confirms that Ahithophel had given “good counsel.” Yet we find no lament from David that God didn’t answer his prayer. No complaints that the Lord hid his face, or that his ears were stopped, or that he could not see. No mourning. No frustration. No wallowing. David prayed one seemingly impossible prayer, took a modest step in faith, and trusted God to work salvation for him. And David had no sour grapes that God didn’t answer his prayer precisely as he asked. In fact, David delighted to pray to, and to praise, a God who makes a habit of answering better than we ask. No Scriptwriter Could Guess In his commentary on 2 Samuel, Dale Ralph Davis observes, No sooner does [David] pray than Yahweh begins to answer his prayer — and that in a way no scriptwriter could have guessed. Our prayers deal with the what; God’s answers deal with the what and the how and the when. And how the how can surprise us! (160) Our God delights to free us from being the author of our own stories of salvation. When we pray, it is not our job to foresee how God might bring out the rescue and lay out the details for him, even as often as it is our instinct to do precisely this. Most of us fathers would be a little annoyed, if not greatly, if our children not only asked for things but also insisted on laying out exactly how we should go about fulfilling their request. It is a father’s joy to surprise his children with the means, if not with the end. “Our God delights to free us from being the author of our own stories of salvation.” Fortunately, even as we try to counsel him, our Father in heaven is patient. He endures our folly. And he also wants to free us from feeling we need to give him directions. Not only can we not give him directions, but we can trust that his heart is far greater for the holy outcomes we want than our hearts are. And his ways of answering our prayers, according to his good pleasure, are more stunning than we can dream. He loves to answer better than we ask. Not Precisely but Substantially For those who have walked with this God for even a modest measure of time, we have seen him answer far better than we’ve asked. Which, alongside his Father’s heart (Luke 11:11–12) and the gift of his Spirit (Romans 8:26–27), gives us great incentive to pray, and keep praying. In other words, our human instincts, our ignorance, and our inability to counsel him are no disincentives to pray, but rather good reason to keep asking of him who knows how to give better than we know to ask. He knows. “Your Father knows” (Luke 12:30). We do not. “We do not know what to pray for as we ought” (Romans 8:26). His judgments are unsearchable; his ways, inscrutable (Romans 11:33) — which is all the more reason to ask him. Already Answered When Paul celebrates “him who is able to do far more abundantly than all that we ask or think” (Ephesians 3:20), he is no mindless optimist. He’s not asking us to groundlessly expect “the best is yet to come” without solid proof in the past and present. And Paul has provided it, rooting his doxology in the gospel he just rehearsed. We were dead in sins, and God made us alive together with Christ. We were separated and alienated, without hope, and God brought us near by the blood of Christ. In the gospel, our God has already answered better than we could have asked. Christ came, he died, he rose — and though we often don’t know precisely how to pray, we do know that our Father loves to hear our requests, and outdo them. Article by David Mathis