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The Elijah Task  The Elijah Task

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  • Author: John Loren, Paula Sandford
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Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Comparison Is a Key to Godliness

Too often, I’ve bought the lie. The one the Western world shouts (and the one our sinful ears itch to hear): “Never compare, just be you. Contentment is only found within yourself.” The lie is especially sweet because it allows us to hide our lack of spiritual fruit. It’s tempting to dismiss our need for personal sanctification when we’re preoccupied with the comfort of self-confidence. Even when those lies don’t seduce us, we can still make the mistake of believing that repentance of sinful comparison — the kind that puffs up or beats down — means rejecting all comparison. But we don’t need to fear or avoid comparison, because it is often the means by which God helps us grow. Godly comparison isn’t about keeping up with someone else’s standard, or replicating another’s life, or hustling until we feel better about ourselves. It’s not about running harder on the treadmill of self-improvement, futilely seeking self-worth in our next accomplishment. Godly comparison isn’t ultimately about us. It’s about celebrating and learning from God’s grace at work in others so that we might better love and glorify God. God Compares for Our Good In Genesis, God compared two brothers who brought him an offering. He had regard for Abel’s offering and rejected Cain’s. When Cain responded in anger, revealing the hardness of his heart, God graciously appealed for him to “do well” and beware the lurking beast of sin. In love, he wanted Cain to follow in the righteous footsteps of his brother, who gave the very best of his flock out of devotion to God. Instead of learning from Abel, Cain killed him (Genesis 4:1–8). But, you may say, that was before Jesus! We do not earn his love with offerings. Through faith, we’re clothed in his righteousness. We are saved by grace alone, through faith alone, in Christ alone. Yes, but saving faith in Christ does not produce complacency in character. Jesus told his disciples to follow the examples of others. While sitting in a synagogue, he called them and directed their attention to a poor widow as she placed two copper coins into the offering basket. Contrasting her giving with the wealthy, he declared that she had given more. Though poor, she had given everything she had, demonstrating that her ultimate treasure was God himself (Mark 12:41–44). Jesus also taught us by comparing two sisters. As Martha busied herself with preparations and grumbled to Jesus over Mary’s lack of help, he responded that Mary had chosen better by remaining at his feet. His tender correction wasn’t meant to burden this weary woman with heavy expectations, but to demonstrate what Mary already knew to be true — it’s better to treasure Jesus than to merely toil for him (Luke 10:38–42). When God makes comparisons, it’s not so that we’ll be crushed or condemned, but so that more of our hearts will be captured by him. Comparing for Our Godliness We’ve been saved into one body: the church. This body is made up of many members, each with a distinct function (Romans 12:4–5). God’s glory is too vast and magnificent for a family of cookie-cutter Christians. He intends for all of us — with our different personalities and talents, backgrounds and stories, strengths and weaknesses — to display glimpses of his infinite goodness to the world. Our differences, of every kind, underline his worth in ways sameness cannot. However, while God hasn’t called us to sameness, he has called us all to holiness. As all the parts of our body move in the same direction when we walk, the church in all its diversity moves together toward Christ. One way God helps us become holy is by surrounding us with Christians who imitate him in ways that we don’t yet. These differences are a part of God’s gracious plan to conform us into the image of his Son. He has always intended for us to be sharpened by one another’s examples. That’s why Paul unashamedly told the Corinthian church to be imitators of him as he was of Christ (1 Corinthians 11:1). It’s why Paul instructed Titus to be a model of good works (Titus 2:7) and Timothy to set an example in speech, conduct, love, faith, and purity (1 Timothy 4:12). It’s why Paul spread the word of the Macedonian church’s generosity amidst their affliction (2 Corinthians 8). The body won’t grow in holiness unless there’s godly, humble, and hope-filled comparison and imitation. Our altars of autonomy must be overthrown. Just as Cain should have learned from Abel, just as Martha had to learn from Mary, just as the Corinthian church learned from the Macedonians, we need to learn from one another. How Should We Compare? As we compare, it’s helpful to focus on principles more than particulars. For example, I struggle to practice biblical hospitality, so I look to those who excel — imitating them as they imitate Christ. In doing this, I remind myself there’s freedom to extend hospitality in different ways. My mother-in-law invites people without nearby relatives to holiday gatherings. My siblings and friends have brought foster children into their families. My friend from small group recently had a Mormon missionary over to discuss faith. Rather than feeling daunted by their examples, God is helping me celebrate and learn from them. How might the Christ living in and through them live in and through my hospitality? Rather than ignoring or making excuses for my weakness, I am stirred to grow, obey, and even enjoy hospitality. In areas where we’re stronger, we should still humbly position ourselves to learn from others. I’m far more gifted in mercy than in hospitality, and love using my time and resources to care for those in need. Yet I still need to grow. I want the depth of compassion my friend Brenda has for prostitutes where we live. I want my brother’s heart for the addicted, and his boldness to declare the gospel to those in hopeless situations. The Spirit frees us to boldly and expectantly compare. Who stirs you to treasure Christ more? Who possesses godliness you lack? Who lives passionately for the mission? Consider their examples and identify ways in which you want to imitate them. The same God at work in their strengths will be faithful to slowly refine and transform your weaknesses. Article by Amy DiMarcangelo

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