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About the Book
"African God's Generals" by Eddie Sempala explores the lives and ministries of influential African Christian leaders who have made a significant impact in their communities and beyond. The book highlights their faith, dedication, and perseverance in spreading the gospel and inspiring others to follow in their footsteps. Sempala's writing offers insight into the unique challenges and triumphs faced by these spiritual leaders, making it a valuable source of inspiration for readers seeking to deepen their own faith.
Charles Simeon
"On the Wednesday of Holy Week began a hope of mercy. On the Thursday, that hope increased. On … Easter Day … I awoke with these words upon my heart and lips: Jesus Christ is risen today, halleluja, halleluja!"
Though he became a model for modern figures like John Stott, Charles Simeon started his life in Cambridge as anything but a model.
In 1779, the young Simeon, from an aristocratic family, came to Kings College, Cambridge, to study, and he was told that he must attend chapel on Easter Day to receive Communion. Simeon's main interests to this point had been horses, games, and fashion. He considered that "Satan himself was as fit to attend [the sacrament] as I." Still, he sought hard to see how he might sort out his conscience. He began to read the Scriptures and various devotional books.
As he read about propitiatory sacrifice in the Old Testament, he thought, "What, may I transfer all my guilt to another? Has God provided an offering for me, that I may lie my sins on his head?" He immediately laid his sins "upon the sacred head of Jesus."
On the Wednesday of Holy Week, he wrote, he "began a hope of mercy. On the Thursday, that hope increased. On the Friday and Saturday, it became more strong. And on the Sunday morning, Easter Day, April 4, I woke early with these words upon my heart and lips: Jesus Christ is Risen Today, Halleluja, Halleluja!"
Simeon went on to be ordained, and after a short stint at St. Edwards, Cambridge, at age 23, he was appointed vicar of Holy Trinity Church. The parish had wanted another minister, and this fact—combined with Simeon's evangelical preaching—quickly alienated them. They locked their rented pews against him, and those who came to hear Simeon were forced to stand in the aisles.
When Simeon moved to put benches in the aisles, the church wardens threw them out. He battled with discouragement and at one point wrote out his resignation.
"When I was an object of much contempt and derision in the university," he later wrote, "I strolled forth one day, buffeted and afflicted, with my little Testament in my hand … The first text which caught my eye was this: 'They found a man of Cyrene, Simon by name; him they compelled to bear his cross.'"
"Conversation parties"
Slowly the pews began to open up and fill, not primarily with townspeople but with students. Then Simeon did what was unthinkable at the time: he introduced an evening service. He invited students to his home on Sundays and Friday evening for "conversation parties" to teach them how to preach. By the time he died, it is estimated that one-third of all the Anglican ministers in the country had sat under his teaching at one time or another.
Simeon, an untiring activist, also helped found evangelistic organizations like the London Jews Society, the Religious Tract Society, and the British & Foreign Bible Society. He was also one of the founders of the Church Missionary Society, and he inspired dozens of young men from his church to take the gospel to the far corners of the world.
In 1817, with money inherited through a brother's death, he created what became known as the Simeon Trust to purchase rights to appoint evangelical clergy to the parishes. He remained a bachelor his whole life, and his entire ministry was at Holy Trinity Church, Cambridge—even today a focal point of evangelicalism in England.
god filled your bible with poems
I define poetry as an effort to share a moving experience by using language that is chosen and structured differently from ordinary prose . Sometimes it rhymes. Sometimes it doesn’t. Sometimes it has a regular cadence. Sometimes it doesn’t. But almost always the poet has experienced  something — something horrible or wonderful or ordinary — and he feels that he must share it. Using words differently from ordinary prose is the poet’s way of trying to awaken something of his experience (and perhaps even more) in the reader. God Speaks in Poems It has always boggled my mind that so much of the Bible is poetry. God inspired this, and he did not have to do it this way. How much of God’s inspired word is poetry? Leland Ryken answers, One-third of the Bible is not too high an estimate. Whole books of the Bible are poetic: Job, Psalms, Proverbs, Song of Solomon. A majority of Old Testament prophecy is poetic in form. Jesus is one of the most famous poets of the world. Beyond these predominantly poetic parts of the Bible, figurative language appears throughout the Bible, and whenever it does, it requires the same type of analysis given to poetry. That is a lot of poetry — language that is chosen and structured differently from ordinary prose . God can raise the dead by any means he pleases. He can waken dull hearts to the reality of his beauty any way he desires. And one of the ways he pleases to do it is by inspiring his spokesmen to write poetry. Resist the Inexpressible Paradoxically, poetry is an expression of the fact that there are great things that are inexpressible. There is no one-to-one correspondence between the depths of human experience and the capacities of language to capture that experience. There are experiences that go beyond the ability of language to express them. For the poet, this limitation of language does not produce silence; it produces poetry. Poetry is a kind of verbal resistance to the impenetrability of human experience. The poet will at least try. Say It with a Poem For example, can we even begin to imagine what it felt like for the fathers and mothers of the children in Bethlehem to lose their little ones when Herod’s murder squad arrived and slaughtered all of them under two years old? Perhaps not. But there was one year (inspired by the loss of a son in our church) when I said: I will try. And I will try with a poem. It has come to be called The Innkeeper . I imagine a father who not only lost two sons that horrible night, but also his wife and his arm. He made room for Joseph and Mary. But he had no idea what it would cost him to embrace the Son of God. Jesus comes back to visit him just before going to the cross. The poem describes the meeting. Slow Communication Is Not Popular We do not live in a day when poetry is in vogue. Perhaps it has never been in vogue. Shaped by smartphones and soundbites, we are impatient with communication that forces us to slow down. Poetry, by definition, is a kind of communication that cannot be fully appreciated on the first reading. Suppose a poem has a structure of cadence and rhyme and form. Two or three attempts are needed to make the path familiar enough to allow the eyes to be lifted. Then, when the reader is comfortably in the flow, he begins to see so much more than when he was too distracted by the form. So poetry books will seldom be best-sellers. And God has mercifully put all kinds of writing in the Bible besides poetry. He knows better than I do that some people prefer stories (like our Gospels) and others prefer arguments (like the epistle to the Romans). So I will understand if you are not a poetry-lover. But don’t limit yourself too quickly. People change. Times change. This may be the season for you to slow down and reconsider.