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Counseling Manual, Biblical Counseling Manual, Biblical

Counseling Manual, Biblical Order Printed Copy

  • Author: Sam Galloza
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Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

tweeted to and fro - surviving a distracted and divided age

“We live in a divided age” is so self-evidently true that it’s frankly boring to write. Theories abound on how we got here; what’s undisputed is that we’re here. It sure can feel as if the temperature of virtually every conversation and debate, however trivial, is set to  blazing hot . And worst of all, the previous paragraph doesn’t just describe the world — it describes many churches. Rather than shining as a contrast to the perpetual outrage machine, many of us are too busy being conformed to the pattern of this age (Romans 12:2). How, then, can believers forge meaningful unity in a fractured time? It is looking unlikely that we’re going to tweet our way out of the problem. So what’s the path forward? Whiplash World As author Yuval Levin has observed in  A Time to Build , the function of institutions in modern life has largely shifted from  formative  to  performative  — from habitats for growth to platforms for self-expression. Enter a secular university, for example, and you may well emerge more coddled than shaped. But this performative dynamic isn’t confined to colleges; it also infects local churches. Long past are the days when American churchgoers looked to their pastors  first  (or perhaps even second or third) for help navigating a fraught cultural landscape. Nowadays it’s pundits — whether on cable news or talk radio or social media — whose voices are most formative. On one level, this is understandable. Pastors are not omnicompetent. They aren’t experts on everything, or even most things. Thus when it comes to current events, Christians should (in one sense) expect less from their pastors. Nevertheless, the larger trend is troubling. When church becomes just another arena in which to perform — whether via a “leadership position” or simply by keeping up appearances — rather than a family in which to be shaped, it has ceased to occupy the gravitational center of one’s life. No wonder priorities spin out of orbit. No wonder people demand that their pastors affirm, and publicly echo, their settled opinions on debatable matters. I’ve heard countless stories of someone leaving their church because of their politics. What I have yet to hear is someone leaving their politics because of their church. One reason churches are losing the battle to form hearts is because the Christians who visit and join and show up for worship Sunday after Sunday are battered by the storms of digital discourse. They’re limping along, exhausted and distracted and confused. No Longer Tossed This is precisely why congregational unity is so essential. Unity is not a squishy sentiment or optional add-on to the Christian life; it is something for which Jesus prayed and bled and died (John 17:22). Just consider the apostle Paul’s logic in Ephesians 4. The ascended King Jesus gave the gift of pastors to equip church members for ministry (verses 8–12). As such ministry  builds up  the body (verse 13), the ensuing unity  tears down  whatever threatens it (verse 14). In other words, ministry generates unity, and unity generates stability. Thus, unity’s purpose is plain: “so that we may no longer be children, tossed to and fro by the waves and carried about by every wind of doctrine, by human cunning, by craftiness in deceitful schemes” (verse 14). Living in a turbulent time? Labor for unity. It will have a stabilizing effect. But how, practically, do we do this in the local church? How do we keep each other from being pummeled by the raging rapids of modern media? Here are two suggestions. 1. Dust Off Your Documents A good statement of faith, used properly, is a goldmine for church unity. Same with a members’ covenant. These documents shouldn’t gather dust in a file drawer or be confined to a website. They should be  used , for they are pregnant with unity-forging potential. Why? They provide a common core, enabling churches to keep the main things central and helping to regulate the temperature of our debates. The million-dollar question then becomes whether our statement of faith speaks to a given topic.  Yes, clearly?  Then we also will.  Yes, sort of?  Then we might.  No, not at all?  Then we likely won’t. In my estimation, a good statement of faith is neither so  exhaustive  that an undiscipled Christian couldn’t join the church, nor so  mere  that there’s little the church is actually standing for. But we refuse to divide over things we never agreed to agree on. As a church planter, I’ve had to think about developing documents that will establish biblical guardrails — while recognizing that not all doctrines are equally important or clear. In a recent membership class, someone asked why we don’t stake out a clearer position on the end times. It’s a good question. I briefly explained the idea of theological triage — there are first-rank doctrines we must agree on to be Christians, second-rank doctrines we must agree on to be members of the same church, and third-rank doctrines we can actually disagree on and still be members of the same church. Even if various gospel-proclaiming churches classify second- and third-rank doctrines a bit differently, the classification system itself is a useful tool. By codifying only certain doctrines (statement of faith) and promises (covenant), a church crystallizes what members  must  agree on — and where there’s room to disagree. This engenders confidence in the essentials and freedom in everything else. This is not to say that a pastor should avoid debatable matters in his preaching — as he unfolds the “whole counsel of God” (Acts 20:27), many such matters will arise. It’s simply to say that a church cannot bind members’ consciences on issues where (the church has agreed, as reflected in its documents) God has not clearly spoken. “It’s counterintuitive but true: one way to preserve sound doctrine is to leave ample room for Christian freedom.” It’s counterintuitive but true: one way to preserve sound doctrine is to leave ample room for Christian freedom. Otherwise, churches can easily succumb to legalism by requiring agreement on third-rank issues. But by lowering the fences on debatable matters, we raise the fences on non-debatable ones. Or to change the metaphor, by lowering our collective voice on issues where Scripture is not clear — say, a specific political-policy proposal — we can raise our voice on issues where it is. This is why liberty of conscience is so critical in an age of outrage. As Mark Dever has observed, leaving space for disagreement (on many matters other than gospel clarity) is, in part, what keeps the gospel clear. When we lack a clear understanding of Christian liberty and space for conscience, we will be tempted to stick more into the gospel than is there — that is, agreement on a wider variety of issues. Don’t underestimate the practical value of church documents. They are your friends; weave them into the life of your church. Corporately confess portions of your statement of faith on Sundays. Rehearse the covenant’s promises when you convene a members’ meeting or celebrate the Lord’s Supper. Quote the documents in sermon applications. In so doing, you will forge unity around what has been agreed on — and avoid division around what hasn’t. 2. Get a Table Another way to foster church unity, not to mention sanity, is to trade the Twitter timeline for a table. I mean this literally. How many hours per week do you typically spend scrolling through social media? (Statistically, it’s probably more than you think.) By comparison, how many do you spend conversing with fellow church members over meals? (Statistically, it may be less than you think.) If the first number dwarfs the second, consider that a check-engine light for your soul. Proximity may not always breed unity, but distance certainly won’t. It’s just harder to resent someone when you’re asking them to pass the salt. “Christian, you are spiritually responsible for the members of your church, not for strangers on the Internet.” Christian, you are spiritually responsible for the members of your church, not for strangers on the Internet. Yet who is getting your best energy these days — the members or the strangers? Likewise, if you are a pastor, remember that on the last day you will give account to God not for your followers, but for your flock (Hebrews 13:17). Who is claiming your best energy these days — the followers or the flock? To borrow language from later in Ephesians 4, we are called to “put off” anything that decreases our joy in God, and in his children, and to “put on” whatever increases it (verses 22–24; see also 1 Thessalonians 2:19–20). If something is generating suspicion or coldness toward fellow believers — especially fellow members — then put it off. Maybe that means  shut it off . Pray your heart would be more animated by the faces in your membership directory than by the faces in your newsfeed. No Replacement Technology and parachurch ministries are gifts, but they are no replacement for the local church. Anchor your identity there, friend, for only in the communion of the saints will you find ballast amid the storms. In a world of endless options, the church makes our commitments clear. In a world of enormous complexity, the church makes our duties simple. In a world of escalating division, the church makes our unity sweet. These are my people, and I am theirs.

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